Once a keystone of the Democratic Party, American Catholics are today helping to put Republicans in office. This book traces changes in party allegiance and voting behavior of Catholics in national elections over the course of 150 years and explains why much of the voting bloc that supported John F. Kennedy has deserted the Democratic coalition. William B. Prendergast analyzes the relationship between Catholics and the GOP from the 1840s to 1990s. He documents a developing attachment of Catholics to Republican candidates beginning early in this century and shows that, before Kennedy, Catholics helped elect Eisenhower, returned to the polls in support of Nixon and Reagan, and voted for a Republican Congress in 1994. To account for this shifting allegiance, Prendergast analyzes transformations in the Catholic population, the parties, and the political environment. He attributes these changes to the Americanization of immigrants, the socioeconomic and educational advancement of Catholics, and the emergence of new issues. He also cites the growth of ecumenicism, the influence of Vatican II, the abatement of Catholic-Protestant hostility, and the decline of anti-Catholicism in the Republican party. Clearly demonstrating a Catholic move toward political independence, Prendergast's work reveals both the realignment of voters and the influence of religious beliefs in the political arena. Provocative and informative, it confirms the opinion of pollsters that no candidate can take the vote of the largest and most diverse religious group in the nation for granted.
In Reforming Hollywood, William Romanowski tells the long and complex story of the relationship between Protestants of all stripes--from Episcopalians to evangelicals--and the American film industry. Drawing on personal interviews and previously unexamined primary sources, he chronicles Protestant efforts to exert influence on the industry and use movies to promote the moral health of the nation. At the same time, Romanowski shows, mainline Protestants were surprisingly averse to censorship, which they saw as intruding upon individual conscience and antithetical to American democracy--of which they saw themselves as the guardians.
On July 18, 1969, a car driven by Senator Edward M. Kennedy plunged off a bridge on Chappaquiddick Island, off the coast of Cape Cod. Mary Jo Kopechne, a twenty-eight-year-old former staffer for Kennedy's brother Robert, died in the crash. The scandal that followed demeaned Kopechne's reputation and scapegoated her for Ted Kennedy's inability to run for the presidency instead of acknowledging her as an innocent victim in a tragedy that took her life. William C. Kashatus's biography of Mary Jo Kopechne illuminates the life of a politically committed young woman who embodied the best ideals of the sixties. Arriving in Washington in 1963, Kopechne soon joined the staff of Robert F. Kennedy and committed herself to his vision of compassion for the underprivileged, social idealism tempered by political realism, and a more humane nation. Kashatus details her work as an energetic and trusted staffer who became one of the famed Boiler Room Girls at the heart of RFK's presidential campaign. Shattered by his assassination, Kopechne took a break from politics before returning as a consultant. It was at a reunion of the Boiler Room Girls that she accepted a ride from Edward Kennedy--a decision she would pay for with her life. The untold--and long overdue--story of a promising life cut short, Before Chappaquiddick tells the human side of one of the most memorable scandals of the 1960s. Purchase the audio edition.
The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture. By locating minstrel performances within their complex sites of production, Mahar offers a significant reassessment of the historiography of the field. Behind the Burnt Cork Mask promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology.
This remarkable book examines the impact of Rome on American artists and writers from the earliest days of the new republic to the present. In volume I: Classical Rome Vance shows, for example, how the Forum and the Colosseum inspired American thoughts of ideal republics and how the Pantheon presented a pagan challenge to American ideas of divinity, beauty, and sexuality. In volume II: Catholic and Contemporary Rome, Vance begins by examining the three foremost Roman Catholic symbols: the bambino, the madonna, and the pope. In the section on contemporary Rome, he addresses American attitudes toward Rome's earliest attempts at democratization, toward its aristocratic social structures, and toward the political changes that occurred after World War II"--Publisher's website, viewed August 23, 2018.
Conquer: The Story of Ninth Army recounts in great and glorious detail the U.S. Ninth army as it campaigned against Nazi Germany in Europe during World War II. The Ninth Army reached France in September 1944 in time to play a leading role in the reduction of Brest and Brittany; further battles awaited them during the November Offensive and the counterattack against the Ardennes offensive. Their march into Germany saw further bitter conflicts and actions along the Roer, the Rhine, the Ruhr and the Elbe, before the Ninth Army was finally able to rest as part of the occupation forces in defeated of Germany. Richly illustrated with photos and maps of the actions of the Ninth Army in the ETO. “Conquer: The Story of Ninth Army is intended to present in broad form a brief account of that Army’s activities— tactical, administrative, and logistical. Considerations of space, time, and proportion have generally limited the mention of individual units to divisions and larger. In Ninth Army, however, as in any modern American army, these were only one-half of the troop strength. The other half comprised the large number of corps and army troops— cavalry, antiaircraft, engineer, chemical, field artillery, medical, military police, ordnance, quartermaster, signal, tank, and tank destroyer—the “supporting” troops, without whom the job could not have been done. And it is to these, most of whom wore the Ninth Army shoulder patch, that I wish to pay particular tribute here, without detracting in any way from the fine performance of the larger units.”—Lt.-Gen. W. H. Simpson commander of the 9th Army.
Throughout his life Peters depicted the ordinary places and people of America. From Rochester to Rockport, Peters made an amazingly coherent group of fascinating, masterful American pictures.
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