A 'conservative radical' is William Alexander Eddie's description of the French virtuoso composer-pianist Charles Valentin Alkan (1813-1888). Judaic culture, the French baroque and German classicism were the main influences on Alkan's musical style, with more radical musical tendencies found in many of the Esquisses op 63. This comprehensive survey takes as its focus a stylistic analysis of Alkan's compositions from the apprentice works to the later 'massed style' etudes; the latter are of considerable length and pianistic difficulty. There is also consideration of Alkan's achievements as pianist and teacher, and the sections on performance practice in Alkan will be of interest to pianists today. A full investigation of Alkan's reception history is also included and useful appendices provide a guide to further archival research. A list of works and basic discography complete this new study of an important French composer.
A 'conservative radical' is William Alexander Eddie's description of the French virtuoso composer-pianist Charles Valentin Alkan (1813-1888). Judaic culture, the French baroque and German classicism were the main influences on Alkan's musical style, with more radical musical tendencies found in many of the Esquisses op 63. This comprehensive survey takes as its focus a stylistic analysis of Alkan's compositions from the apprentice works to the later 'massed style' etudes; the latter are of considerable length and pianistic difficulty. There is also consideration of Alkan's achievements as pianist and teacher, and the sections on performance practice in Alkan will be of interest to pianists today. A full investigation of Alkan's reception history is also included and useful appendices provide a guide to further archival research. A list of works and basic discography complete this new study of an important French composer.
The role of motion pictures in the popularity of rock music became increasingly significant in the latter twentieth century. Rock music and its interaction with film is the subject of this significant book that re-examines and extends Serge Denisoff's pioneering observations of this relationship.Prior to Saturday Night Fever rock music had a limited role in the motion picture business. That movie's success, and the success of its soundtrack, began to change the silver screen. In 1983, with Flashdance, the situation drastically evolved and by 1984, ten soundtracks, many in the pop/rock genre, were certified platinum. Choosing which rock scores to discuss in this book was a challenging task. The authors made selections from seminal films such as The Graduate, Easy Rider, American Grafitti, Saturday Night Fever, Help!, and Dirty Dancing. However, many productions of the period are significant not because of their success, but because of their box office and record store failures.Risky Business chronicles the interaction of two major mediums of mass culture in the latter twentieth century. This book is essential for those interested in communications, popular culture, and social change.
The Hour of Our Nation's Agony offers a revealing look into the life of a Confederate soldier as he is transformed by the war. Through these literate, perceptive, and illuminating letters, readers can trace Lt. William Cowper Nelson's evolution from an idealistic young soldier to a battle-hardened veteran. Nelson joined the army at the age of nineteen, leaving behind a close-knit family in Holly Springs, Mississippi. He served for much of the war in the Third Corps of Robert E. Lee's Army of Northern Virginia. By the end of the conflict, Nelson had survived many major battles, including Fredericksburg, Chancellorsville, Gettysburg, and the Wilderness, as well as the long siege of Petersburg. In his correspondence, Nelson discusses in detail the soldier's life, religion in the ranks, his love for and heartbreak at being separated from his family, and Southern identity. Readers will find his reflections on slavery, religion, and the Confederacy particularly revealing. Seeing and participating in the slaughter of other human beings overpowered Nelson's romantic idealism. He had long imagined war as a noble struggle of valor, selflessness, and glory. But the sight of wounded men with "blood streaming from their wounds," dying slow, lonely deaths showed Nelson the true nature of war. Nelson's letters reveal the conflicting emotions that haunted many soldiers. Despite his bitter hatred of the "ruthless invaders of our beloved South," the sight of wounded Union prisoners moved him to compassion. Nelson's ability to write about irreconcilable moments when he felt both kindness and cruelty toward the enemy with introspection, candor, and sensitivity makes The Hour of Our Nation's Agony more than just a collection of missives. Jennifer Ford places Nelson squarely in the middle of the historiographic debate over the degree of disillusionment felt by Civil War soldiers, arguing that Nelson-like many soldiers-was a complex individual who does not fit neatly into one interpretation. Jennifer W. Ford is head of special collections and associate professor at the J. D. Williams Library at the University of Mississippi, where the where the collection containing Lt. Nelson's letters and other family documents is held.
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