The famous gunfighter come face to face with a deadly legend of another kind in this action-packed western by the New York Times–bestselling author. Deep in the forests of Northern California, something is killing humans like an animal. The loggers call it “The Terror of the Redwoods.” A local timber baron has put a bounty on the hide of this man-beast, and the woods are teeming with so many trigger-happy dolts and half-cocked drunkards that someone's bound to get hurt—and bad. Frank Morgan doesn't believe in such creatures and decides to get to the bottom of this tall tale. But when he meets the timber baron's beautiful daughter, all bets are off. Something is out there. Someone's set a trap. And Morgan just stuck his Bigfoot right into it.
William Woodruff had the sort of childhood satirised in the famous Monty Python Yorkshireman sketch. The son of a weaver, he was born on a pallet of straw at the back of the mill and two days later his mother was back at work. Life was extrememly tough for the family in 1920's Blackburn -- a treat was sheep's head or cow heel soup -- and got worse when his father lost his job when the cotton industry started its terminal decline. Woodruff had to find his childhood fun in the little free time he had available between his delivery job and school, but he never writes self-pityingly, leaving the reader to shed the tears on his behalf. At ten his mother takes him on his one and only holiday -- to Blackpool. He never wonders where they get the money to do so, only where she disappears to with strange men in the afternoons, before taking him to the funfair, pockets jingling an hour or two later. NAB END is certainly not all grime and gloom however, there's a cast of great minor characters from an unfrocked vicar to William's indomitable grandmother Bridget who lend some colour and humour -- and all against the strongly rendered social backdrop of the 1920s and 1930s.
Follow the footsteps of the Pals in their journey from Lancashire to their training camps in England and Wales and to the villages and battlefields of France. A comprehensive account, with maps and pictures, of a Pals Battalion's service throughout the war.
A collection of short stories from celebrated author William Trevor in which he shines a light on the day-to-day life of Ireland and its citizens. From his debut collection, “The Day We Got Drunk on Cake,” published in 1968, to “Family Sins” (1990), William Trevor has crafted the short story to perfection, giving us brilliant and subtle stories full of the reversals, surprises, and shadowy truths we discover in life itself. To read this volume is not just to encounter an extraordinary literary stylist, but to understand life as surely as though we were looking through the eyes of his protagonists and—deeper still—into their hearts. William Trevor: The Collected Stories includes the tales from his seven previous books, as well as four stories that have never appeared in book form in America. They depict the comforts and frustrations of life in rural Ireland, the complexities of family relationships, and the elusive grace of love. They portray the almost invisible strands that bind people to each other as well as the chains that imprison them in solitary yearning.
In exploring the criminalization of corporations, this book uses the landmark "Ford Pinto case" as a centerpiece for exploring corporate violence and the long effort to bring such harm within the reach of the criminal law. Corporations that illegally endanger human life now must negotiate the surveillance of government regulators and risk civil suits from injured parties seeking financial compensation. They also may be charged with criminal offenses and their officials sent to prison.
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