He elucidates a number of formal strategies, such as sequence, reversal, negation, repetition, deferral, and reconstruction, and then applies them to a wide range of Mansfield's stories, including such favorites as "Prelude," "The Voyage," "The Little Governess," and "Je ne parle pas francais.
Henry William Herbert (1807-1858) who also wrote under the pseudonym Frank Forester, was an English novelist and writer on sport. He was educated at Eton College and at Caius College, Cambridge, where he graduated BA in 1830. To escape his debts, he emigrated to the United States, and from 1831 to 1839 taught Greek in a private school in New York City. In 1833 he started the American Monthly Magazine, which he edited, in conjunction with A. D. Patterson, till 1835. In 1834 he published his first novel, The Brothers: A Tale of the Fronde, which was followed by a number of others that achieved popularity including: The Village Inn; or, The Adventures of Bellechassaigne (1843), The Lord of the Manor; or, Rose Castleton's (1844), Ruth Whalley; or, The Fair Puritan (1845), The Roman Traitor: A True Tale of the Republic (3 Volumes) (1846), My Shooting Box (1846), The Miller of Martigne (1847), Ingleborough Hall and Lord of the Manor (1847), Isabel Graham; or, Charity's Reward (1848), Pierre the Partisan: A Tale of the Mexican Marches (1848) and Frank Forester and His Friends (1849).
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...
This book is a set of theoretical, historical and analytical inquiries into the growth and practice of the short story in Canada and New Zealand. Even to call it a 'set' of inquiries is to describe some of the paradoxes that accompany the topic - paradoxes that derive both from the particular literary form and from the particular societies in question.
Directly aimed at both university and university-college level Introduction to Fiction and Prose Fiction courses, this anthology is an introduction to the modern short story as a literary form. In this fourth edition, general editors New and Rosengarten provide readers with a wonderfully diverse selection of stories, featuring 17 new literary selections. From standard classics to examples authored by established as well as emerging contemporary writers, literary selections presented in this text clearly reflect the dynamic, ever-shifting landscape of modern short fiction in terms of the varied cultural currencies of style, structure, theme and subject matter. Readers develop a greater appreciation for the entertainment value and perceptive qualities of a good story as well as its narrative roots--all of which are drawn from many traditional forms of storytelling: myths, legends, fables, folk tales, ballads, fairy tales, and oral "exempla.
In popular imagery, Herbert Hoover is often stereotyped as a 'do-nothing' president who offered only nineteenth-century slogans for the greatest economic catastrophe in twentieth-century American history. Nothing could be further from the truth. This study examines the properties of an innovative approach to economic growth and stability formulated by Hoover and his associates during his years as secretary of commerce (1921-9) and inspects his deployment of this strategy from the White House following the Great Crash in the autumn of 1929. Attention is then focused on Hoover's attempts to reformulate his macro-economic programme as the depression deepened in late 1931 and 1932. Archival materials provide arresting insights into Hoover's aspirations for a new institution - the Reconstruction Finance Corporations - as a vehicle for stimulating investment through a novel form of 'off-budget' financing. To complement the discussion of Hoover's theories of economic policy in their various manifestations, the views of contemporary economists on problems of the day are surveyed.
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