The first comprehensive theoretical treatise on Library of Congress subject headings, this important book provides an analysis of the Library of Congress subject heading system and its application. Library of Congress Subject Headings aims to help improve the clarity of the system, increase consistency and arrangement, increase the number of effective access points, facilitate the interaction of the system with the computer, and generally to make the Library of Congress subject heading system and its application of even greater value to the cataloger and the user. Practicing catalogers, library school personnel, advanced students, and any professional who is very knowledgeable about and seriously interested in Library of Congress subject headings will want to read this highly acclaimed volume. Author William Studwell includes theoretical, conceptual, and philosophical considerations based on 25 years of everyday practical cataloging and indexing work and the knowledge gained from theoretical research for the more than two dozen articles on subject cataloging that he has written in the last decade. He presents thought-provoking, often controversial material in three parts. The first section, “The System,” deals with the basic philosophical foundations of LC subject headings. Thirty-two “principles”--guidelines and suggestions are offered along with detailed explanations, examples, and their relationships to other principles. The second section, “Application,” focuses on the matters of subject cataloging practice, or interpretation and application of LC subject headings. The third section, “The Future,” looks ahead to future issues relating to subject cataloging, such as the development of a theoretical subject heading code, the interface of LC subject headings with the computer, and some speculation as to the role and nature of LC subject headings in the years to come.
The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s is chock full of entertaining essays to inform and delight you about an era that shaped our culture and future musical trends. This unique book will surprise and enchant even the most zealous music buff with facts and information on the songs that reflected America’s spirit and captured a nation’s attention. The Classic Rock and Roll Reader is offbeat, somewhat irreverent, ironic, and ancedotal as it discusses hundreds of rock and non-rock compositions included in rock history era. The songs offer you information on: Rock’s Not So Dull Predecessors (for example, “Bewitched, Bothered, and Bewildered” and “The Cry of the Wild Goose”) The Pioneering Rock Songs (such as “Rock Around the Clock” and “Shake, Rattle, and Roll” ) Older Style Songs Amidst the Rocks (for example, “I Could Have Danced All Night” and “Rocky Mountain High” ) The Megastars and Megagroups (such as “Blue Suede Shoes,” “Respect,” and “Surfin’USA” ) The Best Songs that Never Made No. 1 (for example,“ I Feel Good” and “ Tie a Yellow Ribbon Round the Ole Oak Tree” ) The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s also examines the music which preceded early rock, the music which followed early rock, and the numerous non-rock songs which flourished during the classic rock period. A wide spectrum of music is discussed in well over 100 essays on various songs. Musicians, librarians, and the general audience will be taken back to the birth of rock and roll and the various contributing influences. Analyzing each song’s place in rock history and giving some background about the artists, The Classic Rock and Roll Reader offers even the most avid music enthusiast new and unique information in this thorough and interesting guide.
Go, team, go! Rah, rah, rah! Boomalacka, boomalacka! Sis-boom-bah! Get your pennants and varsity colors and head for the stadium because College Fight Songs will make you an expert on the musical history of university athletic themes and anthems before the second-half kickoff. Here, in one anthology, you’ll find a unique collection of musical and historical information that hasn’t been compiled and updated since the days of Knute Rockne and the Galloping Ghost. This smart and spirited collection will give you plenty to rise and shout about, bringing together the complete lyrics, brief historical annotations, and musical scores for the songs of over 100 of the country’s most recognized colleges and universities.If you’re a researcher, librarian, musical enthusiast, band leader, musical historian, old-timer from way back when, or a young underclassmen interested in preserving a few cherished notes of your school’s history, College Fight Songs is the book for you. You’ll find plenty of hard-to-find facts about the songs and the people who inspired them, and you’ll get specific information in these areas: complete musical scores of college fight songs full lyrics of college fight songs basic historical background concerning the songs and their institutions information regarding the song creators and the college nicknamesSo, swing on the Rambling Wreck from Georgia Tech, rally around the bonfire and give a holler for the Buckeyes, the Wildcats, the Sooners, the Boilermakers, and the Tigers! The Gipper, the Bear, and Johnny U await you in this fabulous compendium of nostalgia and musical scores. Even after a few pages, College Fight Songs will have you hailing your alma mater and jumping in the car to head for the hop.
Get yourself a cup of eggnog, sit down in front of a warm fire (chestnut roasting is optional), and let Publishing Glad Tidings: Essays on Christmas Music thrill and inspire you as you learn about those who have dedicated their lives to preserving, collecting, and creating the traditional art form of the Christmas carol. This enlightening volume's personal and historical perspective will help you see why Christmas carols continue to fill our lives with simple, lasting joy and why they endure as cultural, religious, and artistic gifts to humanity. Publishing Glad Tidings will help you see how major, but once nearly forgotten, Christmas carols have stayed with us throughout the years. You'll get detailed information as to how these carols were written, compiled, collected, and ultimately wrapped up in eye- and ear-catching packages for us to enjoy every year when December rolls around. Inside this joyously decorated book, you'll find information about: carol pioneers Theodoric Petri, Davies Gilbert, and William Sandys carol historians Edmondstoune Duncan, Charles L. Hutchins, and Edward Bliss Reed carol compiling, collecting, translating, and editing how relative obscurity has made some carols classics So come all ye faithful who are interested in keeping this grand old tradition alive. Publishing Glad Tidings is just the invitation you need to come in from the cold and wassail your way through an intriguing, heartfelt part of yuletide history. If you're a church musician, musical historian, pastor, or just a general reader interested in Christmas and music, you'll find everything you need to know about the carol's history and future right here.
In Probing Popular Culture: On and Off the Internet, one of the leading authorities in American and popular culture studies presents an eye-opening examination of the Information Age's influence on what we do, how we live, and who we are. Dr. Marshall Fishwick, author of the textbooks Great Awakenings: Popular Religion and Popular Culture; Popular Culture: Cavespace to Cyberspace; and Popular Culture in a New Age focuses his penetrating gaze upon the impact of the cultural icons and events that color the fabric of our lives. He examines the most recent developments, crises, and anxieties encountered in our headlong dash down the Information Superhighwayand illustrates the reasons behind the media madness. Peppered with quotes from influential figures ranging from Plato to P. T. Barnum, this book provides food for thought that will spark smart discussion about every aspect of popular culturefrom Henry Ford to Y2K, the impact on popular culture of the September 11 tragedy, and more.
William Studwell has done it again! In The National and Religious Song Reader, the author presents more than 120 enjoyable and informative essays on national, patriotic, and religious songs from around the world. Readers will learn the answers to such questions as: Was "Dixie" actually first performed in New York City? Which 16th-century English composition is referred to by Shakespeare in The Merry Wives of Windsor? What well-known hymn was written by Martin Luther in 1529? And what is a waltzing matilda anyway? (Hint: It's not a dancing young lady.) Studwell's latest collection follows the form and style of his earlier works, The Popular Song Reader and The Christmas Carol Reader, as he relays interesting facts about each song through anecdotes, humor, poetry, and a generally lighthearted yet scholarly approach. In addition to information about each song and its composer, the author also discusses how the song reflected society at the time and how the song itself has influenced popular culture. The book is divided into four sections: American National Songs: armed forces songs, war songs, national anthems, national marches National Songs From Other Countries: songs from Canada, Mexico, England, Scotland, France, Italy, Germany, Russia, Ireland, Israel, Australia General Hymns: religious songs from the 17th century and earlier, and the 18th, 19th, and 20th centuries Songs Associated With Religious Events: Easter, Thanksgiving, weddings, funerals The book's readable style is its most important quality as it makes it more approachable than a typical reference book. And vital to its usefulness as a reference book are the indexes--one by song title and another by person or group. Whether used primarily as an enjoyable reference or as an informative reader, The National and Religious Song Reader is bound to provide new insights into familiar songs for all music fans.
William Studwell has struck gold again! Providing a heterogenous mixture of songs that mirrors the diversity of the United States and its culture, The Americana Song Reader is an entertaining and informative collection of over 130 historical essays on various American and foreign songs that have had a significant impact on U.S. popular culture. The essays give you basic historical data on the work, refer to any related or affiliated works, and touch upon the cultural context of its creation and popular usage in the United States. Presented in an offbeat, somewhat irreverent, yet scholarly style, the author has once again compiled a reference book that is fun to read. In addition to presenting information useful for reference, The Americana Song Reader contains anecdotes, ironic sidelights, poetry, and allusions to parodies. For ease of use, the book is divided into several sections. These sections, with some representative songs listed, include: Dancing Songs: “After the Ball,” “The Hokey Pokey,” “Sleeping Beauty Waltz” Marching Songs: “March of the Toys,” “When the Saints Go Marching In” Rural and Western Songs: “The Big Rock Candy Mountain,” “Jessie James,” “The Streets of Laredo” Songs That Excite or Amuse: “An American in Paris,” “1812 Overture,” “The Sidewalks of New York” Songs That Soothe or Bring Tears: “Beautiful Dreamer,” “I'm Always Chasing Rainbows,” “My Wild Irish Rose” Children's Songs: “Hansel and Gretel,” “Pop Goes the Weasel,” “Sing a Song of Sixpence” Circus Songs: “Barnum and Bailey's Favorite,” “Be a Clown,” “The Flying Trapeze” Drinking Songs: “Auld Lange Syne,” “Little Brown Jug,” “Ninety Nine Bottles of Beer” College Songs: “Iowa Corn Song,” “Notre Dame Victory Song,” “The Whiffenpoof Song” Song title index and author/group index Whether the music comes from New York City, remote rural areas of the South or West, or from Vienna or Paris, all music having some sort of impact on the lives of everyday Americans is in a very true way part of Americana. In The Americana Song Reader, you'll see the songs both as small pieces of the American culture puzzle and, collectively, as a large segment of the music of the country. This newest addition to William Studwell's collection of song readers will delight the general public, musicians, and librarians.
While most music lovers are familiar with the famous scores of Tchaikovsky, Delibes, and Stravinsky, many other lesser-known composers also wrote for the ballet. Several of these composers wrote almost exclusively for the ballet--and all enriched the world of dance. Minor Ballet Composers presents biographical sketches of 66 underappreciated ballet
Benny Goodman, Cab Calloway, Count Basie, The Dorsey Brothers, Duke Ellington, and Glenn Miller were musical masters of their eras, enchanting and romancing audiences with their timeless classics. Relive these wonderful songs and memories through The Big Band Reader: Songs Favored by Swing Era Orchestras and Other Popular Ensembles, a unique and exciting collection of over 140 songs from over 70 bands that are categorized by themes, preferred numbers, and top songs! Paying tribute to better known swing bands, sweet bands (ensembles favoring softer, more sentimental numbers), and some unheralded bands (good ensembles that did not receive much attention or did not have a well-known leader), this book contains up to four essays relating to specific groups and their popular hits, giving readers historical and informative facts about the songs and the people who performed them.
Come join the band! College Fight Songs II is a supplement to the original College Fight Songs, providing 97 additional song texts and interesting historical information. Together they are a unique anthology of college fight songs from across the country. College Fight Songs II: A Supplementary Anthology is a second-round knockout that finishes the job started by the first edition. This rollicking continuation of the original collection will give you even more to shout about, again bringing together complete lyrics, historical annotations, and musical scores of the songs of over 50 more colleges and universities! Full of spirited music and lyrics that will put a spring in the step of incoming freshmen and music historians alike, College Fight Songs II is for you! You'll uncover plenty of behind-the-scenes info about the songs and the people who inspired them, and of course you'll find: complete musical scores full lyrics basic historical background concerning the songs and their institutions information regarding the songwriters and college nicknames So let’s “Hail West Virginia,” stay “Ever True to Brown,” “Fight for LSU,” and shout out “The Buckeye Battle Cry!” College Fight Songs II will keep you in the game!
Through Barbershops, Bullets, and Ballads: An Annotated Anthology of Underappreciated American Musical Jewels, 1865--1918, you will discover older musical gems written during a half-century period of geographical, economic, political, and cultural expansion in the United States. Due to the fact that our collective American consciousness is rapidly developing cultural amnesia about or indifference to many of these older songs, the authors felt that a scholarly anthology needed to be produced before another century and millennium overwhelmed us. With Barbershops, Bullets, and Ballads, you will discover academic composers such as Arthur Foote, George Chadwick, and Amy Beach and find annotations outlining the history of the songs as well as the actual words and music. Barbershops, Bullets, and Ballads reveals to you such underappreciated songs as: “Above in Her Chamber,” with music by Julius Eichberg and lyrics by poet Celia Thaxter “In the Evening by the Moonlight,” with music and lyrics by James A. Bland “My Wild Irish Rose,” with music and lyrics by Chauncey Olcott “Cheyenne,” by lyricist Harry H. Williams and composer Egbert Van Alstyne “Come, Josephine in My Flying Machine,” with music by Fred Fisher and lyrics by Alfred Bryan In Barbershops, Bullets, and Ballads, you will find sections containing historical notes of featured songs in chronological order. Through this remarkable collection, you will discover an anthology of popular music of the bygone “golden age” of song and take a pleasurable voyage back to a time that is long gone.
First Published in 1990. Information about individual operas and other types of musical theater is scattered throughout the enormous literature of music. This book is an effort to bring that data together by comprehensively indexing plots and descriptions of individual operatic background, criticism and analysis, musical themes and bibliographical references. The principal audience for this general reference guide will be for the non-specialist, but its hoped that persons specialising in opera would also find it useful.
Circus Songs: An Annotated Anthology provides musicians and librarians with the scores of 100 circus songs along with brief historical annotations. You will also discover the history of American circus music as well as some background on circus musicians that will delight and enchant even the most avid music buff. Circus Songs provides you with an appreciation of the role of circus music in American culture and preserves these songs for future generations to enjoy.
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