Written by church consultant Will Mancini expert on a new kind of visioning process to help churches develop a stunningly unique model of ministry that leads to redemptive movement. He guides churches away from an internal focus to emphasize participation in their community and surrounding culture. In this important book, Mancini offers an approach for rethinking what it means to lead with clarity as a visionary. Mancini explains that each church has a culture that reflects its particular values, thoughts, attitudes, and actions and shows how church leaders can unlock their church's individual DNA and unleash their congregation's one-of-a-kind potential.
Written by church consultant Will Mancini expert on a new kind of visioning process to help churches develop a stunningly unique model of ministry that leads to redemptive movement. He guides churches away from an internal focus to emphasize participation in their community and surrounding culture. In this important book, Mancini offers an approach for rethinking what it means to lead with clarity as a visionary. Mancini explains that each church has a culture that reflects its particular values, thoughts, attitudes, and actions and shows how church leaders can unlock their church's individual DNA and unleash their congregation's one-of-a-kind potential.
You already know about the Bunnies, now learn about the music that helped shape Playboy. Playboy—the magazine, the empire, the lifestyle—is one of the world's best known brands. Since the launch of Playboy magazine in 1953, two elements have been remarkably consistent: the first, is the celebration of the female form. The second, readers may be surprised to learn, is Playboy's involvement in the music scene. The playboy experience has never been just about sex, but about lifestyle. Hugh Hefner's personal passion for music, particularly fine jazz, has always been an essential component of that. Full of interviews with hundreds of people who were on the scene throughout the rise, fall, and on-going renaissance, Playboy Swings carries readers on a seductive journey. Farmer focuses on Playboy's involvement in the music scene and impact on popular entertainment, and demonstrates how the empire helped change the world by integrating television and festivals. Join Patty Farmer as she guides the reader through the first inception of the Playboy empire through the 1959 Jazz Festival, and club opening after club opening. With 60 pages of photos and a complete reference guide, readers will associate music, not just Bunnies, when thinking about Playboy after reading this enthralling look into the history of one of the world's most infamous brands.
The Story of Civilization, Volume VIII: A history of European civilization in the period of Pascal, Moliere, Cromwell, Milton, Peter the Great, Newton, and Spinoza: 1648-1715. This is the eighth volume of the Pulitzer Prize-winning series.
Nationality is the most important legal mechanism sorting and classifying the world's population today. An individual's place of birth or naturalization determines where he or she can and cannot be and what he or she can and cannot do. Although this system may appear universal, even natural, Will Hanley shows that it arose just a century ago. In Identifying with Nationality, he uses the Mediterranean city of Alexandria to develop a genealogy of the nation and the formation of the modern national subject. Alexandria in 1880 was an immigrant boomtown ruled by dozens of overlapping regimes. On its streets and in its police stations and courtrooms, people were identified by name, occupation, place of origin, sect, physical description, and other attributes. Yet by 1914, before nationalist calls for independence and decolonization had become widespread, nationality had become the defining category of identification, and nationality laws came to govern Alexandria's population. Identifying with Nationality traces the advent of modern citizenship to multinational, transimperial settings such as turn-of-the-century colonial Alexandria, where ordinary people abandoned old identifiers and grasped nationality as the best means to access the protections promised by expanding states. The result was a system that continues to define and divide people through status, mobility, and residency.
Frank Sinatra was the greatest entertainer of his age, invigorating American popular song with innovative phrasing and a mastery of drama and emotion. Drawing upon interviews with hundreds of his collaborators as well as with "The Voice" himself, this book chronicles, critiques, and celebrates his five-decade career. Will Friedwald examines and evaluates all the classic and less familiar songs with the same astute, witty perceptions that earned him acclaim for his other books about jazz and pop singing. Now completely revised and updated, and including an authoritative discography and rare photos of recording sessions and performances, Sinatra! The Song Is You is an invaluable resource for enthusiasts and an unparalleled guide through Sinatra's vast musical legacy.
Our Oriental Heritage, Life of Greece, Caesar and Christ, Age of Faith, Renaissance, Age of Reason Begins, Age of Louis XIV, Age of Voltaire, Rousseau and Revolution, Age of Napoleon, Reformation
Our Oriental Heritage, Life of Greece, Caesar and Christ, Age of Faith, Renaissance, Age of Reason Begins, Age of Louis XIV, Age of Voltaire, Rousseau and Revolution, Age of Napoleon, Reformation
The Complete Story of Civilization by Will Durant represents the most comprehensive attempt in our times to embrace the vast panorama of man’s history and culture. This eleven volume set includes: Volume One: Our Oriental Heritage; Volume Two: The Life of Greece; Volume Three: Caesar and Christ; Volume Four: The Age of Faith; Volume Five: The Renaissance; Volume Six: The Reformation; Volume Seven: The Age of Reason Begins; Volume Eight: The Age of Louis XIV; Volume Nine: The Age of Voltaire; Volume Ten: Rousseau and Revolution; Volume Eleven: The Age of Napoleon
The story of the American newsroom is that of modern American journalism. In this holistic history, Will Mari tells that story from the 1920s through the 1960s, a time of great change and controversy in the field, one in which journalism was produced in “news factories” by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. During this time, the newsroom was more than a physical place—it symbolically represented all that was good and bad in journalism, from the shift from blue- to white-collar work to the flexing of journalism’s power as a watchdog on government and an advocate for social reform. Told from an empathetic, omnivorous, ground-up point of view, The American Newsroom: A History, 1920–1960 uses memoirs, trade journals, textbooks, and archival material to show how the newsroom expanded our ideas of what journalism could and should be.
A history of hunting and fishing through excerpted documents and as “narrated” by Gray's Sporting Journal columnist Will Ryan, the first book of its kind.
The author of the magisterial A Biographical Guide to the Great Jazz and Pop Singers now approaches the great singers and their greatest work in an innovative and revelatory way: through considering their finest albums, which is the format in which this music was most resonantly organized and presented to its public from the 1940s until the very recent decline of the CD. It is through their albums that Ella Fitzgerald, Frank Sinatra, Peggy Lee, Sarah Vaughan, Nat King Cole, Judy Garland, and the rest of the glorious honor roll of jazz and pop singers have been most tellingly and lastingly appreciated, and the history of the album itself, as Will Friedwald sketches it, can now be seen as a crucial part of musical history. We come to understand that, at their finest, albums have not been mere collections of individual songs strung together arbitrarily but organic phenomena in their own right. A Sinatra album, a Fitzgerald album, was planned and structured to show these artists at their best, at a specific moment in their artistic careers. Yet the albums Friedwald has chosen to anatomize go about their work in a variety of ways. There are studio and solo albums: Lee’s Black Coffee, June Christy’s Something Cool, Cassandra Wilson’s Belly of the Sun. There are brilliant collaborations: famous ones—Tony Bennett and Bill Evans, Louis Armstrong and Oscar Peterson—and wonderful surprises like Doris Day and Robert Goulet singing Annie Get Your Gun. There are theme albums—Dinah Washington singing Fats Waller, Maxine Sullivan singing Andy Razaf, Margaret Whiting singing Jerome Kern, Barb Jungr singing Bob Dylan, and the sublime Jo Stafford singing American and Scottish folk songs. There are also stunning concert albums like Ella in Berlin, Sarah in Japan, Lena at the Waldorf, and, of course, Judy at Carnegie Hall. All the greats are on hand, from Kay Starr and Carmen McRae to Jimmy Scott and Della Reese (Della Della Cha Cha Cha). And, from out of left field, the astounding God Bless Tiny Tim. Each of the fifty-seven albums discussed here captures the artist at a high point, if not at the expected moment, of her or his career. The individual cuts are evaluated, the sequencing explicated, the songs and songwriters heralded; anecdotes abound of how songs were born and how artists and producers collaborated. And in appraising each album, Friedwald balances his own opinions with those of musicians, listeners, and critics. A monumental achievement, The Great Jazz and Pop Vocal Albums is an essential book for lovers of American jazz and popular music.
Wars have dominated the history of the United States since its founding, but there has also been a long history of antiwar activity. Peace songs have emerged out of every military conflict involving the United States. "Singing for Peace" vividly portrays this rich antiwar history, beginning in the eighteenth century and continuing into the twenty-first.Most of the twentieth-century output was dominated by folk groups and acoustic singer-songwriters. The Vietnam War saw the increased dovetailing of folk and rock music, so that rock and folk-rock took on an ever-larger share of protest activity, then punk, metal, hip-hop, and rap. The authors draw upon a wide range of primary and secondary sources, while quoting many popular and lesser-known song lyrics, and including a range of photos and illustrations. These songs have long served to both shape and reveal the feelings of citizens opposed to America s wars.
The Story of Civilization, Volume IX: A history of civilization in Western Europe from 1715 to 1756, with special emphasis on the conflict between religion and philosophy. This is the ninth volume of the classic, Pulitzer Prize-winning series.
FATE IS MY PIMP picks up the torrid trail of Vic Valentine, Private Eye as he traverses the mean streets of San Francisco and beyond in search of a mobster's missing teenage daughter, encountering various voluptuous vixens, a female surf band, and a stalker leaving him mysterious musical messages, all while infiltrating an Elvis-theme commune for runaways, led by a deviously decadent Deacon Rivers. Follow the further misadventures of this misguided misfit introduced in LOVE STORIES ARE TOO VIOLENT FOR ME as he continues looking for love in all the wrong places, and unfortunately for him - finding it. Plus! ROMANCE TAKES A RAIN CHECK finds Vic back on the East Coast, tracking down a lead on his cop father's killer, visiting his mother in an asylum, and reuniting with his high school sweetheart, Dolly Duncan, now married to a doper dentist. Nothing is what it seems, times and people have changed, and Vic is going to learn the hard way - again - that some bones, and boners, are best left buried.
This collection of essays critically engages with factors relating to black urban life and cultural representation in the post-civil rights era, using Ice-T and his myriad roles as musician, actor, writer, celebrity, and industrialist as a vehicle through which to interpret and understand the African American experience. Over the past three decades, African Americans have faced a number of new challenges brought about by changes in the political, economic and social structure of America. Furthermore, this vastly changed social landscape has produced a number of resonant pop-cultural trends that have proved to be both innovative and admired on the one hand, and contentious and divisive on the other. Ice-T’s iconic and multifarious career maps these shifts. This is the first book that, taken as a whole, looks at a black cultural icon's manipulation of (or manipulation by?) so many different forms simultaneously. The result is a fascinating series of tensions arising from Ice-T’s ability to inhabit conflicting pop-cultural roles including: ’hardcore’ gangsta rapper and dedicated philanthropist; author of controversial song Cop Killer and network television cop; self-proclaimed ’pimp’ and reality television house husband. As the essays in this collection detail, Ice-T’s chameleonic public image consistently tests the accepted parameters of black cultural production, and in doing so illuminates the contradictions of a society erroneously dubbed ’post-racial’.
Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics. Synthesising a variety of discursive fields and traditions - including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière - Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship.
The Story of Civilization, Volume X: winner of the Pulitzer Prize, a history of civilization in France, England, and Germany from 1756, and in the rest of Europe from 1715 to 1789.
When it was first published in 1950, The Decline and Fall of Practically Everybody spent four months on The New York Times best-seller list, and Edward R. Murrow devoted more than two-thirds of one of his nightly CBS programs to a reading from Cuppy's historical sketches, calling it "the history book of the year." The book eventually went through eighteen hardcover printings and ten foreign editions, proof of its impeccable accuracy and deadly, imperishable humor.
In celebration of the greatest film series of all time, this deluxe gift set updates the classic Rider-Waite tarot deck to capture the world of The Godfather. The King of Swords, The Emperor, Death, Justice, and the Wheel of Fortune are just a few of the tarot cards that, when paired with the characters and events in The Godfather trilogy, become evocative in a whole new way. Each of the 78 cards is connected to the trilogy by characters and situations, making it perfect for die-hard fans as well as tarot practitioners, from novice to expert, who are looking for guidance. The beautifully illustrated, highly giftable deck comes with a full-color companion book that profiles the key characters and events from the saga and pairs them with featured cards along with providing a basic introduction to tarot reading. Whether you are looking to add a unique deck to your collection or are a fan of the films, The Godfather Tarot is a must-have addition! Features: Can be read exactly as you would the popular Rider–Waite deck A high-quality tarot deck with original illustrations depicting the characters and evoking the legacy of The Godfather Comes with a full-color companion book on the Corleone Family, profiling the characters, events, and cards Perfectly giftable packaging
The Story of Civilization, Volume V: A history of civilization in Italy from 1304-1576. This is the fifth volume of the classic, Pulitzer Prize-winning series.
A warm, funny, irresistible book that follows an improbable and life-changing college friendship over the course of forty years—from the best-selling author of The End of Your Life Book Club By the time Will Schwalbe was a junior at college, he had already met everyone he cared to know: the theater people, writers, visual artists and comp lit majors, and various other quirky characters including the handful of students who shared his own major, Latin and Greek. He also knew exactly who he wanted to avoid: the jocks. The jocks wore baseball caps and moved in packs, filling boisterous tables in the dining hall, and on the whole seemed to be another species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will collided with Chris Maxey, known to just about everyone as Maxey. Maxey was physically imposing, loud, and a star wrestler who was determined to become a Navy SEAL (where he would later serve for six years). Thanks to the strangely liberating circumstances of a little-known secret society at Yale, the two forged a bond that would become a mainstay of each other’s lives as they repeatedly lost and found each other and themselves in the years after graduation. From New Haven to New York City, from Hong Kong and Panama to a remarkable school on an island in the Bahamas—through marriages and a divorce, triumphs and devastating losses—We Should Not Be Friends tracks an extraordinary friendship over decades of challenge and change. Schwalbe’s marvelous new work is, at its heart, a joyful testament to the miracle of human connection—and how if we can just get past our preconceptions, we may find some of our greatest friends.
This new volume of work from the British satirist draws selected short stories from his five previous collections, including The Quantity Theory of Insanity, Gray Area and Tough, Tough Toys for Tough, Tough Boys.
A valuable resource for undergraduates and graduates providing a thorough grounding in the scientific basis and clinical application of antimicrobial drugs. The new edition has been thoroughly updated to include the most recently licensed agents, including the treatment of HIV and contains guidance on prescribing and infection control practices.
Bringing together an understanding of cinematic technique and creative choices, this book explores how directors make the technical choices to tell a story in the best and most effective way. Analyzing examples from films throughout, it demonstrates how to practice analysis and application to take your storytelling to the next level through creative choices. This book provides a model to bridge the gap between theory and practice by analyzing famous scenes and breaking them down not solely for critical value and within historical context, but primarily for practical value and application. Author Hong illustrates how an understanding of dramatic storytelling and the dramatic context behind scenes allows filmmakers to produce impactful and powerful stories. Foregrounding reading film and media to allow you to engage with films in a critical and perceptive way, this book will help you make films to connect with your audience. Through looking at complete scenes as the primary unit of drama, it teaches how to analyze story movement across a scene to build better stories, pulling practical lessons from these famous moments in cinema to enable better work across preproduction, on set, and during post-production. Serving as a guide through a single semester-long class focused on direction and production, this book is aimed at advanced students and aspiring filmmakers. It is essential reading for filmmakers wishing to build on their creative and technical skills and enrich their storytelling.
“Don Giovanni” Captured considers the life of a single opera, engaging with the entire history of its recorded performance. Mozart’s opera Don Giovanni has long inspired myths about eros and masculinity. Over time, its performance history has revealed a growing trend toward critique—an increasing effort on the part of performers and directors to highlight the violence and predatoriness of the libertine central character, alongside the suffering and resilience of his female victims. In “Don Giovanni” Captured, Richard Will sets out to analyze more than a century’s worth of recorded performances of the opera, tracing the ways it has changed from one performance to another and from one generation to the next. Will consults audio recordings, starting with wax cylinders and 78s, as well as video recordings, including DVDs, films, and streaming videos. As Will argues, recordings and other media shape our experience of opera as much as live performance does. Seen as a historical record, opera recordings are also a potent reminder of the refusal of works such as Don Giovanni to sit still. By choosing a work with such a rich and complex tradition of interpretation, Will helps us see Don Giovanni as a standard-bearer for evolving ideas about desire and power, both on and off the stage.
In this collection of four linked stories, newly reissued by Grove, Will Self takes aim at the disease and decay that target the largest of human organs: the liver. Set in locales as toxic as a London drinking club and mundane as a clinic in an orderly Swiss city, the stories distill the hard lives of their subjects, whether alcoholic, drug addict, or cancer patient. In “Foie Humaine,” set at the Plantation Club, it’s always a Tuesday afternoon in midwinter, and the shivering denizens of this dusty realm spend their days observing its proprietor as he force-feeds the barman vodka-spiked beer. Joyce Beddoes, protagonist of “Leberknödel,” has terminal liver cancer and is on her way to be euthanized in Zurich when, miraculously, her disease goes into remission. In “Prometheus,” a young copywriter at London’s most cutting-edge ad agency has his liver nibbled by a griffon thrice daily, but he’s always in the pink the following morning and ready to make that killer pitch. If blood and bile flow through liverish London, the two arteries meet in “Birdy Num Num,” where career junky Billy Chobham performs little services for the customers who gather to wait for the Man, while in his blood a virus pullulates. A moving portrayal of egos, appetites, and addictions, Liver is an extraordinary achievement from one of the most talented minds working today.
An extensive biographical and critical survey of more than 300 jazz and popular singers is comprised of provocative, opinionated essays that incorporate the views of peers, fans and critics while assessing key movements and genres.
Church growth models have often been long on promises and short on disciple-making. We continue to watch consistent church attendance shrink, and our desire to reach the lost is infected with a need for self-validation by growing our numbers at any cost. If we believe that God wants his church to grow, where do we go from here? What is the future of the church? Drawing from his 20 years and 15,000 hours of consulting, author Will Mancini shares with pastors and ministry leaders the single most important insight he has learned about church growth. With plenty of salient stories and based solidly on the disciple-making methods found in Scripture, Future Church exposes the church's greatest challenge today, and offers 7 transforming laws of real church growth so that we can faithfully and joyfully fulfill Jesus's Great Commission.
Canadians take pride in being good citizens of the world, yet our failure to meet commitments on the global stage raises questions. Do Canadians need to transcend local attachments and national loyalties to become full global citizens? Is the very idea of rooted cosmopolitanism simply a myth that encourages complacency about Canada's place in the world? This volume brings together leading scholars to assess the concept of rooted cosmopolitanism, both in theory and practice. In Part 1, authors examine the nature, complexity, and relevance of the concept itself and show how local identities such as patriotism and Quebec nationalism can, but need not, conflict with cosmopolitan values and principles. In Part 2, they reveal how local ties and identities in practice enable and impede Canada's global responsibilities in areas such as multiculturalism, climate change, immigration and refugee policy, and humanitarian intervention. By examining how Canada has negotiated its relations to "the world" both within and beyond its own borders, Rooted Cosmopolitanism evaluates the possibility of reconciling local ties and nationalism with commitments to human rights, global justice, and international law.
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