This revealing book synthesizes research from many fields to offer the first complete history of the roles played by weather and climate in American life from colonial times to the present. Author William B. Meyer characterizes weather events as neutral phenomena that are inherently neither hazards nor resources, but can become either depending on the activities with which they interact. Meyer documents the ways in which different kinds of weather throughout history have represented hazards and resources not only for such exposed outdoor pursuits as agriculture, warfare, transportation, construction, and recreation, but for other realms of life ranging from manufacturing to migration to human health. He points out that while the weather and climate by themselves have never determined the course of human events, their significance as been continuously altered for better and for worse by the evolution of American life.
At a level accessible to the general reader, this balanced and non-polemical book describes the changes human activities have produced in the global environment from 300 years ago to today.
In 1882, Elmer Palmer was convicted of poisoning his grandfather Francis in rural northern New York State. In a famous decision in 1889, the New York Court of Appeals denied Elmer the right to inherit from Francis, even though the statute governing wills seemed to entitle him to the legacy. Twentieth-century commentators have treated Riggs v. Palmer as a model of the judicial craft and a key to understanding the nature of law itself; however, the case’s history suggests that it is neither of these things. In its own time, the decision was radically at odds with legal doctrine as then understood by American judges. Rather than a quintessentially principled ruling, it was most likely ad hoc and ad hominem, concocted to thwart a particular individual thought to have been punished too lightly for his crime. The book illustrates the value of two approaches to interpreting decisions, those of "case biography" and "legal archaeology." Both draw upon historical sources neglected in conventional legal scholarship. In doing so, they may challenge—or confirm—the validity as precedent today of classic cases from the past.
This book pulls together major critiques of contemporary attempts to explain nature-society relations in an environmentally deterministic way. After defining key terms, it reviews the history of environmental determinism’s rise and fall within geography in the early twentieth century. It discusses the key reasons for the doctrine’s rejection and presents alternative, non-deterministic frameworks developed within geography for analyzing the roles played by the environment in human affairs. The authors examine the rise in recent decades of neo-deterministic approaches to such issues as the demarcation of regions, the causes of civilizational collapse in prehistory, today’s globally uneven patterns of human well-being, and the consequences of human-induced climate change. In each case, the authors draw on the insights and approaches of geography, the academic discipline most conversant with the interactions of society and environment, to challenge the widespread acceptance that such approaches have won. The book will appeal to those working on human-environmental research, international development and global policy initiatives.
This revealing book synthesizes research from many fields to offer the first complete history of the roles played by weather and climate in American life from colonial times to the present. Author William B. Meyer characterizes weather events as neutral phenomena that are inherently neither hazards nor resources, but can become either depending on the activities with which they interact. Meyer documents the ways in which different kinds of weather throughout history have represented hazards and resources not only for such exposed outdoor pursuits as agriculture, warfare, transportation, construction, and recreation, but for other realms of life ranging from manufacturing to migration to human health. He points out that while the weather and climate by themselves have never determined the course of human events, their significance as been continuously altered for better and for worse by the evolution of American life.
This book is devoted to the exploration of environmental Prometheanism, the belief that human beings can and should master nature and remake it for the better. Meyer considers, among others, the question of why Prometheanism today is usually found on the political right while environmentalism is on the left. Chapters examine the works of leading Promethean thinkers of nineteenth and early and mid-twentieth century Britain, France, America, and Russia and how they tied their beliefs about the earth to a progressive, left-wing politics. Meyer reconstructs the logic of this “progressive Prometheanism” and the reasons it has vanished from the intellectual scene today. The Progressive Environmental Prometheans broadens the reader’s understanding of the history of the ideas behind Prometheanism. This book appeals to anyone with an interest in environmental politics, environmental history, global history, geography and Anthropocene studies.
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Substantial articles on 2000+ Greek words that are theologically significant in the New Testament. Traces usage in classical Greek literature, the Septuagint, intertestamental texts, and the New Testament.
When we began to consider the scope of this book, we envisaged a catalogue supplying at least one abstract definition for any finitely generated group that the reader might propose. But we soon realized that more or less arbitrary restrictions are necessary, because interesting groups are so numerous. For permutation groups of degree 8 or less (i. e., subgroups of e ), the reader cannot do better than consult the 8 tables of JosEPHINE BuRNS (1915), while keeping an eye open for misprints. Our own tables (on pages 134-143) deal with groups of low order, finiteandinfinite groups of congruent transformations, symmetric and alternating groups, linear fractional groups, and groups generated by reflections in real Euclidean space of any number of dimensions. The best substitute foramoreextensive catalogue is the description (in Chapter 2) of a method whereby the reader can easily work out his own abstract definition for almost any given finite group. This method is sufficiently mechanical for the use of an electronic computer. There is also a topological method (Chapter 3), suitable not only for groups of low order but also for some infinite groups. This involves choosing a set of generators, constructing a certain graph (the Cayley diagram or DEHNsehe Gruppenbild), and embedding the graph into a surface. Cases in which the surface is a sphere or a plane are described in Chapter 4, where we obtain algebraically, and verify topologically, an abstract definition for each of the 17 space groups of two-dimensional crystallography.
This revealing book synthesizes research from many fields to offer the first complete history of the roles played by weather and climate in American life from colonial times to the present. Author William B. Meyer characterizes weather events as neutral phenomena that are inherently neither hazards nor resources, but can become either depending on the activities with which they interact. Meyer documents the ways in which different kinds of weather throughout history have represented hazards and resources not only for such exposed outdoor pursuits as agriculture, warfare, transportation, construction, and recreation, but for other realms of life ranging from manufacturing to migration to human health. He points out that while the weather and climate by themselves have never determined the course of human events, their significance as been continuously altered for better and for worse by the evolution of American life.
Diverse alterations of glycosylation occur in diseases such as cancer, metastasis, leukemia, inflammatory and other diseases. The glycosylation abnormalities found in disease are the result of complex rearrangements of the oligosaccharide assembly by glycosyltransferases. This volume reviews several mechanisms that may underly the extremely complex alterations in disease. Disease specific glycosylation may contribute to the disease process by altering cellular functions, or may be exploited therapeutically. Specific therapy may be aimed at correcting glycosylation abnormalities based on knowledge of the mechanisms leading to the disease phenotype and the three-dimensional interactions between carbohydrates and carbohydrate-binding molecules.
Cadence is a comprehensive examination of how formal units in European art music of the tonal era achieve closure. The book brings together the author's decades-long investigations into cadence, a compositional device that is readily experienced both by musicians and non-musicians, but one that has proven intractable to clear and precise theoretical formulation. Rooted in Caplin's broader theory of formal functions, the book first develops concepts of cadence for music of the high classical style and then extends these ideas to gauge cadential practice in earlier and later style periods. Throughout the study, various manifestations of cadence are defined in terms of their morphology (their harmonic and melodic profiles) as well as their function (the specific formal contexts in which they are deployed). Cadence introduces a host of theoretical concepts illustrated by copious musical examples, all of which contain extensive analytical annotations of harmony, melody and form. Though the book is addressed primarily to music theorists, the many issues of compositional practice raised in this study will resonate with the interests of composers, historians, and performers alike.
The world's most comprehensive, well documented, and well illustrated book on this subject, with 445 photographs and illustrations. Plus an extensive index.
Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.
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