Its lines and verses have become part of the western literary canon and his translation of this most famous of poems has been continuously in print in for almost a century and a half. But just who was Edward FitzGerald? Was he the eccentric recluse that most scholars would have us believe? Is there more to the man than just his famous translation? In The Man Behind the Rubaiyat of Omar Khayyam William Martin and Sandra Martin go beyond the standard view. Drawing on their unique analysis of the more than 2,000 surviving letters of FitzGerald, together with evidence from his scrapbooks, commonplace books and materials from his personal library, they reveal a more convivial yet complex personality than we have been led to suppose.
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For the second edition of All's Well That Ends Well, Alexander Leggatt has written a completely new introduction to Russell Fraser's text of one of Shakespeare's most puzzling, ambiguous and demanding plays. Leggatt's interest in performance is evident throughout the introduction, particularly in his discussion of the instability of the main characters. He also provides a full, illustrated and thoughtful account of the play's critical and theatrical fortunes to the end of the twentieth century, and explores our experience as an audience of seeing and hearing the play performed. An updated reading list completes the volume.
Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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