In recent years, stories of reckless lawyers and greedy citizens have given the legal system, and victims in general, a bad name. Many Americans have come to believe that we live in the land of the litigious, where frivolous lawsuits and absurdly high settlements reign. Scholars have argued for years that this common view of the depraved ruin of our civil legal system is a myth, but their research and statistics rarely make the news. William Haltom and Michael McCann here persuasively show how popularized distorted understandings of tort litigation (or tort tales) have been perpetuated by the mass media and reform proponents. Distorting the Law lays bare how media coverage has sensationalized lawsuits and sympathetically portrayed corporate interests, supporting big business and reinforcing negative stereotypes of law practices. Based on extensive interviews, nearly two decades of newspaper coverage, and in-depth studies of the McDonald's coffee case and tobacco litigation, Distorting the Law offers a compelling analysis of the presumed litigation crisis, the campaign for tort law reform, and the crucial role the media play in this process.
Orwell’s "Politics and the English Language" in the Age of Pseudocracy visits the essay as if for the first time, clearing away lore about the essay and responding to the prose itself. It shows how many of Orwell’s rules and admonitions are far less useful than they are famed to be, but it also shows how some of them can be refurbished for our age, and how his major claim—that politics corrupts language, which then corrupts political discourse further, and so on indefinitely—can best be re-deployed today. "Politics and the English Language" has encouraged generations of writers and readers and teachers and students to take great care, to be skeptical and clear-sighted. The essay itself requires a fresh, clear, skeptical analysis so that it can, with reapplication, reclaim its status as a touchstone in our era of the rule of falsehood: the age of "pseudocracy.
In the current political and cultural environment, civility is going the way of the dinosaur. Our "leaders" now argue for the sake of argument, accuse for the sake of advantage, and seek to demonize those with opposing points of view. Consequently, public governance has become dysfunctional. But there was a time when civility and collegiality and teamwork were cherished American values. There was a time when leaders from opposing political parties were actually friends and tried without compromising their principles to work together in a bipartisan effort to promote the general welfare. One of the greatest exemplars of this civility was a United States Senator from Tennessee. For over forty years, he was a leader in the most contentious arenas in American life: courtrooms, political campaigns, the halls of Congress, and the White House. In all of these venues, he practiced the art of strategic civility that brought adversaries together, finding agreement often to their surprise. The Senator was Howard H. Baker, Jr. of Tennessee, and to this day, he remains a role model of what strategic civility can accomplish. This book is the story of his civil life.
Orwell¿s "Politics and the English Language" in the Age of Pseudocracy visits the essay as if for the first time, clearing away lore about the essay and responding to the prose itself. It shows how many of Orwell¿s rules and admonitions are far less useful than they are famed to be, but it also shows how some of them can be refurbished for our age, and how his major claim¿that politics corrupts language, which then corrupts political discourse further, and so on indefinitely¿can best be re-deployed today. "Politics and the English Language" has encouraged generations of writers and readers and teachers and students to take great care, to be skeptical and clear-sighted. The essay itself requires a fresh, clear, skeptical analysis so that it can, with reapplication, reclaim its status as a touchstone in our era of the rule of falsehood: the age of "pseudocracy.
There are Old West heroes of courage and conviction—and then there are the Sidewinders. Bullets fly in this rowdy adventure from the bestselling authors. William W. Johnstone and J.A. Johnstone bring back those beloved, bumbling cowboys, Bo Creel and Scratch Morton. As usual, despite their best efforts, deep trouble has a way of tracking them down . . . Knocking on Trouble’s Door There’s nothing like family. At least that’s what people say. But when Bo and Scratch come home to Bear Creek for a long-overdue visit, Bo’s family kindly invites him to turn around and leave. His old friends and neighbors turn tail and run when they see him. Next thing he knows, he’s in jail for the brutal murder of two saloon girls in neighboring Cottonwood. Unfortunately, the real killer looks astonishingly like Bo. Now, with his buddy in jail, Scratch needs to ride to the rescue, if he can escape the clutches of the beautiful assistant to a traveling snake oil salesman. With Bear Creek in an uproar, a man with Bo Creel’s face and body is about to kill again. And the worst is still hovering on the horizon: a family secret that could turn Bo’s hair bone-white. Praise for the novels of William W. Johnstone “[A] rousing, two-fisted saga of the growing American frontier.”—Publishers Weekly on Eyes of Eagles “There’s plenty of gunplay and fast-paced action.”—Curled Up with a Good Book on Dead Before Sundown
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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