There's nothing like it in the Rush catalog—or, indeed, in the entire prog-rock canon. Stylistically expansive and intellectually ambitious, 1981's Moving Pictures was a landmark release, one that helped define the progressive genre and that ensured Rush's place in the rock pantheon. In this definitive account of the album's creation and legacy, author Will Romano explores the rare alchemy behind a record that continues to inspire musicians and listeners even today. While Permanent Waves and Hemispheres were important releases in Rush's evolution as a band, Moving Pictures marked a turning point for the Canadian trio in more ways than one. It was not only a creative triumph but a commercial one, with sales and airplay that blasted them into the stratosphere of rock stardom. Beyond the individual power of its seven songs, however, the key to its lasting significance is the distinctive overarching vision that Geddy Lee, Alex Lifeson, and Neil Peart brought to the album. As Romano shows, Moving Pictures reconciled opposing creative sensibilities to a remarkable degree, giving the record real thematic depth while at the same time rendering it the very antithesis of a "concept album." Each track was carefully layered with cinematic and multisensory meaning, paradoxically using music to evoke experiences beyond the strictly aural. Consistently insightful and frequently surprising, this book is filled with behind-the-scenes details based on new research and interviews, and it guides readers through the album's dizzying array of allusions and inspirations. Newbies and fervent Rush fans alike will find this an illuminating exploration of one of the band's most enduring achievements.
The mid-'70s were a time of reckoning. It was also an era of paradoxes, of record making and record breaking, of sold-out shows, and, in the minds of some, sell-out artists. Critics, who once exalted the shamanic characteristics of rock stars, launched full-frontal assaults on mainstream music icons and their tendencies toward overindulgent artistic visions. Amid this confusion, psychedelic and progressive rock pioneers Pink Floyd, unlikely messengers in uncertain times, unleashed their 1975 progressive rock milestone, Wish You Were Here. Refusing to buckle under pressure, Floyd looked inward to produce Wish You Were Here, a conceptual, self-referential album that spoke of spiritual depravation, mental absence, and industry corruption, while, perhaps inadvertently, reflecting the general madness and societal malaise of the mid-'70s. Created in the spirit of camaraderie, Wish You Were Here waged war against the system, better known in Floydlandia as “The Machine ” while paying tribute to a fallen hero and victim of the industry – the creative force fundamental to the band's existence, Syd Barrett. As our world was racked by unsustainable overseas military conflicts, governmental scandals, political assassination attempts, and a near-total erosion of the public trust, Pink Floyd emerged victorious, responding to this external dissonance with their ultimate band statement. What a strange, complex moment in time to have generated a classic. After 1975, Pink Floyd would never be the same – and neither would we.
Alcoholic. Epileptic. Technically challenged. Described as all this and worse, Jimmy Reed nevertheless overcame these roadblocks to become perhaps the most successful R&B/pop crossover artist of the '50s. In "Big Boss Man," musicians, family members, and those whose lives Reed touched offer revealing and heart-wrenching insights into this now-revered bluesman. Although Reed's alcoholism was no secret, its effect on his musicianship is less understood -- this and more is explored in this comprehensive biography of a classic bluesman.
Gennem interviews med Hubert Sumlin og hans nærmeste samarbejdspartnere beskrives den særlige Sumlin-bluesguitarstil, som gennem tiden har inspireret navne som Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan m.fl.
Una dintre forțele cele mai dinamice din divertismentul contemporan, recunoscută la nivel global, își povestește viața într-o carte deopotrivă curajoasă și motivantă, care îi urmărește parcursul de învățare până în punctul alinierii perfecte a succesului exterior, fericirii interioare și conexiunii umane. Will spune povestea necenzurată a uneia dintre cele mai uimitoare evoluții în lumea muzicii și filmului.
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
A collection of Rogers' writings and observations includes selections from his weekly articles and previously unpublished excerpts from his notes and correspondence
These journals also provide insight into Dodge's character, with reports of his official duties as a military man and of several landmark events in his family life. Extensive commentaries and notes by Wayne R. Kime provide further detail, including a history of Cantonment North Fork Canadian River, a six-company post Dodge established and commanded in the region."--BOOK JACKET.
Horses, friends, ragtime music, and steer roping-those were the interests of the youthful Will Rogers as he came of age in the Indian Territory and traveled to the Southern Hemisphere in this first of six definitive volumes of The Papers of Will Rogers. By separating fact from legend and unveiling new knowledge via extensive archival research, this documentary history represents a unique contribution to Rogers scholarship and to studies of the Cherokee Nation West. Using many previously unpublished letters and photographs-together with introductions, notes, and biographies of his friends and relatives-volume one illuminates Rogers’s complex relationship with his father, his Cherokee heritage, his early education, first encounters with his future wife, Betty Blake, his voyage to Argentina, and his fledging years in Wild West shows and circuses in South Africa, New Zealand, and Australia. Coorespondence, performance reviews, and rare newspaper documents spotlight the singular experiences that shaped the young Rogers within the context of his family, his ethnic background, and historical events. No other book describes so provocatively and authentically the genesis of America’s most beloved and influential humorist.
In the early years of his performing career, Will Rogers was a vaudeville performer of limited prominence. Around the age of thirty-five, however, this Oklahoma cowboy philosopher shed his role as local stage entertainer and moved toward fame as a Broadway star and nationally beloved humorist. This documentary history, volume four in the definitive five-volume Papers of Will Rogers, reveals Rogers’s personal and professional transformation during what may have been the most productive period of his diverse career. Between 1915 and 1928—the years covered by this volume—Rogers developed his unique monologues of topical humor, sampled the relatively new medium of radio, and pursued a career in silent films. He also tried his voice in sound recordings, witnessed his work as a writer reach millions of readers of daily newspapers, became one of the most sought-after speakers on the dinner circuit, and embarked on a three-year tour of the nation’s lecture halls. In addition to Rogers’s personal correspondence with family members and friends, editors Steven K. Gragert and M. Jane Johansson present more than one hundred letters and telegrams to and from people Rogers touched both inside and outside public life, including prominent figures in politics, show business, literature, industry, government, publishing, and the arts. Much of this material, gleaned from private collections, interviews, manuscripts, and sound recordings, has never before been published.
This fifth and final volume of The Papers of Will Rogers traces the career of Oklahoma’s beloved entertainer during his most popular years and extends beyond his death in 1935. By 1928, the Oklahoma humorist and commentator had reached national prominence through his newspaper columns, silent films, sound recordings, books, philanthropic endeavors, and lecture tours. His fame, fortune, and influence, however, had yet to crest. This volume showcases a wide variety of documents, including correspondence with some of the most significant figures of the day, revealing Rogers’s rise to fame as the nation’s leading social and political commentator and as a hugely popular star of radio, stage, and film. Rogers’s multifaceted career ended abruptly when he and the famous aviator Wylie Post died in an airplane crash in northernmost Alaska. This documentary history of his final years includes transcripts of radio broadcasts, contracts, and business documents, as well as nearly two hundred telegrams and letters to family, friends, and notable public figures—the majority of which have never before been published. It also covers the aftermath of his fatal airplane accident: the certificate of death, a first-person account of his funeral, settlement of his estate, efforts to pay tribute to his memory, and unauthorized attempts to capitalize on his fame.
A nostalgic return to Will Rogers' America; 100 photos and exclusive interviews with some of Rogers' famous friends. A warm look at a younger, more naive America through the eyes and words of Will Rogers: Wild-West shows and vaudeville, Hollywood, the silent movies and the "talkies" and America's favorite pastime, politics.
This critically acclaimed and award-winning collection of the best writings of one of America's most beloved and influential humorists includes Rogers's most popular speeches and newspaper columns. 16 pages of photographs.
Our Oriental Heritage, Life of Greece, Caesar and Christ, Age of Faith, Renaissance, Age of Reason Begins, Age of Louis XIV, Age of Voltaire, Rousseau and Revolution, Age of Napoleon, Reformation
Our Oriental Heritage, Life of Greece, Caesar and Christ, Age of Faith, Renaissance, Age of Reason Begins, Age of Louis XIV, Age of Voltaire, Rousseau and Revolution, Age of Napoleon, Reformation
The Complete Story of Civilization by Will Durant represents the most comprehensive attempt in our times to embrace the vast panorama of man’s history and culture. This eleven volume set includes: Volume One: Our Oriental Heritage; Volume Two: The Life of Greece; Volume Three: Caesar and Christ; Volume Four: The Age of Faith; Volume Five: The Renaissance; Volume Six: The Reformation; Volume Seven: The Age of Reason Begins; Volume Eight: The Age of Louis XIV; Volume Nine: The Age of Voltaire; Volume Ten: Rousseau and Revolution; Volume Eleven: The Age of Napoleon
Mix Tape: The Will Turner Collection is an anthology of short stories, poems, monologues, and sketches. Some are from real experiences, some are from writing exercises and workshops, but theyare all the product of twenty-one years of life, three years of university, and the insatiable need to tell stories. Side A includes a frustrated rapper in love, a doodler and his creation who swap lives in aExchange Student, a the musings of Leonardo Da Vinci, and a penalty in the 90th minute. Side B features aThe Man Who Saw Hell, a a gothic story described by one reader as apsychedelic.a Other highlights include aThe Proposed Victory Song of General Custer, a social etiquette, and poetry on subjects ranging from unrequited love to wasps. Like all good mix tapes, you can enjoy this book in one sitting or skip to your favourites. Authoras Warning: It is advised not to read along in the car while driving. May contain explicit lyrics and adult themes, with some moderate peril.
Ebbs and Flows of Medieval Empires, AD 9001400 provides a flow of history throughout the medieval world from 900 to 1400 AD, describing the ebbs and flows of empires as the western world recovered from the dark ages. As a point of reference, author Will Slatyer presents the empires in Asia in the same timeframes as European empires, illustrating patterns of similarity among these empires. War remained important to leaders of the emerging nation and states as a primary method of gaining territory and expanding their influence. Meanwhile, the Church of Rome endeavoured to gain control of Europe secularly and spiritually, often using the spread of Islam as an excuse for its widening span of control. Islam was advanced spectacularly by the Arabs, but lost much impetus when leaders of other ethnicities took control; even so, it continued to spread throughout the world. Coinage again came into use during this period after the lapse of the usage of precious metals as compensation during the dark ages. Trade grew particularly when spices from the Orient were introduced in Europe, because they were so attractive in an age without refrigeration. As city-states became more civilised, textiles for clothing came into strong demand. International trade encouraged banking based upon models introduced by the Knights Templar. Ebbs and Flows of Medieval Empires, AD 9001400 shows that human fear and greed demonstrated in ancient times, continued with medieval leaders, including popes, leading the way to the more capitalist enterprise of the Renaissance after 1400 AD.
Often invoked between Vatican II and the end of the twentieth century by both Orthodox and Catholic officials across their confessional division, the expression “sister churches” reflected their growing rapprochement, as well as a shift on the Catholic side from a more centralized ecclesiology to one more attentive to the local church and conciliarity. Pope John Paul II in his 1995 encyclical Ut Unum Sint spoke significantly of a “doctrine of sister churches” that would help guide the Catholic and Orthodox toward unity along a path of mutual respect rather than either tradition’s submission to the other. In his comprehensive treatment of the history of the expression “sister churches” over half a century of Catholic-Orthodox relations, Dr. Will Cohen explores why the concept developed as it did, why it was so fiercely contested, and what remains vital about the concept today. In the process, Dr. Cohen illuminates the ways in which Catholic and Orthodox ecclesiology, respectively, is each most capable of renewing and sustaining its proper balance when open to the authentic gifts of the other.
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