William Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.
Born in 1882 in New York, Franklin Delano Roosevelt entered public service through the encouragement of the Democratic Party and won the election to the New York Senate in 1910. This book details his administration at the height of the Great Depression as he valiantly led the nation with the phrase, The only thing we have to fear is fear itself.
Using new information that comes from the formerly classified files of the FBI, this book tells the full story of the remarkable criminal career of Baby Face Nelson. Illustrations.
Confident and robust, Jubilee Hitchhiker is an comprehensive biography of late novelist and poet Richard Brautigan, author of Troutfishing in America and A Confederate General from Big Sur, among many others. When Brautigan took his own life in September of 1984 his close friends and network of artists and writers were devastated though not entirely surprised. To many, Brautigan was shrouded in enigma, erratic and unpredictable in his habits and presentation. But his career was formidable, an inspiration to young writers like Hjortsberg trying to get their start. Brautigan's career wove its way through both the Beat–influenced San Francisco Renaissance in the 1950s and the "Flower Power" hippie movement of the 1960s; while he never claimed direct artistic involvement with either period, Jubilee Hitchhiker also delves deeply into the spirited times in which he lived. As Hjortsberg guides us through his search to uncover Brautigan as a man the reader is pulled deeply into the writer's world. Ultimately this is a work that seeks to connect the Brautigan known to his fans with the man who ended his life so abruptly in 1984 while revealing the close ties between his writing and the actual events of his life. Part history, part biography, and part memoir this etches the portrait of a man destroyed by his genius.
This is a major new selection of Samuel Johnson's best work, delightfully introduced by W. K. Wimsatt and scrupulously annotated by Frank Brady and Mr. Wimsatt. Samuel Johnson, the only writer in English since the Renaissance to give his name to a literary period, was the center of English letters in his time. He was Dictionary Johnson, the lexicographer who had single-handedly settled the English language (it was hoped) on a firm basis; he was the author of a handful of fine poems, including two of the most remarkable satires of the century; he was a moralist whose Rambler and Idler essays, and novel-of-ideas Rasselas, provided a searching view of men and matters. And in his final years he produced his greatest work, that extraordinary combination of biography and criticism which came to be known as the Lives of the Poets. This first extensive anthology of Johnson's writings to be published in many years emphasizes Johnson the writer. It responds to those aspects of Johnson's work of special interest to modern readers. It comprises a selection of Johnson's letters, all of his major poems (including London), Rasselas, twenty-one Rambler, nineteen Idlers, the Prefaces to the Dictionary and to the edition of Shakespeare, and the following Lives of the Poets: Cowley, Milton, Swift, Pope, Savage, Collins, and Gray. All these works are extensively annotated and printed complete. Mr. Wimsatt, one of the outstanding Johnsonians of this century, provides in his Introduction a clear, connected biographical account of Johnson, stressing his writings. An up-to-date bibliography is also included. Johnson's varied accomplishments—as poet, as moralist, as biographer, as critic—are all amply represented.
This book chronicles the struggle among non-Communist leftists and liberals over American relations with the Soviet Union from 1939 through the 1950s. Few now care as passionately and as violently as people did then about Soviet-American relations. It was a time when friends became enemies, and others forged strange alliances, all in the name of commitments that today seem remote. A Better World evokes those times and their choices, and explains why these long-ago battles still arouse such deep feelings today - and should.Americans who were pro-Soviet without being members of the Communist party - 'progressives' as they called themselves - had a large emotional investment in the Soviet Union. From 1935 to 1939 literally millions joined the 'Popular Front' of pro-Soviet organizations. O'Neill takes us through the shock of the Stalin-Hitler pact of 1939, through the revival of the Popular Front spurred by government and business support after Russia entered the war against Hitler. He traces the isolation of the anti-Stalinists, the rise and fall of Henry Wallace, and the eclipse of progressivism. And he explores the shifting allegiances of intellectuals as they struggled, often with each other, to influence the course of public debate, with long-lasting consequences for American intellect, culture, and morals.As O'Neill observes in his introduction, 'More than any of my other books A Better World inspired correspondents to send me probing or reflective letters.' It was this response, along with the extraordinary critical debate spurred by initial publication of this volume, that makes the book's continuing importance clear. The dream of achieving a better world through radical violence never dies, and the willingness of apologists to cling to utopian visions persists. As long as it does, the lessons of this book need to be available to us.
“An authoritative, and accessible, introduction to Milton’s life and an engaging examination of the process of composing Paradise Lost” (Choice). In early 1642 Milton promised English readers a work of literature so great that “they should not willingly let it die.” Twenty-five years later, the epic poem Paradise Lost appeared in print. In the interim, however, the poet had gone totally blind and had also become a controversial public figure―a man who had argued for the abolition of bishops, freedom of the press, the right to divorce, and the prerogative of a nation to depose and put to death an unsatisfactory ruler. These views had rendered him an outcast. William Poole devotes particular attention to Milton’s personal life: his reading and education, his ambitions and anxieties, and the way he presented himself to the world. Although always a poet first, Milton was also a theologian and civil servant, vocations that informed the composition of his masterpiece. At the emotional center of this narrative is the astounding fact that Milton lost his sight in 1652. How did a blind man compose this intensely visual work? Poole opens up the world of Milton’s masterpiece to modern readers, first by exploring Milton’s life and intellectual preoccupations and then by explaining the poem itself―its structure, content, and meaning. “Poole’s book may well become what he shows Paradise Lost soon became: a classic.” —Times Literary Supplement “Smart and original . . . Demonstrates with astonishing exactitude how Milton’s life and―most impressively of all―his reading enabled this epic.” ―The Spectator “This deeply learned and lucidly written book . . . makes this most ambitious of early modern poets accessible to his modern readers.” ―Journal of British Studies
This well-respected and widely used series provides essential underpinning knowledge to support students following NVQ programmes in Bricklaying. This text is suitable for the C&G 588 course.
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