Perhaps no other figure in American history is more shrouded in myth and legend than David ("Davy") Crockett, the Tennessee frontiersman whose death at the Alamo in 1836 insured his place in the Valhalla of American heroes. A gregarious, fun-loving man, Crockett was capable of spinning the tallest of tales, but the truth of his life was far more fascinating than the myth. His hunting and exploration adventures, his service as a soldier under Andrew Jackson in the Creek Indian War of 1813, his rise in politics to the United States Congress, his incessant search for "elbow room" that took him to Texas – these were the real fabric of a heroic life. In writing of the historical Crockett, Groneman dispels the myths to discover the genuine hero beneath them. He writes at length of the defense of the Alamo, describes how Crockett's reputation and heroism have been tainted by revisionist historians, and presents new evidence that the Tennessean's heroics during the siege have, if anything, been understated.
Written on the Wind (1956) is one of classical Hollywood's most striking films and ranks among Douglas Sirk's finest achievements. An intense melodrama about an alcoholic playboy who marries the woman his best friend secretly loves, the film is highly stylised, psychologically complex, and marked by Sirk's characteristic charting of the social realities of 1950s America. This first single study of Written on the Wind reassesses the film's artistic heritage and place within the wider framework of contemporary American culture. Incorporating original archival research, Peter William Evans examines the production, promotion and reception of Written on the Wind, exploring its themes – of time, memory, space, family, class and sex – as well as its brilliance of form. Its vivid aesthetics, powerful performances and profound treatment of human emotions, make Written on the Wind a masterpiece of Hollywood melodrama.
Here, Reddy illuminates the birth of a cultural movement that managed to regulate selfish desire and render it innocent - or innocent enough. Reddy strikes out from this historical moment on an exploration of love, contrasting the medieval development of romantic love in Europe with contemporaneous eastern traditions in Bengal.
Moses Rose is fiction based on a legend of a man who, if he existed, left the Alamo hours before the Mexican Army’s assault on March 6, 1836. This novel imagines a story of Moses and Mary Kimbro, the widow of an Alamo hero – a story of courage in conflict with survival, of anger in conflict with remorse, and of loneliness in conflict with desire on the dangerous frontier that was Texas in 1836.
Perhaps no other figure in American history is more shrouded in myth and legend than David ("Davy") Crockett, the Tennessee frontiersman whose death at the Alamo in 1836 ensured his place in the Valhalla of American heroes. Crockett himself was responsible for much of the folklore about his life. A gregarious, fun-loving man, he was more than capable of spinning tall tales over a "horn" of liquor. The truth of his life, as William Groneman emphasizes in this book, was far more fascinating than the myth. David Crockett was a true self-made man who left home at the age of twelve. His adventures--hunting and exploring, serving as a soldier under Andrew Jackson in the Creek Indian War of 1813, a political career that took him to the United States Congress, an incessant search for "elbow room" that drew him to Texas-these were the real fabric of a heroic life. In writing of the "historical Crockett," Groneman, a world authority on the Alamo and its defenders, dispels the myths to uncover the genuine hero. He writes at length of the defense of the Alamo, describes how Crockett's reputation and heroism have been tainted by revisionist historians, and presents new evidence that the Tennessean actually left the Alamo during the siege to bring in reinforcements. Although safely outside the walls, he fought his way back in to rejoin his friends for the final, fatal, battle. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In 1936, Abe Sada committed the most notorious crime in twentieth-century Japan--the murder and emasculation of her lover. This detailed account of Sada's personal history, the events leading up to the crime, and its aftermath steps beyond the simplistic view of Abe Sada as a sexual deviate or hysterical woman to reveal a survivor.
Here is the little-known, dramatic epic of heroes Sam Houston, Stephen Austin, and a host of others, who turned the Alamo into one of the most successful rallying cries in history. All Americans, not just Texans, remember the Alamo. But the siege and brief battle at that abandoned church in February and March 1836 were just one chapter in a much larger story—larger even than the seven months of armed struggle that surrounded it. Indeed, three separate revolutionary traditions stretching back nearly a century came together in Texas in the 1830s in one of the great struggles of American history and the last great revolution of the hemisphere. Anglos steeped in 1776 fervor and the American revolution came seeking land, Hispanic and native Americans joined the explosion of republican uprisings in Mexico and Latin America, and the native Tejanos seized on a chance for independence. As William C. Davis brilliantly depicts in Lone Star Rising, the result was an epic clash filled not just with heroism, but also with ignominy, greed, and petty and grand politics. In Lone Star Rising, Davis deftly combines the latest scholarship on the military battles of the revolution, including research in seldom used Mexican archives, with an absorbing examination of the politics on all sides. His stirring narrative features a rich cast of characters that includes such familiar names as Stephen Austin, Sam Houston, and Antonio Santa Anna, along with Tejano leader Juan Seguín and behind-the-scenes players like Andrew Jackson. From the earliest adventures of freebooters, who stirred up trouble for Spain, Mexico, and the United States, to the crucial showdown at the San Jacinto River between Houston and Santa Anna there were massacres, misunderstandings, miscalculations, and many heroic men. The rules of war are rarely stable and they were in danger of complete disintegration at times in Texas. The Mexican army often massacred its Anglo prisoners, and the Anglos retaliated when they had the chance after the battle of San Jacinto. The rules of politics, however, proved remarkably stable: The American soldiers were democrats who had a hard time sustaining campaigns if they didn't agree to them, and their leaders were as given to maneuvering and infighting as they were to the larger struggle. Yet in the end Lone Star Rising is not a myth-destroying history as much as an enlarging one, the full story behind the slogans of the Alamo and of Texas lore, a human drama in which the forces of independence, republicanism, and economics were made manifest in an unforgettable group of men and women.
The emergence of a truly global economy in the 1970s and the need to understand the subsequent changes in economic structure provided the impetus for this synthesis of the sociology of agriculture. The book offers the first formulations of a political economy theory that explains the transnational social and production relations of food and agriculture. Drawing upon studies of labour, technology, the state and gender, the contributors put forward a basis for reassessing and restating the intellectual framework of agriculture.
Winner of the 2004 Edward Goodwin Ballard Book Prize in Phenomenology presented by the Center for Advanced Research in Phenomenology with interest from a fund raised from Professor Ballard's family, students, and friends Kindness and the Good Society utilizes phenomenology and a wide variety of traditional and non-traditional sources to provide the first comprehensive account of kindness in any genre of philosophy. Remarkably rich in descriptive detail and drawing upon a wide range of examples, including literary sources, current affairs, and traditional philosophical texts, Hamrick's book rescues kindness from the purposeful neglect of deontological and utilitarian ethical theories. Beginning with an account of the personal and social areas of ethical and moral comportment, Hamrick addresses what is not intuitively obvious about kindness and its opposite, details a critical kindness that avoids both naiveté as well as popular cynicism, and guides us toward a new notion of aesthetic humanism.
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