The Merry Wives of Windsor, Shakespeare's only thoroughly English comedy, created an archetypal literary figure in the shape of the devious, irrepressible John Falstaff. This stimulating new edition celebrates the play as a joyous exploration of language, but also places elements of its plot firmly in a continental, specifically Italian, tradition of romantic comedy. It draws out the complexities of Merry Wives as a multi-plot play, and takes a fresh and challenging look at both textual and dating issues; a facsimile of the first Quarto is included as an appendix. The play's extensive performance history, both dramatic and operatic, is fully explored and discussed.`This is a significant and substantive edition, in that nothing has been taken for granted, everything has been opened to reconsideration. The commentary is exceptionally detailed and attentive to questions of language and meaning.'John Jowett, Shakespeare Institute, University of Birmingham, Shakespeare Quarterly
Number ten of the Manufacturing Engineering and Material Processing series. Includes one page corrigenda laid-in. 800 illustrations clarifying key points. Thorough account of the hot-rolling process and facilities as well as follow-up treatments given to hot-rolled products. Companion volume to Cold Rolling of Steel by William Roberts circa 1978
A meticulously documented look at a lesser-known aspect of African-American history is based on the personal writings of the explorers, cowboys, settlers, and soldiers of pioneer America. Reprint. 20,000 first printing.
With the publication of this book, newcomers to the field of steel rolling have a complete introductionto the cold rolling process, including the history of cold rolling, the equipment currentlyin use, the behavior of the rolling lubricant, the thermal and metallurgical aspects of the subject,mathematical models relating to rolling force and power requirements, strip shape, and thefurth er processing of cold-rolled steel. The first book in print to examine in detail the three componentsof the cold-rolling process- the mill, the work-piece, and the rolling lubricant-this bookcan be used as a training manual and as a source for reference and research. The manuscript version of this book has already been in use as a textbookin courses on cold rolling and rolling lubrication and is now published for thebenefit of all in-training personnel-both operating and supervisory-in theprimary metals industry and for undergraduate and graduate students inmetalworking. The interrelationships of the three components, described in terms ofmathematical models, are of considerable value to engineers associated withprimary metals and metal research, to mill builders, and to electrical equipmentsuppliers. For plant metallurgists, the book relates product quality to operating conditions;for the steel user and purchaser, it affords insight into the variousprocesses associated with the manufacture of steel sheet and strip.
This study explores the theater actually known and frequented by Dickens in order to show in terms of concrete structural analysis of his novels the nature of the predominantly "dramatic" or "theatrical" quality of his genius. Author William F. Axton finds that the three principal dramatic modes or "voices" that were characteristically Victorian were burlesquerie, grotesquerie, and the melodramatic, and that the novelist's vision of the world around him was drawn from ways of seeing transformed from those elements in the popular playhouse of his day—as revealed in the structure and theme of Sketches by Boz, Pickwick Papers, Oliver Twist, and other novels. The last half of the study analyzes representative passages from the novels to illustrate the way in which the principal modes of nineteenth-century theatrical style are transmuted into the three important "voices" of the novelist's prose style. The first two voices—the burlesque and the grotesque—are identified by their exploitation of the stylistic features of farce, extravaganza, and harlequinade, of incongruous likeness and deliberate confusion between realms. The melodramatic voice, on the other hand, seeks to exploit in prose the musically rhythmic and poetic resources of the theater for the purpose of atmosphere, moral commentary, and structural unity.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.