Drawing upon poststructuralist theories of nationalism and national identity developed by such writers as Etienne Balibar, Emmanuel Levinas, Julia Kristeva, Antonio Negri, and Slavoj Zizek, noted Renaissance scholar William J. Kennedy argues that the Petrarchan sonnet serves as a site for early modern expressions of national sentiment in Italy, France, England, Spain, and Germany. Kennedy pursues this argument through historical research into Renaissance commentaries on Petrarch's poetry and critical studies of such poets as Lorenzo de' Medici, Joachim du Bellay and the Pléiade brigade, Philip and Mary Sidney, and Mary Wroth. Kennedy begins with a survey of Petrarch's poetry and its citation in Italy, explaining how major commentators tried to present Petrarch as a spokesperson for competing versions of national identity. He then shows how Petrarch's model helped define social class, political power, and national identity in mid-sixteenth-century France, particularly in the nationalistic sonnet cycles of Joachim Du Bellay. Finally, Kennedy discusses how Philip Sidney and his sister Mary and niece Mary Wroth reworked Petrarch's model to secure their family's involvement in forging a national policy under Elizabeth I and James I . Treating the subject of early modern national expression from a broad comparative perspective, The Site of Petrarchism will be of interest to scholars of late medieval and early modern literature in Europe, historians of culture, and critical theorists.
The Living Death of Antiquity examines the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, 'a noble simplicity and quiet grandeur'. Fitzgerald discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods, focusing on the late eighteenth and early nineteenth centuries. In the aftermath of Winckelmann's writing, John Flaxman's engraved scenes from the Iliad and the sculptors Antonio Canova and Bertel Thorvaldsen reinterpreted ancient prototypes or invented new ones. Earlier and later versions of this aesthetic in the ancient Greek Anacreontea, the French Parnassian poets and Erik Satie's Socrate, manifest its character in different media and periods. Looking with a sympathetic eye on the original aspirations of the neoclassical aesthetic and its forward-looking potential, Fitzgerald describes how it can tip over into the vacancy or kitsch through which a 'remaindered' antiquity lingers in our minds and environments. This book asks how the neoclassical value of simplicity serves to conjure up an epiphanic antiquity, and how whiteness, in both its literal and its metaphorical forms, acts as the 'logo' of neoclassical antiquity, and functions aesthetically in a variety of media. In the context of the waning of a neoclassically idealized antiquity, Fitzgerald describes the new contents produced by its asymptotic approach to meaninglessness, and how the antiquity that it imagined both is and is not with us.
The ancient walled town of Butrint sits at the crossroads of the Mediterranean. In its heyday it could command sea-routes up the Adriatic Sea to the north, across the Mediterranean to the west, and south through the Ionian islands. It also controlled a land-route into the mountainous Balkan interior. For much of its long history it occupied a hill on a bend in the Vivari Channel, which connects the Straits to the large inland lagoon of Lake Butrint. Designated a UNESCO World Heritage site in 1992, Butrint covers an area of around 16 ha, but geophysical survey has shown that at times it was almost twice this size. The site itself is made up of two parts: the acropolis and the lower city. The acropolis is a long narrow hill, whose sides are accentuated by a circuit of walls that separate it from the natural and artificial terraces gathered around the flanks of the hill. The lower city occupies the lower-lying contours down to the edge of the Vivari Channel. This book brings to life this extraordinary Byzantine town, with chapters on the historical sources, various aspects of the archaeological excavation and survey, finds of pottery and environmental remains.
Charles Darwin's "On the Origins of Species" had two principal goals: to show that species had not been separately created and to show that natural selection had been the main force behind their proliferation and descent from common ancestors. In "Coevolution," the author proposes a powerful new theory of cultural evolution--that is, of the descent with modification of the shared conceptual systems we call "cultures"--that is parallel in many ways to Darwin's theory of organic evolution. The author suggests that a process of cultural selection, or preservation by preference, driven chiefly by choice or imposition depending on the circumstances, has been the main but not exclusive force of cultural change. He shows that this process gives rise to five major patterns or "modes" in which cultural change is at odds with genetic change. Each of the five modes is discussed in some detail and its existence confirmed through one or more case studies chosen for their heuristic value, the robustness of their data, and their broader implications. But "Coevolution" predicts not simply the existence of the five modes of gene-culture relations; it also predicts their relative importance in the ongoing dynamics of cultural change in particular cases. The case studies themselves are lucid and innovative reexaminations of an array of oft-pondered anthropological topics--plural marriage, sickle-cell anemia, basic color terms, adult lactose absorption, incest taboos, headhunting, and cannibalism. In a general case, the author's goal is to demonstrate that an evolutionary analysis of both genes and culture has much to contribute to our understanding of human diversity, particularly behavioral diversity, and thus to the resolution of age-old questions about nature and nurture, genes and culture.
Hours of great reading await, with adventure tales culled from the pulp magazines of the early 20th century by some of the most renowned pulp authors, including Robert E. Howard (creator of Conan the Barbarian), Harold Lamb, William Hope Hodgson, Dorothy Quick, E. Hoffmann Price, and many more! More than 500 pages of fiction! (Search for ?megapack? to find all the other great titles in this series.) Included in this volume: THE BLACK ADDER, by Dorothy Quick EVERY MAN A KING, by E. Hoffmann Price SON OF THE WHITE WOLF, by Robert E. Howard PEARL HUNGER, by Albert Richard Wetjen A MEAL FOR THE DEVIL, by K. Christopher Barr JACK GREY, SECOND MATE, by William Hope Hodgson SAID AFZEL’S ELEPHANT, by Harold Lamb ADVENTURE’S HEART, by Albert Dorrington ANOTHER PAWN OF FATE, by F. St. Mars MYSTERY ON DEAD MAN REEF, by George Armin Shaftel HAG GOLD, by James Francis Dwyer MAORI JUSTICE, by Bob Du Soe JAVELIN OF DEATH, by Captain A.E. Dingle THE SCREAMING SKULL, by J. Allan Dunn SIX SHELLS LEFT, by Allan R. Bosworth GODS OF BASTOL, by H.P. Holt THE MINDOON MANEATER, by C.M. Cross THE SPIRIT OF FRANCE, by S. B. H. Hurst THE BOX OF THE IVORY DRAGON, by James L. Aton CHECKERED FLAG, by Cliff Farrell THE FIGHTING FOOL, by Perley Poore Sheehan GHOST LANTERNS, by Alan B. LeMay STORIES OF THE LEGION: CHOC, by H. De Vere Stacpoole THE WHISPERING CORPSE, by Richard B. Sale THE MONKEY GOD, by Jacland Marmur And don't forget to search on "Megapack" in this ebook store to see additional great volumes in the Megapack series, covering science fiction, fantasy, horror, westerns, and more!
Nearly a decade and a half after 9/11, the study of international politics has yet to address some of the most pressing issues raised by the attacks, most notably the relationships between Al Qaeda's international systemic origins and its international societal effects. This theoretically broad-ranging and empirically far-reaching study addresses that question and others, advancing the study of international politics into new historical settings while providing insights into pressing policy challenges. Looking at actors that depart from established structural and behavioral patterns provides opportunities to examine how those deviations help generate the norms and identities that constitute international society. Systematic examination of the Assassins, Mongols, and Barbary powers provides historical comparison and context to our contemporary struggle, while enriching and deepening our understanding of the systemic forces behind, and societal effects of, these confounding powers.
It's just after two a.m. in Los Angeles and there are only a few cars on the 405. On the East Coast, the diners have yet to open for the morning rush. It's too late for dinner, too early for breakfast, and there's nothing in your freezer to throw in the microwave. You're looking for something a little sweet or a little salty (or maybe a little of both) to keep the midnight munchies at bay in the long hours before dawn. . . . What's to eat? George Noory has put together the ultimate after-midnight cookbook: Late-Night Snacks for late-night radio. Whether you're hankering for nostalgic treats, like homemade Toaster Tarts or rib-sticking Dumplings Love You, or something more exotic, like spicy Hurried Curry Pockets or Asian Fusion Salad, George Noory shows you how to whip up quick, delicious snacks with whatever ingredients are lying around your kitchen in the wee hours. Featuring more than a hundred of his personal, tasty, and above all easy recipes, Late-Night Snacks is sure to satisfy the cravings of night owls transfixed by stories of the paranormal, UFOs, past lives, ghosts, and things that go bump in the night. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Bestselling author William Peter Blatty warms our hearts with a funny yet deeply moving nostalgic tale of memory, mystery . . . and miracles. New York, 1941: Joey El Bueno is just a smart-aleck kid, confounding the nuns and bullies at St. Stephen's school on East 28th Street when he first meets Jane Bent, a freckle-faced girl with red pigtails and yellow smiley-face barrettes who seems to know him better than he knows himself. A magical afternoon at the movies, watching Cary Grant in Gunga Din, is the beginning of a puzzling friendship that soon leaves Joey baffled and bewildered. Jane is like nobody he has ever met. She comes and goes at will, nobody else seems to have heard of her, and is it true that she once levitated six feet off the ground at the refreshment counter of the old Superior movie house on Third Avenue? Joey, an avid reader of pulp magazines and comic books, is no stranger to amazing stories, but Jane is a bewitching enigma that keeps him guessing for the rest of his life—until, finally, it all makes sense. Rich with the warmth of a bygone era, Crazy captures both the giddy craziness of youth—and the sublime possibilities of existence. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
By explaining how to sire multicolored horses, produce nuts without shells, and create an egg the size of a human head, Giambattista Della Porta's Natural Magic (1559) conveys a fascination with tricks and illusions that makes it a work difficult for historians of science to take seriously. Yet, according to William Eamon, it is in the "how-to" books written by medieval alchemists, magicians, and artisans that modern science has its roots. These compilations of recipes on everything from parlor tricks through medical remedies to wool-dyeing fascinated medieval intellectuals because they promised access to esoteric "secrets of nature." In closely examining this rich but little-known source of literature, Eamon reveals that printing technology and popular culture had as great, if not stronger, an impact on early modern science as did the traditional academic disciplines.
“One of those can’t-put-it-down-until-the-last-page-is-turned monsters that has readers all over the country missing sleep.”—Minneapolis Tribune Corky is a brilliant entertainer with a bright future ahead of him. He has good looks, many women, and enormous talent. He also had a secret and a certainty: a secret that must be hidden from his public at all costs; and a certainty that the dark forces of magic were out to destroy him. “Fascinating . . . This dazzling psychological thriller cannot be put down! . . . The most imaginative and enjoyable novel I've read since Marathon Man. . . . [A] bizarre journey into the world of illusion.”—St. Louis Post-Dispatch “Kept me up half the night. . . . A brilliantly alarming novel!”—Cosmopolitan
Sir William Gell (1777-1836) was a British archaeologist well known for his drawings of sites and objects of classical interest. Gell published this new, two-volume edition of his Pompeiana in 1832, in an effort to describe the latest archaeological discoveries in the Roman city destroyed by an eruption of Mount Vesuvius in 79 CE. Concerned 'that time will incalculably diminish the freshness of those objects ... stripped of their external coats by the rains of winter or the burning suns of summer', he made it his task to describe what he had seen both through description and through his own numerous illustrations. In this first volume, Gell focuses on sites including the forum, baths, and the temple of Fortune. Pompeiana reveals both the history of the excavations, the individual finds, and the processes of field archaeology itself during a more romantic age.
The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 205 photographs and illustrations - many color. Free of charge in digital PDF format.
The world's most comprehensive, well documented and well illustrated book on this subject. With extensive subject and geographical index. 66 photographs and illustrations - mostly color. Free of charge in digital PDF format on Google Books.
The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 114 photographs and illustrations - mostly color. Free of charge in digital PDF format.
More than two thousand entries define a variety of words and terms related to eating and foods, describing exotic dishes, cooking techniques, ingredients, and foods.
Basic text on modern card conjuring describes for specialists and amateurs alike exact methods for perfecting the Instant Reverse, Three Queens Monte, The Ambitious Card, and many other sleights of hand. Also includes advice on manipulation, the art of presentation, audience participation, use of patter, and much else.
The most advanced and complete forensic dentistry resource of its kind, this volume provides essential guidance in all areas of forensics odontologly. It supplies medical examiners and forensic investigators with the detailed information needed to perform their work with the highest level of authority in the dental autopsy lab, the field, and the c
In this unique and important book, William Altman shines a light on the pedagogical technique of the playful Plato, especially his ability to create living discourses that directly address the student. Reviving an ancient concern with reconstructing the order in which Plato intended his dialogues to be taught as opposed to determining the order in which he wrote them, Altman breaks with traditional methods by reading Plato’s dialogues as a multiplex but coherent curriculum in which the Allegory of the Cave occupies the central place. His reading of Plato's Republic challenges the true philosopher to choose the life of justice exemplified by Socrates and Cicero by going back down into the Cave of political life for the sake of the greater Good.
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