The Broadway musical has greatly influenced American (and world) culture. Such shows as Oklahoma! and Annie Get Your Gun are as 'American as apple pie,' while the long runs of imports like Cats, The Phantom of the Opera, and Les MisZrables have broken records. Broadway has produced such cultural icons as Ethel Merman, Yul Brynner, and Julie Andrews, and composers and lyricists such as Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Oscar Hammerstein, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and many others have had their melodies sung on its stages. Visionaries like George Abbott, Agnes de Mille, Jerome Robbins, Bob Fosse, Tommy Tune, and Susan Stroman have brought productions to life through their innovative direction and choreography. Since the latter part of the 19th century, the Broadway musical has remained one of the most popular genres in entertainment and its history is related in detail in The A to Z of the Broadway Musical. Through a chronology, an introductory essay, a bibliography, and 900 dictionary entries on Broadway shows, playwrights, directors, producers, designers, and actors, this handy desk reference offers quick information on the many aspects of the Broadway musical.
The Broadway musical has greatly influenced both American and world culture. Shows such as Oklahoma! and Annie Get Your Gun are as American as apple pie, while the long runs of imports such as Cats, The Phantom of the Opera, and Les Misérables have broken records. Shows filled with rock and pop music such as Mamma Mia! and Wicked enthrall audiences, and revivals of beloved shows play an important role in contemporary Broadway culture. Actors Ethel Merman, Yul Brynner, Julie Andrews, Bernadette Peters, and Audra McDonald; composers and lyricists Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Oscar Hammerstein, Leonard Bernstein, Stephen Sondheim, John Kander, Fred Ebb, and Jeanine Tesori; and directors and choreographers George Abbott, Agnes de Mille, Jerome Robbins, Bob Fosse, Tommy Tune, and Susan Stroman—to name only a few—have gained national and international recognition by way of the Broadway musical stage. This second edition of Historical Dictionary of the Broadway Musical contains a chronology, an introduction, an appendix, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on Broadway shows, composers, playwrights, directors, producers, designers, actors, and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about Broadway musicals.
Whether they appeared on Broadway or the Strand, the shows appearing in 1924 epitomized the glamor of popular musical theatre. What made this particular year so distinctive – so special – was the way it brought together the old and the new, the venerated and the innovative, and the traditional and the chic. William Everett, in his compelling new book, reveals this remarkable mid-Roaring Twenties stagecraft to have been truly transnational, with a stellar cast of producers, performers and creators boldly experimenting worldwide. Revues, musical comedies, zarzuelas and operettas formed part of a thriving theatrical ecosystem, with many works – and their leading artists – now unpredictably defying genres. The author demonstrates how fresh approaches became highly successful, with established leads like Marie Tempest and Fred Stone appearing in new productions even as youthful talents such as Florence Mills, Fred and Adele Astaire, Gertrude Lawrence and George Gershwin now started to make their mark.
divdivHungarian-born composer Sigmund Romberg (1887–1951) arrived in America in 1909 and within eight years had achieved his first hit musical on Broadway. This early success was soon followed by others, and in the 1920s his popularity in musical theater was unsurpassed. In this book, William Everett offers the first detailed study of the gifted operetta composer, examining Romberg’s key works and musical accomplishments and demonstrating his lasting importance in the history of American musicals. Romberg composed nearly sixty works for musical theater as well as music for revues, for musical comedies, and, later in life, for Hollywood films. Everett shows how Romberg was a defining figure of American operetta in the 1910s and 1920s (Maytime, Blossom Time, The Student Prince), traces the new model for operetta that he developed with Oscar Hammerstein II in the late 1920s (The Desert Song, The New Moon), and looks at his reworked style of the 1940s (Up in Central Park). This book offers an illuminating look at Romberg’s Broadway career and legacy./DIV/DIV
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
From its inception in 1886, the Jekyll Island Club included in its elite membership the nation's wealthiest families, among them the Rockefellers, Pulitzers, Vanderbilts, and Morgans. Far from the hectic northern cities where the members tended their fortunes, this private island refuge off Georgia's coast offered the wealthy a tranquil change of pace. Bringing together more than 240 fascinating photographs, Barton and June McCash trace the sixty-two-year history of this exclusive retreat whose members at one time were reputed to represent one-seventh of the nation's wealth. From the time of the club's opening, members came to Jekyll Island each winter to seek elegant leisure, arriving on yachts or in private train cars from New York, Boston, Chicago, and Philadelphia. Capturing the lives and amusements of the very wealthy, this evocative photographic history presents descriptions of elaborate costume balls and playful outdoor parties; the Rockefeller clan gathering at water's edge and J. P. Morgan lounging by the pool; Victor Astor's "patented beach boat" and the Goulds' private indoor tennis court; the Vanderbilts' yacht anchored offshore and the imposing "cottages" built by individual members. During their stays, members amused themselves in a variety of pursuits. In the 1890s they organized bicycling clubs and held races on the beach. Hunting was also for a time a favorite activity and the island was regularly stocked with imported wildlife--pheasant, quail, turkey, and bucks. By 1919, however, the game committee had dwindled to one member, and prime hunting grounds had been cleared for golf courses and tennis courts. The hub of the island's social life, however, was the clubhouse, where members gathered in formal attire to converse, while drinking fine wine and dining on freshly caught game and local delicacies. The seclusion that Jekyll Island offered was not impenetrable. On the day after Christmas in 1900, the country's fascination with technology could no longer be resisted, and the sound of a gasoline automobile disturbed the island's quiet glades for the first time. Despite the immense wealth of the club, it was not immune to the stock market crash of 1893 and the Panic of 1907. The club managed to survive World War I intact and enjoyed a "golden age" from 1919 to 1927, during which time it held its own against the increasingly popular Florida resorts. The stock market crash of 1929, however, initiated a death spiral. Membership declined steadily throughout the 1930s, and when the United States entered World War II, the club closed its doors forever. Based on surviving club records, newspaper accounts, and letters and diaries of members and guests, The Jekyll Island Club chronicles an era when leisure was the preserve of the wealthy. For more than six decades the island, now a state park, served as a haven for millionaires. As one visitor described the Jekyll Island Club, it was "the only place of its kind in the world--and will never be again.
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