There was a man in a deep, deep hole; it seemed impossible for him to get out. He cried for help, but those who heard him either didnt or couldnt help him. They prayed for him, but the poor man couldnt get out until one day a brother came along who jumped down into the hole too. The man in the hole said, Brother, why did you jump down here? Now you are stuck down here with me. But the brother said, I jumped down here because I was in this hole not too long ago, and I know a secret way out. William Bradley was once the man in the hole. Now free, he offers to lend a strong hand to others with Look Where He Brought Me From. Bradley grew up in New York, spending all his money on fast cars and faster womenand then he caught his big break in the late sixties NYC music scene. With the hard partying and easy money, Bradley seemed destined for an early grave like so many talented, promising young people. Then he started listening to the messages God had been sending him throughout his life. Now in his seventieth year and the prime of his life, Bradley reflects on how the blessing and favor of the Lord let him overcome his many obstacles, and how through following the path God has set for us, we can find success without sacrificing our dreams.
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William C. C. Claiborne, the first governor of Orleans Territory, was at the hub of officials who grappled with the political, diplomatic, and administrative challenges that arose following the Louisiana Purchase in 1803. Letters both to and from Claiborne during the critical months of 1804–1805, mysteriously excluded in 1917 from Dunbar Rowland’s Official Letter Books of W. C. C. Claiborne, 1801–1816, are now made widely accessible, over half of them published here for the first time. To enhance appreciation of the letters, Jared William Bradley has furnished biographical sketches of thirty-one heretofore little-known individuals crucial to Claiborne’s correspondence, delineating their personalities and their contributions to the development of law and the establishment of American government in the French Creole society. Bradley also treats in four essays the origins and growth of the “Municipal,” or the New Orleans city council; two organizations of businessmen that were ensnared in the so-called Burr Conspiracy in 1807; and the early history of Fort St. Philip, which guarded access to New Orleans from the Gulf of Mexico. Bradley’s essays joined with 218 of Claiborne’s letters makes Interim Appointment of incalculable value. It provides fresh insights into the political, constitutional, and social histories of Louisiana and the United States.
Congregations that are alive and vibrant have vital music programs. How did they get that way? There are sensible and practical steps to develop such a program which begins with a clear vision of the end product. This book addresses the many interrelated issues of defining and embracing the leadership role in the church music program that is required of clergy in parish ministry and essential for a healthy congregation. Clergy and musicians work toward the same goals; however, clergy are trained differently from musicians. How does this fact impact their relationship, and how can they learn to work together in an atmosphere of mutual respect? The practical issues of employment can be addressed more effectively in this atmosphere. If one is looking for the right musician for the parish, what qualities does one seek? How does one find such a rare and gifted individual? A successful search complete, how does the clergyperson work harmoniously with the music leader? This book provides a blueprint for: • Developing a vision for music in your parish • Locating a musician who is a partner in ministry • How music comes and goes in the church’s repertoire • Moving from musician as performer to musician as pastor
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