Readers will enjoy reviewing the best seasons in Cubs history in Season at the Summit. The Chicago White Stockings, later to become Wrigleyville's loveable Cubbies, were charter members of the National League, and the only franchise that has operated continuously in the same city between the first game played on April 1876 and today. During that time, over 1,750 ballplayers have pulled on Cub uniforms, and out of that number, co-authors Warren Wilbert and William Hageman have chosen the players who have put together individual seasons of such magnificent that they have merited a top-50 billing.
This is the first book written about John Paul Merton, Thomas Merton's younger brother. Neither scholar nor saint, the life of John Paul Merton illustrates there is more than one way to live a meaningful and holy life. His was a quietly incubating spirituality guided by his law of love. He began life singing in a crib and ended his life praying as he lay dying in a dinghy in the English Channel during World War II. This book examines the relationship he had with his famous brother, Thomas, especially in the years before Tom became a monk. It examines, among other topics, the relationship between Thomas, the intellectual, and John Paul, the action-oriented younger brother. As a teenager, John Paul earned the nickname "Wildman," and as an adult he learned to live life to the fullest on his own terms. The bumps and bruises of his life--orphaned at twelve years of age, dismissed from Cornell without his degree, and frustrated in his effort to serve in World War II as a fighter pilot--were faced head on. He lived life as an optimist without losing sight of the reality of his world. Most importantly, John Paul's "journey of hidden holiness" can inspire each of us as we, too, journey onward.
Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself. Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"--from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories. Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players. Students and scholars of American music, culture, commerce, and history--as well as fans and collectors interested in this phase of our rich artistic past--will find a great deal of thorough research and fresh scholarship to enjoy in these pages.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
In 1995, William B. Gould IV, then chairman of the National Labor Relations Board, cast the deciding vote to obtain the injunction that ended the longest strike in baseball history. Sixteen years of peaceful relations between baseball labor and management have followed, as well as unprecedented prosperity in a relationship that had just endured 30 years of strikes and lockouts. This study, which clearly illustrates the practical impact of law on America's pastime, considers the 140-year sweep of labor-management relationships and conflict, exploring player-owner disputes, the development of free agency, the collective bargaining process, and the racial integration of baseball, among other topics. It concludes with a discussion of the "steroids era," the problem with maintaining Jackie Robinson's legacy in the 21st century, and globalization.
Brown wrote extensively as a journalist but was also a pioneer in other literary genres. His many groundbreaking works include Clotel, the first African American novel; The Escape: or, A Leap for Freedom, the first published African American play; Three Years in Europe, the first African American European travelogue; and The Negro in the American Rebellion, the first history of African American military service in the Civil War. Brown also wrote one of the most important fugitive slave narratives and a striking array of subsequent self-narratives so inventively shifting in content, form, and textual presentation as to place him second only to Frederick Douglass among nineteenth-century African American autobiographers.".
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