Studying the New Testament without a background in the Old is like listening to only the last movement of a great symphony. Unless we begin at the beginning, we miss the sense of developing themes and their subtle variations. To fully appreciate the music of the Bible, we need to listen to its early movements. William Dyrness helps us by providing a set of program notes to important Old Testament themes: the self-revelation of God, the nature of God, creation and providence, man and woman, sin, covenant, law, worship, piety, ethics, wisdom, the Spirit of God, prophecy and the hope of Israel. By attuning our ears to these themes, Dyrness sets us on a course of enriching study and increased understanding.
What are the poetics of everyday life ? What can they teach us about God? Art, music, dance, and writing can certainly be poetic, but so can such diverse pastimes as fishing, skiing, or attending sports events. Any and all activities that satisfy our fundamental need for play, for celebration, and for ritual, says William Dyrness, are inherently poetic and in Poetic Theology he demonstrates that all such activities are places where God is active in the world. All of humanity s creative efforts, Dyrness points out, testify to our intrinsic longing for joy and delight and our deep desire to connect with others, with the created order, and especially with the Creator. This desire is rooted in the presence and calling of God in and through the good creation. With extensive reflection on aesthetics in spirituality, worship, and community development, Dyrness s Poetic Theology will be useful for all who seek fresh and powerful new ways to communicate the gospel in contemporary society. William Dyrness s bold invitation to a poetic theology shaped by Scripture, tradition, and imagination one luring us toward a fuller participation in beauty than argument or concept alone allow reminds us that truth itself is beautiful to behold and poetic to the core. . . . If poetry is in its deepest reflex an intensification of life, then Dyrness s call for a poetic theology is one we ignore at our peril, reminding us that faithful living is not only about proper thinking but also and, perhaps, more properly about the texture of our living and the quality of our loving. Mark S. Burrows Andover Newton Theological School Makes a strong case for aesthetics as one of the avenues used by God to draw human beings near to him and his glory. . . . A wonderful journey through Reformed spirituality and a wake-up call for Reformed theology. Cornelius van der Kooi Free University, Amsterdam
James F. Engel and William A. Dyrness offer a sympathetic yet courageous analysis of the challenges that North American and other Western Christian missions face.
Missiologists today are considering the significance of insider movements, followers of Jesus who are emerging from within Islamic, Hindu, Buddhist, and other cultural contexts. Are these authentic expressions of Christian faith? If so, how should we understand them? William Dyrness brings a rare blend of cultural and theological engagement to his reflections on this important phenomenon.
The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.
Theologian and jazz pianist William Edgar places jazz within the context of the African American experience and explores the work of musicians like Miles Davis and Ella Fitzgerald, arguing that jazz, which moves from deep lament to inextinguishable joy, deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.
Noting that Christians in the 20th century have not been able to make up their minds whether God and our corporate lives have anything to do with each other, Dyrness explores the century's theological trends. Citing the impact of contemporary hermeneutics, Dyrness shows how the Bible still functions as a master narrative wherein Christians can find themselves. Dyrness addresses various aspects of contemporary culture, constructing a theology of embodiment that connects culture and worship in concrete ways. For all those concerned with issues of religion and culture, particularly of the raging Culture Wars, 'The Earth is God's' offers an informed Evangelical view that is at once balanced and hopeful.
This book is a political and theological reflection on the violence and injustice that has taken place in Mexico and Central America since 2006 as a result of the drug war. In order to understand and respond to this conflict in the age of globalization, William A. Walker III combines the work of philosopher Enrique Dussel and theologian Hans Urs von Balthasar to develop a theology of the drug war that transcends both a Eurocentric conception of the world and a merely political account of salvation. Walker also highlights examples of Christian and church-based approaches to practicing neighborliness and resistance to drug trade-related violence, challenging both Christians and non-Christians to participate in the creation of a more just and merciful society.
The Pastoral Epistles throw light on the early days of the church and the final phase of Paul’s life. This commentary scrutinizes the biblical text while attending to the missional, pastoral, and spiritual challenges facing the worldwide Pentecostal and charismatic (or renewalist) movement. It is written for today’s church without ignoring scholarly literature and cultural perspectives. The ministry of women, the appointment of elders, prophecy, church governance, living as a Christian in the Roman Empire, the end times, charismatic gifts, spiritual warfare, slavery, and ordination all feature.
New expressions of church, including so-called insider movements, are proliferating among non-Christian religious communities worldwide. Drawing on the growing social-scientific work on emergent theory, Darren Duerksen and William Dyrness explore how all Christian movements have been and are engaged in a "reverse hermeneutic," where the gospel is read and interpreted through existing cultural and religious norms.
Designed to introduce Western Christians to discussions about theology going on in the Third World, this book gives major overviews of the theology of Africa, Latin America and Asia.
This is a print on demand book and is therefore non- returnable. In this book Dyrness explores the relationship between the biblical gospel and American culture. He shows how three dominant American cultural values -- pragmatism, optimism, and individualism -- have both a positive and negative impact on our Christian discipleship, looks at Walter Rauschenbusch and Robert Schuller as case studies, and sets out a distinctively American way of appropriating the gospel.
Using narratives of experiences with God as source material, Dyrness sets out to discover the framework, both explicit as well as implicit, that guides the lives of five different lay communities around the world.
Global theology represents one of the most important trends in theology today. What does it mean to do theology in a global context? How can Christian theology be understood as a conversation between different parts of the world and various streams of Christian history? This concise introduction explores the major issues involved in rethinking theology in light of the explosion of world Christianity. Combining the voices of a Western and a non-Western theologian, it integrates Western theological tradition with emerging global perspectives. This work will be of interest to theology and missiology students as well as church leaders and readers interested in the changing face of world Christianity.
Starting with the fraught and often contested role of Christian participation in contemporary culture, and in the light of the chaotic challenges of recent events, William Dyrness develops a biblical theology of cultural wisdom, both its poetics and its practice, as a way of making sense both of these human cultural challenges, and of God's presence on the way to the New Creation. Making use of the biblical category of wisdom in both Old and New Testaments, Dyrness offers a fresh way to understand both human responsibility in culture and God's presence and purposes for creation as this developed in the life of Israel, and was embodied in the life and teachings of Christ. Centrally the book argues Christ's life and teaching represent a Christian wisdom that opened up new possibilities for human culture. This Christian wisdom emerged as the Gospel made its way in culture--first into the Greco-Roman world of the Early Church and then, since the Reformation, into the modern period. Dyrness suggests this Christ-centered cultural wisdom offers resources that help illumine, and transform received notions of common grace, and even general and special revelation.
Senses of the Soul explores the way art and visual elements are incorporated into Christian worship. It incorporates research conducted in Los Angeles congregations. Through extensive interviews in a sample of Protestant, Catholic, and Orthodox congregations it looks into the way visual elements actually become part of the experience of worship. By looking at attitudes and experiences of beauty, art, and memories, it suggests that believers appropriate images and aesthetic encounters in terms of imaginative structures that have been formed through worship practices over time. By comparing responses across denominations, the book proposes that people receive visual elements in ways that have been shaped by long traditions and specific background beliefs. In addition to discussions of the differences between the major Christian traditions, the book also examines the relation of art and beauty to worship, the role of memories and everyday life, and the power of images in spirituality and worship. By its focus on the worshiper, the book seeks to make a contribution to the growing conversation between the arts and Christian worship and to the process of worship renewal.
This ethnographic study focuses on the religious imagery and practices of a sample of Buddhist temples and Muslim mosques in the greater Los Angeles area. As a way of expanding interfaith dialogue, it is framed as a conversation between the largely Christian researchers and the seventy-five respondents, who were asked about the images, space, and practices of their religious experience. From the respondents in their various religious settings, it seeks to distill the specific religious imaginations and aesthetic profiles that might be said to characterize their experience--to discover what might be considered the living images of these faiths. Set in the context of contemporary discussions of the nature of religion and visual culture, this richly textured study of visual and sensory practices in religion raises fundamental questions about the place of belief and ritual practice and the role these play in our increasingly pluralistic religious culture.
A respected scholar of theology and culture, William Dyrness here explores Christian worship in terms of its past, present, and future. He shows where the church has been, theologically and historically speaking, and how that shapes - and needs to shape -where the church will go. Through accessible language, clear examples, and thoughtful questions for reflection and discussion, Dyrness makes an essential conversation about worship available to a wide audience of pastors, worship leaders, and church members." --Book Jacket.
Christians have always felt a duty to explain and defend their faith, but in today's global village that duty can easily become a burden. What can Christians say to Hindus? to third-world Communists? to agnostic social or natural sciences? No creed or catechism can adequately deal with all the challenges to Christianity. What we need is a comprehensive model of the Christian faith, one that can meet widely varied challenges without compromising the gospel. After describing how Christians have done apologetics in the past, William Dyrness sketches a model for effective apologetics in the twenty-first century. He shows how his model relates to various non-Christian philosophies as well as how it speaks to many Christian concerns, including the problem of suffering.
Studying the New Testament without a background in the Old is like listening to only the last movement of a great symphony. Unless we begin at the beginning, we miss the sense of developing themes and their subtle variations. To fully appreciate the music of the Bible, we need to listen to its early movements. William Dyrness helps us by providing a set of program notes to important Old Testament themes: the self-revelation of God, the nature of God, creation and providence, man and woman, sin, covenant, law, worship, piety, ethics, wisdom, the Spirit of God, prophecy and the hope of Israel. By attuning our ears to these themes, Dyrness sets us on a course of enriching study and increased understanding.
This is a print on demand book and is therefore non- returnable. In this book Dyrness explores the relationship between the biblical gospel and American culture. He shows how three dominant American cultural values -- pragmatism, optimism, and individualism -- have both a positive and negative impact on our Christian discipleship, looks at Walter Rauschenbusch and Robert Schuller as case studies, and sets out a distinctively American way of appropriating the gospel.
Noting that Christians in the 20th century have not been able to make up their minds whether God and our corporate lives have anything to do with each other, Dyrness explores the century's theological trends. Citing the impact of contemporary hermeneutics, Dyrness shows how the Bible still functions as a master narrative wherein Christians can find themselves. Dyrness addresses various aspects of contemporary culture, constructing a theology of embodiment that connects culture and worship in concrete ways. For all those concerned with issues of religion and culture, particularly of the raging Culture Wars, 'The Earth is God's' offers an informed Evangelical view that is at once balanced and hopeful.
What are the poetics of everyday life ? What can they teach us about God? Art, music, dance, and writing can certainly be poetic, but so can such diverse pastimes as fishing, skiing, or attending sports events. Any and all activities that satisfy our fundamental need for play, for celebration, and for ritual, says William Dyrness, are inherently poetic and in Poetic Theology he demonstrates that all such activities are places where God is active in the world. All of humanity s creative efforts, Dyrness points out, testify to our intrinsic longing for joy and delight and our deep desire to connect with others, with the created order, and especially with the Creator. This desire is rooted in the presence and calling of God in and through the good creation. With extensive reflection on aesthetics in spirituality, worship, and community development, Dyrness s Poetic Theology will be useful for all who seek fresh and powerful new ways to communicate the gospel in contemporary society. William Dyrness s bold invitation to a poetic theology shaped by Scripture, tradition, and imagination one luring us toward a fuller participation in beauty than argument or concept alone allow reminds us that truth itself is beautiful to behold and poetic to the core. . . . If poetry is in its deepest reflex an intensification of life, then Dyrness s call for a poetic theology is one we ignore at our peril, reminding us that faithful living is not only about proper thinking but also and, perhaps, more properly about the texture of our living and the quality of our loving. Mark S. Burrows Andover Newton Theological School Makes a strong case for aesthetics as one of the avenues used by God to draw human beings near to him and his glory. . . . A wonderful journey through Reformed spirituality and a wake-up call for Reformed theology. Cornelius van der Kooi Free University, Amsterdam
Is there any relation between the Christian hope and human hopes and aspirations? Does the wish for a better life have no relation to the salvation God offers to all people? This book attempts to address these questions as a whole by way of an essay in biblical theology. It seeks to respond to the fundamental issue: what is the biblical view of God's mission in the world? It may be that Scripture approached on its own terms, without some preconception about what Òthe church has always believed about evangelism,Ó will clarify the issues. For in Scripture God is obviously interested in the whole person, embedded as he or she is in the whole of creation and inserted in a particular history.
Missiologists today are considering the significance of insider movements, followers of Jesus who are emerging from within Islamic, Hindu, Buddhist, and other cultural contexts. Are these authentic expressions of Christian faith? If so, how should we understand them? William Dyrness brings a rare blend of cultural and theological engagement to his reflections on this important phenomenon.
William Dyrness explores the roots of Reformed theology from sixteenth-century Geneva to seventeenth and eighteenth-century Puritan New England. Though this tradition impeded development of particular visual forms, Dyrness argues that it encouraged others, especially in areas of popular culture and the order of family and community. Exploring the theology of Calvin and others, Dyrness demonstrates how the tradition created a new aesthetic of simplicity, inwardness and order to express underlying theological commitments.
Senses of the Soul explores the way art and visual elements are incorporated into Christian worship. It incorporates research conducted in Los Angeles congregations. Through extensive interviews in a sample of Protestant, Catholic, and Orthodox congregations it looks into the way visual elements actually become part of the experience of worship. By looking at attitudes and experiences of beauty, art, and memories, it suggests that believers appropriate images and aesthetic encounters in terms of imaginative structures that have been formed through worship practices over time. By comparing responses across denominations, the book proposes that people receive visual elements in ways that have been shaped by long traditions and specific background beliefs. In addition to discussions of the differences between the major Christian traditions, the book also examines the relation of art and beauty to worship, the role of memories and everyday life, and the power of images in spirituality and worship. By its focus on the worshiper, the book seeks to make a contribution to the growing conversation between the arts and Christian worship and to the process of worship renewal.
There are some new voices emerging in Christian theological conversation these days. They do not speak with American or Western European accents, but reflect their settings in Africa, Asia, and Latin America. Since they come from many places, the theological questions they ask are not ones we are used to in the West. They are as likely to speak of ancestor worship or political oppression as they are of church growth or evangelism. One thing is clear: we cannot listen to their cries of hope (or despair) without being deeply moved. This book gives an opportunity to listen in to important conversations going on in different parts of the world. These Christian theologians do not respond to a common set of questions, but are setting their own agendas of theological discussion. With some general introductory comments, these pieces are meant to stimulate an appetite for further exploration. There seems little doubt that the major voices in theology in the next generation will share these non-western accents.
This ethnographic study focuses on the religious imagery and practices of a sample of Buddhist temples and Muslim mosques in the greater Los Angeles area. As a way of expanding interfaith dialogue, it is framed as a conversation between the largely Christian researchers and the seventy-five respondents, who were asked about the images, space, and practices of their religious experience. From the respondents in their various religious settings, it seeks to distill the specific religious imaginations and aesthetic profiles that might be said to characterize their experience--to discover what might be considered the living images of these faiths. Set in the context of contemporary discussions of the nature of religion and visual culture, this richly textured study of visual and sensory practices in religion raises fundamental questions about the place of belief and ritual practice and the role these play in our increasingly pluralistic religious culture.
The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
Global theology represents one of the most important trends in theology today. What does it mean to do theology in a global context? How can Christian theology be understood as a conversation between different parts of the world and various streams of Christian history? This concise introduction explores the major issues involved in rethinking theology in light of the explosion of world Christianity. Combining the voices of a Western and a non-Western theologian, it integrates Western theological tradition with emerging global perspectives. This work will be of interest to theology and missiology students as well as church leaders and readers interested in the changing face of world Christianity.
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