Rebel Private Front and Rear is a line soldier’s account of the Civil War without heroics. Private Fletcher tells how at Gettysburg he was overcome by a “bad case of cowardly horror” when an order came on the third day to get ready to charge. “I tried to force manhood to the front, but fright would drive it back with a shudder,” he confessed. The attack of jitters lasted about fifteen minutes, and then he fell asleep while awaiting the order to advance. But Fletcher could be brave to a fault. He was restless and venturesome and during the lulls between fighting would sometimes ask for permission to go on dangerous scouts into enemy territory. Once, just before Fredericksburg, he slipped out to a haystack in the no-man’s-land near the Rappahannock so that he could watch the Yankees build a bridge. And in his last fight at Bentonville he risked his life on a rash and futile impulse to capture a whole squad of Federals. At Second Manassas, Fletcher was struck by a bullet that grazed his bowels and lodged in his hip. His detailed description of his subsequent sensations and experiences is one of the most interesting portions of his narrative. He begged the surgeons to operate, but when they started cutting he howled so profanely that they threatened to abandon him. His reply was: “It don’t hurt as badly when I am cursing.” Wounded again at Chickamauga, Fletcher was incapacitated for further infantry service and was transferred to Company E, Eighth Texas Cavalry, and served with Terry’s Rangers until the end of the war. In north Georgia he participated in a number of thrilling skirmishes with mounted forces of Sherman’s command, and in one of these encounters he lost his horse. A short time later, in a daring effort to capture a mount from the Yankees, he was taken prisoner. The story of the forming and execution of his plan to escape by jumping from a moving boxcar is full of suspense and excitement. Rebel Private also reveals Fletcher as something of a philosopher. The narrative is sprinkled with dissertations on unexpected subjects, such as God, justice, and war. He reflects on the rightness and the necessity of “foraging,” in home as well as enemy territory, but he tells with evident relish how he and his “pard” of the occasion “pressed” whiskey, honey, and chickens. Fletcher set down his experiences some forty years after the close of the Civil War. His story is told with the artlessness of the natural raconteur. Though the style is unpolished, the memoir makes lively reading because of the author’s eye for detail, his straightforward language, and his sense of humor. One of the most frequently cited narratives written by soldiers of Lee’s army, it derives its value as a historical source mainly from Fletcher’s honesty, his close observations, the richness and variety of his experiences, and the sharpness of his memory.
“The recent rediscovery of Rebel Private: Front and Rear, effectively lost for decades, marks an authentic publishing event in the literature of the Civil War. A rare insight into the conflict from the point of view of a Confederate army enlisted man, this compelling memoir has been hailed by historians as a classic and indispensible key to understanding the Southern perspective. Margaret Mitchell even described it as her single most valuable source of research for Gone With the Wind. “This stunning document is the work of a common foot soldier blessed with extraordinary perception and articulateness. After joining the famed Texas Brigade under Stonewall Jackson. Private William A. Fletcher saw action at Second Manassas, Fredericksburg, Gettysburg, Chancellorsville, and Chickamauga. He was wounded several times and escaped from a moving Union prison train before the South’s surrender. In 1907, he published this powerfully evocative account of his exploits, a volume of frank, detailed recollections that spares none of the horror, courage, or absurdity of war. But a fire destroyed all but a few copies before they could be distributed. One copy, however, did make its way to the Library of Congress, where it was eventually discovered. Today, this colorful work has become the voice of the Civil War front-line grunt, speaking to the modern reader with the intensity of personal experience and a vividness of detail that gives it a riveting you-are-there quality.”- Print ed. “Get this riveting book. Fletcher’s description of Gettysburg surpasses almost everything I’ve read anywhere about that battle, including—gasps!—Michael Shaara’s The Killer Angels.”—Jeff Guinn, Fort Worth Star-Telegram “Epitomizes unsung, unintentional greatness.... Readers find themselves in the trenches.... May become seminal reading for Civil War scholars and history buffs.” —St. Louis Post-Dispatch
An occult thriller, scary, learned, and charitable in the true tradition of Charles Williams and his fellow Inklings, says T.A. Shippey, editor of The Oxford Book of Fantasy Stories. A remarkable witch's brew of supernatural, Christian, classical and scientific arcana.
King Henry VIII has one of the fullest theatrical histories of any play in the Shakespeare canon, yet has been consistently misrepresented, both in performance and in criticism. This edition offers a new perspective on this ironic, multi-layered, collaborative play, revealing it as a complex meditation on the progress of Reformation which sees English life since Henry VIII's day as a series of bewildering changes in national and personal allegiance and represents 'history' as the product of varied and contradictory testimony. McMullan makes a powerful claim for the rehabilitation of Henry VIII, providing the fullest performance history of any edition to date and reading the work not as a marginal 'late' Shakespeare play but as a play which is paradigmatic of the achievement of Renaissance drama as a whole.`This is a staggeringly brilliant, captivating edition that will undoubtedly occasion a huge surge of critical interest in this neglected play. For those of use who have never taken Henry VIII very seriously ' perhaps dismissing it as a late collaborative play of no consequence or as conservative propaganda ' McMullan's introduction is genuinely revelatory.'Eric Rasmussen, University of Nevada at Reno, Shakespeare Survey
An authoritative and practical guide to identifying major health issues in the workplace with an overview of common control approaches. Contains detailed surveys of work tasks in a wide range of industries, enabling readers to recognize health problems in facility design and operation and to relate medical symptoms to job exposure. New to this edition: discussion of microelectronics, chemical processing and plastics fabrication; increased coverage of published exposure information; epidemiologic and other health status studies.
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