A Look over My Shoulder begins with President Nixon’s attempt to embroil the Central Intelligence Agency, of which Richard Helms was then the director, in the Watergate cover-up. Helms then recalls his education in Switzerland and Germany and at Williams College; his early career as a foreign correspondent in Berlin, during which he once lunched with Hitler; and his return to newspaper work in the United States. Helms served on the German desk at OSS headquarters in London; subsequently, he was assigned to Allen Dulles’s Berlin office in postwar Germany. On his return to Washington, Helms assumed responsibility for the OSS carryover operations in Germany, Austria, and Eastern Europe. He remained in this post until the Central Intelligence Agency was formed in 1947. At CIA, Helms served in many positions, ultimately becoming the organization’s director from 1966 to 1973. He was appointed ambassador to Iran later that year and retired from government service in January 1977. It was often thought that Richard Helms, who served longer in the Central Intelligence Agency than anyone else, would never tell his story, but here it is–revealing, news-making, and with candid assessments of the controversies and triumphs of a remarkable career.
In 2002 William Hood began a solo journey across the Weminuche Wilderness Area of the San Juan Mountains in southern Colorado. Alone, with only a backpack and some supplies, William Hood set out along the continental divide for a 100 mile trek. In recounting this extraordinary journey, Hood also explores Coloradoâ¿¿s varied history, relating it to his own personal experiences. Encountering guardian angels, magnificent wildlife, and angry, threatening weather, Hood weaves an enriching and comical story about what it means to be human in todayâ¿¿s modern world. Searching for a Perfect State of Colorado looks deeply into the issues facing each person today - balancing personal harmony with outside influences. William Hoodâ¿¿s enlightening journey reminds all of us that we are all still searching for a better existence; a perfect state of mind in the perfect state of Colorado.
Mole combines history with mystery and does so with the style of a gifted writer and the expert eye of a seasoned intelligence practitioner. Hood began his intelligence career during World War II with the OSS in X-2 Counterespionage, worked in a variety of positive intelligence assignments, and retired in 1975 while serving as the executive officer of the Counterintelligence Staff of the CIA.
Fra Angelico's fresco paintings at the Dominican priory of San Marco are among the best-loved works of Italian art, yet they have been oddly neglected by art historians. In this beautiful book, William Hood analyzes the newly cleaned frescoes at San Marco, setting them against the background of fifteenth-century Florentine artistic, political, cultural, and religious history. Hood discusses the ideals, daily rituals, and pictorial traditions of the Dominican order - especially the reformed or Observant branch to which Fra Angelico belonged. He presents new material on traditions of religious art, altarpiece design and imagery, and the decoration of chapter rooms and cloisters. Hood compares Fra Angelico's work at San Marco to earlier Dominican altarpieces and to his other altarpieces for Dominican buildings in Siena, Pisa, Prato, and Florence, pointing out both the traditional elements and the startling novelty of the San Marco altarpiece. Similarly, by comparing San Marco to other Florentine fresco cycles, he illuminates the originality of the cloister and chapter-house of San Marco. Hood's discussion of San Marco follows an itinerary through the church and adjoining convent buildings, beginning with the high altarpiece and ending with the corridor paintings - especially the exquisite Annunciation in the corridor of the north dormitory. Throughout, he analyzes Angelico's use of color, his technique in fresco and tempera, the way he solved specific visual problems, and how his paintings affected fifteenth-century viewers. This beautiful book will be an important addition to our understanding of fifteenth-century art and of artistic and cultural practices.
Born in Bryan, Texas, and raised in Houston, Dorothy Hood won a scholarship to the Rhode Island School of Design in the early 1930s, then worked as a model in New York to earn money for classes at the Art Students League. On a whim, she drove a roadster to Mexico City with friends in 1941 and ended up staying for more than twenty years. Hood was front and center at the cultural, political, and social crossroads of Mexico and Latin America during a period of intense creative ferment. She developed close friendships with the exiled European intelligentsia and Latin American surrealists: artists, composers, poets, playwrights, and revolutionary writers. She married the Bolivian composer José María Velasco Maidana, and together they traveled all over the world. Once back in Houston, Hood produced epic paintings that evoked the psychic void of space: large-scale works evoking primordial seas, volcanic explosions, and the cosmos contained within the mind. The Color of Being / El Color del Ser establishes a vital connection among Texas, Latin America, New York, and Europe. It celebrates this important Modernist painter whose oeuvre is integral to the ongoing dialogue of abstraction by artists of the postwar period. Sponsored by the Art Museum of South Texas
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Acclaimed writers, family, friends, and more pay homage to the celebrated Southern author of The Prince of Tides and The Great Santini. New York Times–bestselling writer Pat Conroy (1945–2016) inspired a worldwide legion of devoted fans, but none are more loyal to him and more committed to sustaining his literary legacy than the many writers he nurtured over the course of his fifty-year career. In sharing their stories of Conroy, his fellow writers honor his memory and advance our shared understanding of his lasting impact on literary life in and well beyond the American South. Conroy’s fellowship drew from all walks of life. His relationships were complicated, and people and places he thought he’d left behind often circled back to him at crucial moments. The pantheon of contributors includes Rick Bragg, Kathleen Parker, Barbra Streisand, Janis Ian, Anthony Grooms, Mary Hood, Nikky Finney, Nathalie Dupree and Cynthia Graubart, Ron Rash, Sandra Brown, and Mary Alice Monroe; Conroy biographers Katherine Clark and Catherine Seltzer; his longtime friends; Pat’s students Sallie Ann Robinson and Valerie Sayers; members of the Conroy family; and many more. Each author in this collection shares a slightly different view of Conroy. Through their voices, a multifaceted portrait of him comes to life and sheds new light on who he was. Loosely following Conroy’s own chronology, the essays herewith wind through his river of a story, stopping at important ports of call. Cities he called home and longed to visit, along with each book he birthed, become characters that are as equally important as the people he touched along the way.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.