Darlun sydd yma o ŵr a lwyddodd ym myd y ceffylau gwedd ac a drodd ei fferm yn fusnes lewyrchus. Bu'n amlwg fel bridiwr, cystadleuydd a beirniad. Pan sylweddolodd nad oedd fferm y Llys, Brynrefail yn ddigonol i gadw teulu, trodd y safle yn fusnes mawr proffidiol a hynny cyn dyddiau yr arallgyfeirio o fewn y byd amaethyddol. -- Cyngor Llyfrau Cymru
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed’s entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed’s art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed’s relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
In Mystics, William Harmless, S.J., introduces readers to the scholarly study of mysticism. He explores both mystics' extraordinary lives and their no-less-extraordinary writings using a unique case-study method centered on detailed examinations of six major Christian mystics: Thomas Merton, Bernard of Clairvaux, Hildegard of Bingen, Bonaventure, Meister Eckhart, and Evagrius Ponticus. Rather than presenting mysticism as a subtle web of psychological or theological abstractions, Harless's case-study approach brings things down to earth, restoring mystics to their historical context.
Featuring hundreds of black-and-white illustrations of marksmanship medals, prizes, and badges, plus a special full-color section, this encyclopedia of U.S. Army shooting awards and training program rewards is a must-have for military historians and collectors. In Marksmanship in the U.S. Army, William K. Emerson details weapons training from the 1850s to the present, gathering this information for the first time in a single volume. Emerson highlights the philosophies behind army marksmanship and documents the awards, prizes, and badges bestowed upon the War Department’s most elite shooters, artillerymen, and swordsmen. Proficiency training discussed in this book includes the use of sabers, cannons, sea mines, bayonets, tank weapons, aerial gunnery, bombs, and other weapons. Emerson integrates discussion of the criteria, people, and rationale behind each award into this historical account. Emerson’s emphasis on national rifle and pistol matches, the history of selected army and NRA trophies, and significant players in the army’s weapons training development enhances the comprehensive appeal of the latest contribution to military history by this experienced author.
David Scott Kastan lucidly explores the remarkable richness and the ambitious design of King Henry IV Part 1 and shows how these complicate any easy sense of what kind of play it is. Conventionally regarded as a history play, much of it is in fact conspicuously invented fiction, and Kastan argues that the non-historical, comic plot does not simply parody the historical action but by its existence raises questions about the very nature of history. The full and engaging introduction devotes extensive discussion to the play's language, indicating how its insistent economic vocabulary provides texture for the social concerns of the play and focuses attention on the central relationship between value and political authority.
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