A Travelers Education is a collection of essays which in the manner of 19th century writers like James and Ruskin reflect the authors intense hunger of the eye, his relish of the unpredictability of travel and of the unexpected ways in which it changes ones store of life experience. The education which this book describes has taken place in the jungle villages of Honduras, around the banquet table of a Palladian villa in the Veneto in Italy, among the ghosts of Berlin, within the opera houses of Europe, amid the stony rubbish of Israel, and elsewhere.
This is a book of travel essays, but it is not about what is commonly meant today by travel, e.g. package tours for middle-aged, middle-class tourists who pile in and out of airconditioned buses around the world for their hour at the obligatory sights-- passive entertainment. These essays are about travel, warts and all, the agony and the ecstasy of a do-it-yourself process: from traffic jams in southern Italy to swiftly gliding dream trains in northern Germany and quite a bit in between. They depict a passionate quest for art, music, beauty; journeys to that realm of supreme aesthetic experience which is to be found in front of paintings by the masters and at great performances of operas in Tyrolian villages; epiphanies in dusty Italian squares or in Imperial palaces. They describe an immersion in the history, the landscape and the daily life of other countries. They also describe the complex fate of being an American in strange lands. They sometimes toy with the Jamesian question: where can Americans possibly, truly belong?
William Guy (when he is not traveling) lives and writes in Pittsburgh, Pennsylvania. He is the author of Gravitys Revolt, a novel; Defunctive Music, a book of poems;A Travelers Education; Magic Casements; and Something Sensational, three books of travel essays. With William Orr he is the author of Living Hope: a Study of the New Testament Theme of Birth from Above. He has completed a translation of The Iliad. He is presently at work on The Lyndoniad, a book of interrelated poems about the year 1968, a long poem containing history (he hopes).
The brutal wrath of Akhilleus and what follows from it. The Ur-text and the Ur-tragedy of Western literature. Homers ILIAD is both the simplest and also the most complex and beautiful poem ever written about war and about those who engage in it. Wars pity, wars desolation, wars stupidity and (some would say) wars glory. A mirror of human conduct. A necessary primer for statesmen. The cautionary image of what it means to send young people off to war and have them blow each other to pieces. Homers epic newly translated from the Greek.
What If Ancient Myth... Is Actually the Truth? Genesis, the first book of the Bible, describes a world dominated by "giants." What if those giants were actually the "gods" of ancient cultures? The series The Last Nephilim explores this fascinating idea, calling upon many ancient traditions to inform a richly imaginative idea of how myth and the Bible might intersect. Capthorim explores the island of Crete, which the Bible describes as populated by giants, who are the ancestors of the Philistines. This second book of The Last Nephilim shifts focus from Persus and introduces his brother Minos, who finds himself at the head of a world empire after his wicked father, Capthor, is deposed. Along with his brother Rhadamanthos, Minos struggles to find the right path. They are helped and instructed by an angel of the Lord, but still they are faced with the daunting task of eradicating idolatry and spreading truth to the human world...starting with their own island. A compelling, exciting story about the battle between good and evil, truth and lies, Capthorim is a fast-paced, thought- provoking epic that will keep you on the edge of your seat.
The subject-gamut of these poems is wide: it ranges from meditations on sex (as in the author's fiction) to meditations on American history and politics (black/white relations, draft dodging, presidential politics). The prevailing concern, however, is with tricks of memory, with moments in and out of time, distraction fits when past selves or past lives rise up to re-engulf the "present" person. These poems ring changes on Montaigne's idea of ondoyance, the flux of personality. They are ghost stories in the same way Henry James's works of fiction and of autobiography often are. Ghost stories too (or perhaps especially) in the substantial section of translations with which the volume concludes: the poet assumes or is haunted by the voices of others.
The first edition of William A. Guy's "Principles of Forensic Medicine" was published at the start of Victoria's reign; the final edition, from which these selections derive, was published towards the end, just a few years after the Whitechapel horrors had pushed the emerging science to the forefront of the public's consciousness. With this guide in hand, a detective could tell whether the victim had suffocated, drowned, been shot, stabbed, or struck by lightning, spontaneously combusted, frozen to death or expired due to starvation - or, as the guide warns, was not dead at all, but simply in a state of 'suspended animation'. Suggestions include examining the face of the deceased for an 'expression of angry resistance', a clear indication of murder, and studying the demeanour of the nearest and dearest in cases of suspected 'secret poisoning'. With original woodcuts, case studies and notes on identifying the corpse and walking the crime scene, "Victorian CSI" will fascinate lovers of crime fiction and of true crime alike.
In the face of frequent and sometimes loose contemporary usage of the term "born again" (which is the King James version of the Bible's rendering of a phrase from John 3:3), the authors of this book attempt to examine what the New Testament reveals about the process of being "born from above" (which is a preferable translation of the Johannine phrase). The third chapter of the Gospel of John, with its grounding in old Testament prophecy, is examined in detail in order to see what Jesus says about this process of birth. Then four New Testament characters are discussed as "test" cases. On the basis of their analysis, the authors believe that "birth from above" is not some sudden cataclysmic and definitive alteration in the life of an individual but rather the beginning of a process which takes place in company, and sometimes in conflict, with others, in order that the divine society envisioned by Jesus may come into existence and thus replace the wrangle of warring element into which the world has been fractured. It is a means of bringing peace, which in the deepest Hebrew sense means ultimate well-being, into the world. This purpose of this book is to illuminate the possibility of establishing a world society that understands itself to be the family of God. * * * * * William Orr is Professor Emeritus of New Testament at Pittsburgh Theological Seminary. He is, with James A. Walther, the author of the "Anchor Bible" volume on I Corinthians. William Guy is a poet, novelist, and translator, and an avid student of languages and literature.
THE LYNDONIAD is a poem or a succession of poems or a congeries of poems containing history. It treats of Lyndon Johnson in pieces, throws up facet-flashes of his life and of his epoch. The historians have had and will continue having their voluminous say about the throes and the tumult of the 1960s but here is a counter-approach to the same material: the 1960s as a kaleidoscopic epic poem with Lyndon Johnson at the center of it speaking for himself, and others speaking for him and about him and against him. Shards and tatters. The abstract and not so brief chronicles of a time when the nation was breaking.
1975. Christopher Reed, a young minister in his first job, receives much-needed seasoning, is necessarily disillusioned. How? On one level by having an affair with Becky Grierson, one of his teen-aged parishioners. But the affair is begun on a theological dare so to speak, in order to test an intriguing vision of the freedom of the Gospel which Dr. Buttrick, the senior pastor under whom Reed works, a truly Christ-like man (though it depends, of course, on what your image of Jesus is) has presented. "Scrupulous," or guilt-stricken, Reed tells his wife Vinnie, an artist and a free-thinker, what he has done with Becky. Vinnie erupts, then curiously, over time, adjusts, gradually accommodates herself, allows the affair to continue. Reed also tells Dr. Buttrick what he has done. Great-spirited, a wise old man, a genius, Dr. Buttrick listens and counsels. He counsels both Reed and Vinnie. The three of them discuss the limits of marriage, the relevance of Christianity to same. Vinnie and Dr. Buttrick have their own intense relationship. Meanwhile the meteoric Becky moves through her senior year in high school, fights free of her youth and prepares to leave for college. Obsessed almost, Reed suffers at the prospect of "losing" her. And grows in some way as a person or at least as a pastor, learning to expect less of the flock which he supposedly leads, since if often acts less than nobly. Some members even turn on Dr. Buttrick, the genuinely good man, in the year of the novel´s action.
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A record of the activities and exploits of British submarines during the First World War, together with something about the men who commanded them. Starting with action of the E-14 and E-11 in the Sea of Marmora to the end of WWI.
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