This is an introduction to basic music technology, including acoustics for sound production and analysis, Fourier, frequency modulation, wavelets, and physical modeling and a classification of musical instruments and sound spaces for tuning and counterpoint. The acoustical theory is applied to its implementation in analogue and digital technology, including a detailed discussion of Fast Fourier Transform and MP3 compression. Beyond acoustics, the book discusses important symbolic sound event representation and software as typically realized by MIDI and denotator formalisms. The concluding chapters deal with globalization of music on the Internet, referring to iTunes, Spotify and similar environments. The book will be valuable for students of music, music informatics, and sound engineering.
Montana: A History of Two Centuries first appeared in 1976 and immediately became the standard work in its field. In this thoroughgoing revision, William L. Lang has joined Michael P. Malone and Richard B. Roeder in carrying forward the narrative to the 1990s. Fully twenty percent of the text is new or revised, incorporating the results of new research and new interpretations dealing with pre-history, Native American studies, ethnic history, women's studies, oral history, and recent political history. In addition, the bibliography has been updated and greatly expanded, new maps have been drawn, and new photographs have been selected.
This bibliography is a comprehensive compilation of the literature on ant systematics. Covering the period 1758 to 1995, it contains entries for approximately 8,000 publications on the taxonomy, evolution, and comparative biology of ants. Most of the literature citations have been carefully verified and precisely dated. An introductory chapter discusses the problems associated with dating a citation of taxonomic literature. A list of all serials cited (more than 1,300 titles) and their abbreviations accompanies the bibliography.
Employing “self-sharpening tools” found in the work of theologian and philosopher Bernard Lonergan, Pope Francis’ encyclical Laudato si’, and international law, William P. George brings mining to personal and collective moral awareness by “prospecting for ethics” at selected sites: (1) Butte, Montana, “the Richest Hill on Earth,” once bound to Chuquicamata, Chile, by a company that spanned two continents and nearly owned a state; (2) the tiny island nation of Nauru, called Pleasant Island until it was devastated by phosphate mining and the breaking of a sacred trust by foreign powers; (3) the deep seabed, governed by the United Nations Law of the Sea, a “constitution for the oceans” that regards much of the resource-rich seabed as humankind’s “common heritage”; (4) Africa, with its uranium mines but also its conflicts over what “being nuclear” means in the wake of colonialism, apartheid, and Hiroshima; and (5) mineral-rich asteroids speeding through space where mining rights are contested, even as space entrepreneurs look to become the world’s first trillionaires. George introduces readers to remarkable moral miners––the women of Butte and Chuquicamata, a World Court judge from Sri Lanka, and the Rocket Boys of Coalwood, West Virginia, to name a few––and leads them to consider not only the morality of mining––what’s good and not so good about resource extraction––but also the mining of morality, a venture that Socrates called “the examined life.”
While most know Thomas Edison for his invention of the light bulb, his counterpart, George Westinghouse, is too often overlooked. Westinghouse, however, became known as one of the most prolific inventors and businessmen of the Industrial Revolution. This biography reveals the man whose teachers suspected was mentally disabled and who quit college after one semester, yet founded more than 60 different companies employing 50,000 people, and received 361 U.S. patents. He later fought the "Battle of the Currents" (AC vs. DC) with Thomas Edison and won. Westinghouse, with his engineers, provided power and light for the 1893 World's Columbian Exposition in Chicago. They harnessed the massive power of Niagara Falls and sent it over wires to light Buffalo and eventually the Northeast. His electric engines powered trains, and his air brakes stopped them. His scientific contributions forever changed the world.
Where did cabaret come from? What has it got to do with pre-war Berlin, decadent society and Nazis? How does it turn into media cabaret and the sisterhood of sleaze? Is cabaret a primary vehicle for exploring the range of sexual practices and alternative sexual identities? In this new book William Grange brings into one place for the first time the range of practices now associated with the form of cabaret. Beginning with its origins in speciality German theatres and the development both of the sheet music industry and disc recordings, Grange tracks the form through into its golden age in the 1920s and beyond. The book's three sections deal first with the emergence of Berlin as the 'German Chicago', where cabaret flourished in the midst of post-war political turmoil. The abolition of censorship allowed nude dancing and sexually explicit songs and routines. It also saw the introduction of kick-line dancing and black performers. In the book's second and third sections Grange takes the story forward into the post second-world-war world, describing how the form moved outwards from central Europe to move across the whole world, reaching Singapore and Australia, and as it did so settling into the range of forms in which we know it today. Some of these forms became 'media cabaret' looking towards the new media age, the postmodernism that followed on from modernism. To this age, even in its new forms, cabaret brought its old habits of making challenges to assumptions around gender identities and sexual practices. As throughout its whole history, cabaret was a form that provided particular vehicles for female performers. And whereas it once served up whore songs and nude dancing it now offers a sisterhood of sleaze.
This comprehensive and authoritative one-stop resource examines the issue of food insecurity in the United States, including the various economic, social, political, and cultural factors that drive the problem. Social welfare agencies, schools, food banks, and other organizations have all put forth efforts to combat food insecurity, but it remains a serious risk for millions of poor Americans today. Food Insecurity: A Reference Handbook examines the reasons why food insecurity remains such a longstanding problem in American society. Beginning with a history of food insecurity from the country's origins to the present day, the book also delves into the problems and controversies related to food insecurity, such as urban food deserts, substance abuse impacts, nutrition education, and income inequality. One of the most valuable aspects of the book is that it surveys the history of food insecurity in a manner that helps the reader identify key issues in an easy-to-understand fashion. The book's Perspectives chapter presents a broad range of voices on various facets of food insecurity, providing crucial, diverse perspectives to round out the coverage and expertise of the authors.
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
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