Awards and Praise for the first edition: Recipient of the 2006 International Association for Relationship Research (IARR) Book Award "This text, as it presently stands, is THE go-to text for stalking researchers. That is my opinion and the opinion of multiple fellow scholars I know in the field. It rarely sits on my shelf, but rather is a constant reference on my desk. I can always count on these authors to have done an extensive review of literature. I thought I was thorough, but they are always providing me with new references." --Dr. H. Colleen Sinclair, Associate Professor of Psychology, Mississippi State University "Cupach and Spitzberg provide the reader with a multidisciplinary framework for understanding the nature and impact of unwanted relationship pursuits. This book is an excellent resource for students and professionals alike who seek to gain knowledge about unwanted relational pursuits and stalking." —Journal of Couple & Relationship Therapy The Dark Side of Relationship Pursuit provides historical and definitional frames for studying unwanted relationship pursuit, and considers the role of the media, law, and social science research in shaping today’s conceptualizations of stalking. The volume integrates research from diverse contributing fields and disciplines, providing a thorough summary and assessment of current knowledge on stalking and obsessive pursuit. Building on the foundation of the award-winning first edition, this revision considers assessment issues, offers an expanded analysis of the meta-analysis data set, and includes coverage of intercultural and international factors. As an increasing number of scholarly disciplines and professional fields study stalking and other forms of obsessive relationship pursuit, this book is a must-have resource for examining interpersonal conflict, social and personal relationships, domestic violence, unrequited love, divorce and relational dissolution, and harassment. It also has much to offer researchers, counselors, and professionals in psychology, counseling, criminal justice, sociology, psychiatry, forensic evaluation, threat assessment, and law enforcement.
From the bestselling authors of Brutal Night of the Mountain Man, a gunslinger must ride through a nightmare to rescue his wife. When Smoke Jensen sees a gang of outlaws holding up a stagecoach, his gunfighter instincts take over and he storms in with guns blazing. He kills one of the gunmen, the rest scatter like the rats they are. Another notch on the sharpshooter’s weathered grip. But the dead man is the brother of the notorious outlaw Gabe Briggs, and Briggs will want revenge… Tired of the savagery of the lawless countryside, Smoke’s wife Sally heads back east for a spell, only to find the big city choking in filth, violence, and corruption. Before Sally can head back home, though, she’s snatched right off the street. When Smoke gets word that Sally’s been kidnapped, he boards the first train east. But Gabe Briggs and his ruthless band of bad men are along for the ride. Unless Smoke can punch their ticket to hell first, they’ll blow this train sky high…
A marvelous collection from "the greatest living writer of short stories in the English language" (The New Yorker). Four-time winner of the O. Henry Prize, three-time winner of the Whitbread Prize, and five-time finalist for the Man Booker Prize, William Trevor is one of the most acclaimed authors of our time. Over a career spanning more than half a century, Trevor has crafted exquisitely rendered tales that brilliantly illuminate the human condition. Bringing together forty-eight stories from After Rain, The Hill Bachelors, A Bit on the Side, and Cheating at Canasta, this second volume of Trevor's collected fiction offers readers "treasures of gorgeous writing, brilliant dialogue, and unforgettable lives" (The New York Times Book Review).
An NYPD detective investigates a double homicide in a Brooklyn candy store, in a thriller by the New York Times–bestselling author of One Police Plaza. In Greenpoint, everyone comes to Yetta’s. A candy store one block west of McGoldrick Park, it’s a neighborhood landmark, the place where Brooklynites come to sip a soda, buy a paper, and argue about gentrification. But when Lt. Joe Gallagher comes by to drop off a birthday cake for Yetta, he doesn’t notice the homeless man standing outside. Gallagher has just handed over the cake when the man enters, drops his shopping bag, and pulls out a shotgun. The lieutenant doesn’t have time to reach his revolver before he’s blown away. Yetta is the next to die. Investigating the double homicide, Det. Lt. Tony Scanlon discovers that Gallagher was more than an ordinary hard-drinking, hardworking Irish cop. And as more killings follow, Scanlon knows that this will be a summer of blood for the NYPD.
What's in a shadow? Menace, seduction, or salvation? Immaterial but profound, shadows lurk everywhere in literature and the visual arts, signifying everything from the treachery of appearances to the unfathomable power of God. From Plato to Picasso, from Rembrandt to Welles and Warhol, from Lord of the Rings to the latest video game, shadows act as central players in the drama of Western culture. Yet because they work silently, artistic shadows often slip unnoticed past audiences and critics. Conceived as an accessible introduction to this elusive phenomenon, Grasping Shadows is the first book that offers a general theory of how all shadows function in texts and visual media. Arguing that shadow images take shape within a common cultural field where visual and verbal meanings overlap, William Sharpe ranges widely among classic and modern works, revealing the key motifs that link apparently disparate works such as those by Fra Angelico and James Joyce, Clementina Hawarden and Kara Walker, Charles Dickens and Kumi Yamashita. Showing how real-world shadows have shaped the meanings of shadow imagery, Grasping Shadows guides the reader through the techniques used by writers and artists to represent shadows from the Renaissance onward. The last chapter traces how shadows impact the art of the modern city, from Renoir and Zola to film noir and projection systems that capture the shadows of passers-by on streets around the globe. Extending his analysis to contemporary street art, popular songs, billboards, and shadow-theatre, Sharpe demonstrates a practical way to grasp the "dark side" that looms all around us.
Private investigator Cork O’Connor finds himself caught in the middle of a racial gang war that’s turning picturesque Tamarack County, Minnesota, into a battlefield. When the daughter of a powerful businessman dies as a result of her meth addiction, her father, strong-willed and brutal Buck Reinhardt, vows revenge. His target is the Red Boyz, a gang of Ojibwe youths accused of supplying the girl’s fatal drug dose. When the head of the Red Boyz and his wife are murdered in a way that suggests execution, the Ojibwe gang mobilizes, and the citizens of Tamarack County brace themselves for war, white against red. Both sides look to Cork O’Connor, a man of mixed heritage, to uncover the truth behind the murders. A former sheriff, Cork has lived, fought, and nearly died to keep the small-town streets and his family safe from harm. He knows that violence is never a virtue, but he believes that it’s sometimes a necessary response to the evil that men do. Racing to find answers before the bloodshed spreads, Cork himself becomes involved in the darkest of deeds. As the unspeakable unfolds in the remote and beautiful place he calls home, Cork is forced to confront the horrific truth: violence is a beast that cannot be contained. In Red Knife, Krueger gives his readers a vivid picture of racial conflict in small-town America, as well as a sensitive look at the secrets we keep from even those closest to us and the destructive nature of all that is left unsaid between fathers and sons, husbands and wives, friends and lovers.
Here is a new collection of twelve absorbing, deeply compassionate tales that reveal the subtle revenges of love and indifference, the deep wells of affection, and the strange, breathtaking tricks of chance that make up the texture of our lives. In the rain-washed Italian hills, a forgotten artist's Annunciation brings light to a heartbroken woman; insidiously, in her struggle for love, the second wife of a blind piano tuner distorts his memories of the first; two children, survivors of divorce, mimic their parents' dramas and passions; a mother, tied through love and fear to her son, watches with helpless dread as she realizes the monster he has become.
Attacking society’s damaging rhetoric and stereotypes around male emotions, Six Days in January offers an answer to the question: what can happen to a man when he is damaged by love? William McCall finds himself making his way down icy streets, battling not only the wee hours and bitter cold of a Thursday morning in mid-January, but the brutal truth of a mistake he just made that has cost him the love he tried to capture with his hopeful lady, Della Montgomery. Confused and dazed as he makes his way to an empty, unsafe Fordham Road subway station, he wonders how he got to this point and if he’ll ever find his way back to love. McCall had been fitted for a dog collar, like so many African American men. But was the label warranted? Growing up, he was taught by a single mother how to be a sensitive, strong, and caring black man, however no woman wants to deal with him, for they see him as too sweet, soft, and, in the eyes of some, effeminate. By the time he is cast from Della's house and life, bitterness and insecurity has swallowed him. He has turned off his innate, chivalrous tendencies and has become a man even he failed to recognize. In order to restore faith in himself and the man he knows he's capable of being, he begins an introspective soul search, a courageous process that lasts for six days in January.
Percival Phillips was born in 1877. He began writing for newspapers at the age of sixteen with articles about coal miners rioting in Southwestern Pennsylvania. At the age of nineteen he began pursuing a dream of being a war correspondent with coverage of the Greco-Turkish war and later the war in Cuba. He next moved to London, England and worked for the Daily Express covering wars in Japan and Russia, Tripoli and the Balkans. Although an American the British government selected him to be one of five correspondents to cover the British portion of the Western Front during the World War I, as well as to cover the troubles in Ireland. After the war he was knighted by King George for these services. He next moved to the Daily Mail where he continued covering conflicts in Russia, China, and India, as well as problems in Iraq, the rise of Mussolini in Italy and Gandhi's activities in India. In 1935 he joined the Daily Telegraph and later covered a revolution in Greece and the Italian invasion of Ethiopia. His final war was the Spanish Civil War during which he died in 1937.
Éamonn Ceannt was executed at Kilmainham Gaol on 8 May 1916, along with Con Colbert, Seán Heuston and Michael Mallin, for their part in the Easter Rising. Ceannt was one of the seven signatories of the Proclamation of the Irish Republic read by Patrick Pearse outside the GPO on that Easter Monday. He had led the rebel occupation of the South Dublin Union, and despite having been vastly outnumbered his volunteers were not overpowered but ordered to surrender by Pearse. Éamonn Ceannt, together with Patrick Pearse and Joseph Plunkett, was instrumental in planning the rebellion. He had joined the Gaelic League in 1899, where he met Pearse and Eoin MacNeill. He became a member of the Irish Republican Brotherhood in 1912 and became a founding member of the Irish Volunteeers the following year. This is the only biography of this brilliant military tactician and key player in the story of 1916.
William Marvel’s The Confederate Resurgence of 1864 examines a dozen understudied Confederate and Union military operations carried out during the spring of 1864 that, taken cumulatively, greatly revived white southerners’ hopes for independence. Among the pivotal moments during this period were the sinking of the USS Housatonic by the CSS Hunley; Nathan Bedford Forrest’s defeat of William Sooy Smith’s cavalry raid; and the Confederate army’s victory at Olustee, Florida. The repulse of Union advances on Dalton, Georgia; botched Union raids on Richmond; and the capture of the Union garrison in Plymouth, North Carolina, likewise suggested that the tide of fighting had turned toward the Confederate cause. These events boosted the morale of southern troops and citizens, and caused grave concerns about the war effort in the North and in the mind of Abraham Lincoln. In late 1863 and early 1864, dejection and despair prevailed in the South: Union soldiers had vanquished Robert E. Lee at Gettysburg, the Confederate nation had been cut in two, Tennessee was lost, and Braxton Bragg’s army had been utterly routed at Chattanooga. Defeatism loomed in the South during the first weeks of 1864, and the ease with which William T. Sherman rampaged across Mississippi illustrated the dominance of Union forces, while Confederates’ ineffectual assault on New Bern accentuated their weakness. Yet between February 20 and April 30, southern troops enjoyed an unbroken string of successes that included turning back a concerted Union offensive during the Red River campaign as well as Forrest’s triumphant incursions into Union City, Paducah, and Fort Pillow. Aided by flawed strategy implemented by Union army officers, the achievements of Confederate forces restored hope and confidence in camp and on the southern home front. The Confederacy’s battlefield successes during the early months of 1864 remained almost unnoticed by Civil War scholars until recently and have never been investigated in detail until now. The victories invigorated southern combatants, demonstrating how abruptly the most dismal military prospects could be reversed. Without that experience, Marvel argues, the Confederates who faced Sherman and Grant in the spring of that year would certainly have displayed less ferocity and likely would have succumbed more quickly to the demoralization that ultimately led to the collapse of Confederate resistance.
Medical error as defined in Epidemic of Medical Errors and Hospital-Acquired Infections: Systemic and Social Causes encompasses many categories including, but not limited to, medical error, hospital-acquired infections, medication errors, deaths from misdiagnosis, deaths from infectious diarrhea in nursing homes, surgical and post-operative complic
This is an exciting and wholly original book. It is devilishly intelligent, formidable in its deployment of history and theory."—John Richetti, author of Popular Fiction before Richardson
In Voices of Wounded Knee, William S. E. Coleman brings together for the first time all the available sources-Lakota, military, and civilian-on the massacre of 29 December 1890. He recreates the Ghost Dance in detail and shows how it related to the events leading up to the massacre. Using accounts of participants and observers, Coleman reconstructs the massacre moment by moment. He places contradictory accounts in direct juxtaposition, allowing the reader to decide who was telling the truth.
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