Worldwide concern in scientific, industrial, and governmental com munities over traces of toxic chemicals in foodstuffs and in both abiotic and biotic environments has justified the present triumvirate of specialized publications in this field: comprehensive reviews, rapidly published progress reports, and archival documentations. These three publications are integrated and scheduled to provide in international communication the coherency essential for nonduplicative and current progress in a field as dynamic and complex as environmental contamination and toxicology. Until now there has been no journal or other publication series reserved exclusively for the diversified literature on "toxic" chemicals in our foods, our feeds, our geographical surroundings, our domestic animals, our wild life, and ourselves. Around the world immense efforts and many talents have been mobilized to technical and other evaluations of natures, locales, magnitudes, fates, and toxicology of the persisting residues of these chemicals loosed upon the world. Among the sequelae of this broad new emphasis has been an inescapable need for an articulated set of authorita tive publications where one could expect to find the latest important world literature produced by this emerging area of science together with documentation of pertinent ancillary legislation.
From William Peter Blatty, the New York Times bestselling author of The Exorcist, comes his dark comic novel about military madness, Twinkle, Twinkle, "Killer" Kane. After a nervous breakdown during a moon launch, astronaut Billy Cutshaw was committed to a military asylum and placed under the care of Colonel Hudson Kane. During their therapy sessions, Kane finds himself cross-examined about his beliefs on good and evil, forcing him to face the personal demons that have haunted him since his tour in Vietnam. This story was the basis of Blatty's later expanded novel and the Golden Globe-nominated film adaptation, both titled The Ninth Configuration. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material. Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources.
The latent symbolism in film imagery can be psychoanalyzed just like the imagery in dreams. This work applies to film the psychoanalytic techniques of Sigmund Freud, Erik Erikson, Carl Jung, Alfred Adler, Joseph Campbell, Otto Rank and Rollo May, providing a fundamental understanding of film symbols and structure. It offers a comprehensive and eclectic approach to film analysis, using a broad variety of theories and examples from both classic and contemporary movies, from Dracula (1930) to American Beauty (1999). The final chapter applies all the previously discussed techniques to one film, Malcolm X (1992). The work boasts a filmography and bibliography and is illustrated with film stills. Instructors considering this book for use in a course may request an examination copy here.
Circling high over Rockefeller Center is a peregrine falcon, the most awesome of the flying predators. She awaits a signal from her falconer. It is given: the bird attacks, plummeting from the sky at nearly 200 miles an hour, striking a young woman and killing her instantly. So begins Peregrine, a chilling tale of obsession. By chance, newscaster Pamela Barrett witnesses the slaying. Her impassioned account of it on television that evening thrills the falconer, a brilliant madman who identifies with his deadly bird. He becomes fascinated with Pam and enmeshes her in a bizarre and deadly scheme even as she finds herself drawn to him by an erotic need she doesn't understand. As killing follows killing, the police and the media engage in cutthroat competition to find the murderer. Two falcons fight to the death above Central Park. Call girls, rich eccentrics, dealers in the black market for rare birds--all play their roles in this study of secret passion, desire, fulfillment, and ecstasy.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.