William Kauffman Scarborough has produced a work of incomparable scope and depth, offering the challenge to see afresh one of the most powerful groups in American history -- the wealthiest southern planters who owned 250 or more slaves in the census years of 1850 and 1860. The identification and tabulation in every slaveholding state of these lords of economic, social, and political influence reveals a highly learned class of men who set the tone for southern society while also involving themselves in the wider world of capitalism. Scarborough examines the demographics of elite families, the educational philosophy and religiosity of the nabobs, gender relations in the Big House, slave management methods, responses to secession, and adjustment to the travails of Reconstruction and an alien postwar world.
The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This monumental volume presents for the first time ever the complete works of William Blake, featuring all of the poetry and the entire corpus of engravings and paintings, as well as the usual Delphi bonus material. (58MB Version 1) Please visit www.delphiclassics.com to browse through our range of exciting titles * Beautifully illustrated with numerous images relating to Blake's life and works * Concise introductions to the poetry and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Famous poetry collections like SONGS OF INNOCENCE are fully illustrated with the text * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes a special 'Plates' section with Blake's complete engravings, paintings and illustrations - spend hours exploring Blake's artistic genius in over 1,100 images! * Features two biographies - discover Blake's literary life * Scholarly ordering of texts into chronological order and literary genres CONTENTS: The Poetry and Prose Books POETICAL SKETCHES AN ISLAND IN THE MOON ALL RELIGIONS ARE ONE THERE IS NO NATURAL RELIGION TIRIEL SONGS OF INNOCENCE THE BOOK OF THEL THE MARRIAGE OF HEAVEN AND HELL THE FRENCH REVOLUTION VISIONS OF THE DAUGHTERS OF ALBION AMERICA A PROPHECY EUROPE A PROPHECY THE FIRST BOOK OF URIZEN SONGS OF EXPERIENCE THE BOOK OF LOS THE SONG OF LOS THE BOOK OF AHANIA THE FOUR ZOAS MILTON A POEM JERUSALEM: THE EMANATION OF THE GIANT ALBION SONGS AND BALLADS FROM BLAKE'S NOTEBOOK (1793) SATIRIC VERSES AND EPIGRAMS FROM BLAKE'S NOTEBOOK UNCOLLECTED WORKS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Plates CATALOGUE OF VISUAL WORKS The Biographies WILLIAM BLAKE by Irene Langridge WILLIAM BLAKE by Charles Gardner
This book presents discussions on the formation of complex society of Southeastern Mesoamerica throughout pre-Columbian times. These societies include ones from the Early Preclassic or Formative period to those encountered by the Spaniards when they arrived in the early 16th century. Diverse classes of data from archaeology, ethnography, and ethnohistory are utilized. The book provides wide spatial and temporal coverage, as well as a wide diversity of theoretical perspectives. Anyone interested in archeology or the evolution of prehistoric complex societies will find this book fascinating.
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.
Liberal democracy needs a clear-eyed, robust defense to deal with the increasingly complex challenges it faces in the twenty-first century. Unfortunately much of contemporary liberal theory has rejected this endeavor for fear of appearing culturally hegemonic. Instead, liberal theorists have sought to gut liberalism of its ethical substance in order to render it more tolerant of non-liberal ways of life. This theoretical effort is misguided, however, because successful liberal democracy is an ethically demanding political regime that requires its citizenry to display certain virtues and habits of mind. Against the grain of contemporary theory, philosopher Richard Rorty blends American pragmatism and romanticism to produce a comprehensive vision of liberal modernity that features a virtue-based conception of liberal democracy. In doing so, Rorty defends his pragmatic liberalism against a host of notable interlocutors, including Charles Taylor, Nancy Fraser, Hilary Putnam, Richard J. Bernstein, and Jean Bethke Elshtain.
The world's most comprehensive, well documented. and well illustrated book on this subject. With extensive subject and geographical index. 345 photographs and illustrations - mostly color. Free of charge in digital format on Google Books.
This book is a study of signs in American literature and culture. It is mainly about electric signs, but also deals with non-electric signs and related phenomena, such as movie sets. The 'sign' is considered in both the architectural and semiotic senses of the word. It is argued that the drama and spectacle of the electric sign called attention to the semiotic implications of the 'sign.' In fiction, poetry, and commentary, the electric SIGN became a 'sign' of manifold meanings that this book explores: a sign of the city, a sign of America, a sign of the twentieth century, a sign of modernism, a sign of postmodernism, a sign of noir, a sign of naturalism, a sign of the beats, a sign of signs systems (the Bible to Broadway), a sign of tropes (the Great White way to the neon jungle), a sign of the writers themselves, a sign of the sign itself. If Moby Dick is the great American novel, then it is also the great American novel about signs, as the prologue maintains. The chapters that follow demonstrate that the sign is indeed a 'sign' of American literature. After the electric sign was invented, it influenced Stephen Crane to become a nightlight impressionist and Theodore Dreiser to make the 'fire sign' his metaphor for the city. An actual Broadway sign might have inspired F. Scott Fitzgerald's The Great Gatsby. In Manhattan Transfer and U.S.A., John Dos Passos portrayed America as just a spectacular sign. William Faulkner's electric signs are full of sound and fury signifying modernity. The Last Tycoon was a sign of Fitzgerald's decline. The signs of noir can be traced to Poe's 'The Man of the Crowd.' Absence flickers in the neons of Raymond Chandler's Los Angeles. The death of God haunts the neon wilderness of Nelson Algren. Hitler's 'empire' was an non-intentional parody of Nathanael West's California. The beats reinvented Times Square in their own image. Jack Kerouac's search for the center of Saturday night was a quest for transcendence. This book will interest readers who want to learn more about the city, the history of advertising, electric lighting, nightlife, architecture, and semiotics. In contrast to other cultural studies, however, Signs of the Signs is primarily a work of literary criticism. Lovers of literary light will appreciate this book the most.
Winner: Joseph Brant Award (2014), Ontario Historical Society Winner: Clio Prize (Ontario) (2014), Canadian Historical Association Winner: The James S. Donnelly Sr. Prize (2014), American Conference for Irish Studies Winner: Geographical Society of Ireland Book of the Year Award (2013-2015) In Between Raid and Rebellion, William Jenkins compares the lives and allegiances of Irish immigrants and their descendants in one American and one Canadian city between the era of the Fenian raids and the 1916 Easter Rising. Highlighting the significance of immigrants from Ulster to Toronto and from Munster to Buffalo, he distinguishes what it meant to be Irish in a loyal dominion within Britain’s empire and in a republic whose self-confidence knew no bounds. Jenkins pays close attention to the transformations that occurred within the Irish communities in these cities during this fifty-year period, from residential patterns to social mobility and political attitudes. Exploring their experiences in workplaces, homes, churches, and meeting halls, he argues that while various social, cultural, and political networks were crucial to the realization of Irish mobility and respectability in North America by the early twentieth century, place-related circumstances were linked to wider national loyalties and diasporic concerns. With the question of Irish Home Rule animating debates throughout the period, Toronto’s unionist sympathizers presented a marked contrast to Buffalo’s nationalist agitators. Although the Irish had acclimated to life in their new world cities, their sense of feeling Irish had not faded to the degree so often assumed. A groundbreaking comparative analysis, Between Raid and Rebellion draws upon perspectives from history and geography to enhance our understanding of the Irish experiences in these centres and the process by which immigrants settle into new urban environments.
First published in 1904, this volume emerged during a split within the Liberal Unionist Party over Joseph Chamberlain’s advocacy of Protectionism through Tariff Reform. Having originally broken with the Liberal Party over Home Rule in 1885, 1904 saw some Liberal Unionists return to the Liberal fold. The authors here constitute those departing Liberal Unionists in a multifaceted rallying call for Free Trade in the face of Protectionism. Their articles, on subjects such as Shipping, Agriculture and Engineering, assess the implications of Free Trade with a focus on each author’s specialist industry. The authors unanimously declare in favour of the system under which, they maintain, Great Britain developed unparalleled prosperity and taught other nations her industrial success. In the process, they demonstrate that trade cannot improve whilst fettered and focus on the potential for real improvements through Free Trade.
The world's most comprehensive, well documented and well illustrated book on this subject. With extensive subject and geographical index. 363 photographs and illustrations - many in color. Free of charge in digital PDF format.
The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographical index. 526 photographs and illustrations - mostly color. Free of charge in digital PDF format.
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