This systematic history of Jamaica was written after the abolition of slavery by a man imbued with a sense of 18th-century liberalism. It is based on public records and archives, and the mass of pamphlet literature which had been published over the years.
WINNER OF THE DUFF COOPER MEMORIAL PRIZE | LONGLISTED FOR THE SAMUEL JOHNSON PRIZE 'Indispensable reading on both India and the Empire' Daily Telegraph 'Brims with life, colour and complexity . . . outstanding' Evening Standard 'A compulsively readable masterpiece' Brian Urquhart, The New York Review of Books A stunning and bloody history of nineteenth-century India and the reign of the Last Mughal. In May 1857 India's flourishing capital became the centre of the bloodiest rebellion the British Empire had ever faced. Once a city of cultural brilliance and learning, Delhi was reduced to a battered, empty ruin, and its ruler – Bahadur Shah Zafar II, the last of the Great Mughals – was thrown into exile. The Siege of Delhi was the Raj's Stalingrad: a fight to the death between two powers, neither of whom could retreat. The Last Mughal tells the story of the doomed Mughal capital, its tragic destruction, and the individuals caught up in one of the most terrible upheavals in history, as an army mutiny was transformed into the largest anti-colonial uprising to take place anywhere in the world in the entire course of the nineteenth century.
Some Like It Cold chronicles the true story of twin brothers Lee and Larry Williams, whose love of surfing evolved in the most unlikely of geographies: off the shores of Lake Michigan. From their boyhood home in Sheboygan, Wisconsin, the brothers trekked to the local beach with their longboards and their dreams to master the waves at spots like the Elbow and the Cove. The next six decades proved that their zeal for catching grinders and barrels was much more than a hobby. Surfing in the cold had its challenges, and Lee and Larry recall stories of freak storms, ice-encrusted beaches, and near drownings, along with the usual hypothermia, helped but not cured by their customized cold-water wetsuits. Despite living nearly 2,000 miles from either coast, Lee and Larry have made a lifestyle out of freshwater surfing, recreating their hometown as "The Malibu of the Midwest" and gaining international fame as hosts of the Dairyland Surf Classic. With humor and wit, author William Povletich brings their tale of revolutionizing surf culture to the page.
A collection of writings on travels undertaken in the Victorian era. The texts collected in these volumes show how 19th century travel literature served the interests of empire by promoting British political and economic values that translated into manufacturing goods.
Lewis County, located in far northeastern Kentucky, was formed in 1806 and named for explorer Meriwether Lewis. The county was once teeming with industry as a supplier of finished goods and agricultural products. Historically, the countys proximity to the Ohio River allowed the export of timber and salt, and in the 1800s, railroad transportation made Lewis County an influential source of railroad ties, boat-building materials, and barrels. In later years, the area was most popular for its health resorts, spas, and sulfur waters, which attracted visitors from as far as New York and Chicago. The images in this volume depict the countys military influence, as Lewis Countians had strong allegiance to the Union during the Civil War. The photographs featured in Images of America: Lewis County have been drawn from the archive of the Vanceburg Depot Museum and from various private collections.
During his tenure as the Regius Professor of Medicine at Oxford from 1905-1919, Sir William Osler amassed a considerable library on the history of medicine and science. A Canadian native, Osler had studied at McGill University and decided to leave his collection of 7,600 items to its Faculty of Medicine. A catalogue, the Bibliotheca Osleriana, was compiled - a labour of love that took ten years to complete and involved W.W. Francis, R.H. Hill, and Archibald Malloch. Osler himself laid down the broad outlines of the catalogue and wrote many of the annotations.
The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends were crucial sources for this book. Freud had ferocious energy, worked day and night but his circle was broad including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies and gangsters like the Kray twins. Fierce, rebellious, charismatic, extremely guarded about his life, he was witty, mischievous and a womanizer. This brilliantly researched book begins with the Freuds' life in Berlin, the rise of Hitler and the family's escape to London in 1933 when Lucian was 10. Sigmund Freud was his grandfather and Ernst, his father was an architect. In London in his twenties, his first solo show was in 1944 at the Lefevre Gallery. Around this time, Stephen Spender introduced him to Virginia Woolf; at night he was taking Pauline Tennant to the Gargoyle Club, owned by her father and frequented by Dylan Thomas; he was also meeting Sonia Orwell, Cecil Beaton, Auden, Patrick Leigh-Fermor and the Aly Khan, and his muse was a married femme fatale, 13 years older, Lorna Wishart. But it was Francis Bacon who would become his most important influence and the painters Frank Auerbach and David Hockney, close friends. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life—"my work is purely autobiographical"—and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic. This book is a major achievement, a tour de force that reveals the details of the life and innermost thoughts of the greatest portrait painter of our time. Volume I has 41 black and white integrated images, and 2 eight-page color inserts.
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