A hilarious tribute to baseball and to the fathers and sons who share the love of the game. Are We Winning? is built around a trip to Wrigley Field to watch the St. Louis Cardinals play the Chicago Cubs--the "lovable losers" to most fans but the hated enemy to the Leitch men. Along for the ride are both Will's father, the gregarious but not-exactly demonstrative Midwestern titan who, despite being a die-hard Cards fan and living his whole life just 200 miles south of Chicago, had never been to Wrigley Field before this game, and Will's college friend, a lifelong Cubs fan. The Cardinals have recently fallen out of the pennant race, and the Cubs, as it turns out, are attempting to clinch the division on this Saturday afternoon in September. The pitchers are Ted Lilly for the Cubs and Joel Pineiro for the Cardinals. It's just a regular game. Play ball. The book unfolds in half-inning increments where Will gives one-of-a-kind insight on the past, present, and future of the game--from Pujols' unrivaled greatness to the myth that steroids have ruined baseball. Along the way, he shares memories of his father and growing up in the small town of Mattoon, including the year his dad coached his Little League team and nicknamed a scrawny kid "Bulldog," and an unlikely postgame episode involving a biker bar and Mr. Holland's Opus. And there is beer. Lots and lots of beer. Are We Winning? is a book about the indelible bond that links fathers and sons. For the Leitch men it's baseball that holds them together--not that either of them would ever be so weak as to admit it. No matter how far apart they are or what's going on in their lives, they'll always be able to talk about baseball. It's the story of being a fan, a story about fathers, sons, and legacies. And one perfect game.
The author of the Edgar nominated and ALEX Award-winning How Lucky (“an absorbing thriller with heart”—People), blends suspense, humor, and compassion in a new novel about seven strangers and one very intense evening at a small-town Georgia pharmacy. Lindbergh’s Pharmacy is an Athens, Georgia, institution—the type of beloved mom and pop shop that once dotted every American town but has mostly disappeared. But Lindbergh’s has recently become the object of attention of a local fourth grade teacher Tina Lamm (“Ms. Lamm to my students”). Tina is certain something very, very bad is happening behind its famous black door and she intends to do something about it. Her suspicions—and the drastic actions she plans—are the unlikely glue that will connect her to a group of six employees and customers inside the pharmacy one hot Georgia evening. They include Theo, the Lindbergh’s scion with a secret of his own; Daphne, a nurse and Army veteran struggling with her faith; Jason, a local contractor uncertain how to deal with his gifted teenage son; Karson, a young lawyer and activist wrestling with a job offer that makes him uncomfortable; David, an Athens music scene lifer whose sobriety has been sorely tested by isolation; and Dorothy, a widow just beginning to regain her bearings. The fates of these individuals—and their fateful encounter with Tina Lamm—become intertwined in a story that is by turns funny, touching, and tense. As he did in How Lucky, Will Leitch illuminates how we live today through a story of human beings struggling to do their best.
Curl up with this page-turning mystery perfect for fall 2022 Edgar Award Nominee for Best Novel “A fantastic novel. . . . You are going to like this a lot.”—Stephen King “What’s more thrilling than a fictional character speaking to us in a voice we haven’t heard before, a voice so authentic and immediate—think Huck Finn, Holden Caulfield, Mattie Ross—that we suspect it must’ve been there all along, that we somehow managed to miss it? Daniel, the protagonist of Will Leitch’s smart, funny, heartbreaking new novel How Lucky, is just such a voice, and I’m not sure it will ever completely leave my head, or that I want it to.”—Richard Russo For readers of The Curious Incident of the Dog in the Night-Time and Nothing to See Here, a first novel as suspenseful and funny as it is moving, the unforgettable story of a fiercely resilient young man living with a physical disability, and his efforts to solve a mystery unfolding right outside his door. Daniel leads a rich life in the university town of Athens, Georgia. He’s got a couple close friends, a steady paycheck working for a regional airline, and of course, for a few glorious days each Fall, college football tailgates. He considers himself to be a mostly lucky guy—despite the fact that he’s suffered from a debilitating disease since he was a small child, one that has left him unable to speak or to move without a wheelchair. Largely confined to his home, Daniel spends the hours he’s not online communicating with irate air travelers observing his neighborhood from his front porch. One young woman passes by so frequently that spotting her out the window has almost become part of his daily routine. Until the day he’s almost sure he sees her being kidnapped...
Every company he works for goes bankrupt. His landlord just kicked him out. His parents think he's a failure. He can barely scrape up enough pennies to take the subway. And he's still dealing with his fiance leaving him on national TV. Welcome to the world of Will Leitch. In this hilarious collection, Leitch takes us on journey from small-town Illinois to the madness of Manhattan and back again.
Arch and unrepentant, Will Leitch, founding editor of Deadspin.com, is the mouthpiece for all the frustrated fans who just want their games back from big money, bloated egos, and blathering sportscasters. Always a fan first and a sportswriter second, Leitch considers the perfection of fantasy leagues and the meaninglessness of the steroids debate as he exposes Olympic fetishes, parses Shaq's rap attack on Kobe, shares a brew with John Rocker and his surprising girlfriend, and reveals what ESPN and the beer companies really think about you. If you or a fan you love is suffering from a sense of listless dissatisfaction brought on by the leagues and networks, God Save the Fan is your new manifesto.
Every company he works for goes bankrupt. His landlord just kicked him out. His parents think he's a failure. He can barely scrape up enough pennies to take the subway. And he's still dealing with his fiance leaving him on national TV. Welcome to the world of Will Leitch. In this hilarious collection, Leitch takes us on journey from small-town Illinois to the madness of Manhattan and back again.
A hilarious tribute to baseball and to the fathers and sons who share the love of the game. Are We Winning? is built around a trip to Wrigley Field to watch the St. Louis Cardinals play the Chicago Cubs--the "lovable losers" to most fans but the hated enemy to the Leitch men. Along for the ride are both Will's father, the gregarious but not-exactly demonstrative Midwestern titan who, despite being a die-hard Cards fan and living his whole life just 200 miles south of Chicago, had never been to Wrigley Field before this game, and Will's college friend, a lifelong Cubs fan. The Cardinals have recently fallen out of the pennant race, and the Cubs, as it turns out, are attempting to clinch the division on this Saturday afternoon in September. The pitchers are Ted Lilly for the Cubs and Joel Pineiro for the Cardinals. It's just a regular game. Play ball. The book unfolds in half-inning increments where Will gives one-of-a-kind insight on the past, present, and future of the game--from Pujols' unrivaled greatness to the myth that steroids have ruined baseball. Along the way, he shares memories of his father and growing up in the small town of Mattoon, including the year his dad coached his Little League team and nicknamed a scrawny kid "Bulldog," and an unlikely postgame episode involving a biker bar and Mr. Holland's Opus. And there is beer. Lots and lots of beer. Are We Winning? is a book about the indelible bond that links fathers and sons. For the Leitch men it's baseball that holds them together--not that either of them would ever be so weak as to admit it. No matter how far apart they are or what's going on in their lives, they'll always be able to talk about baseball. It's the story of being a fan, a story about fathers, sons, and legacies. And one perfect game.
When Germany occupied the originally 'demilitarised' Channel Islands in 1940, Hitler ordered the area to be staunchly fortified with colossal permanent structures like Battery Moltke on Jersey. As it was the only piece of the British Isles in Nazi control, he was determined that the islands should remain German forever. Churchill was equally obsessed, urging numerous commando raids and harebrained schemes for the invasion and liberation of the islands. But when France was freed in 1944, the Channel Islands were completely bypassed. German troops were cut off from their supplies and the island population began to starve. Occupied for almost the entire war, these quintessentially English islands serve as a fascinating microcosm of what Britain might have been like under Nazi rule. With one German soldier to every three islanders, resistance had to remain at a low level: possession of a radio merited a prison sentence. The Last Raid is an atmospheric account of life under German occupation, as well as the political manoeuvring behind the scenes. With the first detailed account in English of the Granville Raid, a unique German commando operation, Will Fowler combines the social experience of war with the military to form a fascinating chronicle of the fight for the Channel Islands during the Second World War.
Will Croft Barnes (1858–1937) first came to Arizona as a cavalryman and went on to become a rancher, state legislator, and conservationist. From 1905 to 1935, his travels throughout the state, largely on horseback, enabled him to gather the anecdotes and geographical information that came to constitute Arizona Place Names. For this first toponymic encyclopedia of Arizona, Barnes compiled information from published histories, federal and state government documents, and reminiscences of "old timers, Indians, Mexicans, cowboys, sheep-herders, historians, any and everybody who had a story to tell as to the origin and meaning of Arizona names." The result is a book chock full of oddments, humor, and now-forgotten lore, which belongs on the night table as well as in the glove compartment. Barnes' original Arizona Place Names has become a booklover's favorite and is much in demand. The University of Arizona Press is pleased to reissue this classic of Arizoniana, which remains as useful and timeless as it was more than half a century ago.
Publishing alongside the world premiere of Christopher Nolan's third Batman film "The Dark Knight Rises", Will Brooker's new book explores Batman's twenty-first century incarnations. Brooker's close analysis of "Batman Begins" and "The Dark Knight" offers a rigorous, accessible account of the complex relationship between popular films, audiences, and producers in our age of media convergence. By exploring themes of authorship, adaptation and intertextuality, he addresses a myriad of questions raised by these films: did "Batman Begins" end when "The Dark Knight began? Does its story include the Gotham Knight DVD, or the 'Why So Serious' viral marketing campaign? Is it separate from the parallel narratives of the Arkham Asylum videogame, the monthly comic books, the animated series and the graphic novels? Can the brightly campy incarnations of the Batman ever be fully repressed by "The Dark Knight", or are they an intrinsic part of the character? Do all of these various manifestations feed into a single Batman metanarrative? This will be a vital text for film students and academics, as well as legions of Batman fans.
Examines Twin Peaks’s history and representations of female trauma and agency. Julie Grossman and Will Scheibel's enthusiastic book on the television series Twin Peakstakes fans through the world that Mark Frost and David Lynch created and examines its impact on society, genre, and the television industry. Grossman and Scheibel explore the influences of melodrama and film noir, the significance around the idea of "home," as well as female trauma and agency. In addition to this close investigation of the series itself, the authors examine the rich storytelling surrounding Twin Peaks that includes the film prequel, Mark Frost's novels, and Showtime's 2017 revival. In Twin Peaks, Grossman and Scheibel argue that the show has transcended conventional binaries not only in film and television but also in culture and gender. The book begins with a look into the publicity and critical discourses on authorship that framed Twin Peaks as an auteurist project rather than a prime-time soap opera. Despite critics' attempts to distance the series from the soap opera genre, Grossman and Scheibel explore how melodrama and noir are used in Twin Peaks. Grossman and Scheibel masterfully examine star performances in the series including Kyle MacLachlan's epic portrayal as the idiosyncratic Special Agent Dale Cooper and Sheryl Lee's haunting embodiment of Laura Palmer. The monograph finishes with an examination of the adaptation and remediation of Twin Peaksin a variety of different platforms, which have further expanded the boundaries of the series. Twin Peaksexplores the ways in which the series critiques multiple forms of objectification in culture and textuality. Readers interested in film, television, pop culture, and gender studies as well as fans and new audiences discovering Twin Peaks will embrace this book.
What is it that Inspirational teachers do differently? In short, they plan for their pupils to be inspirational. Many teachers who join the teaching profession do so because they were taught by inadequate teachers and they feel they can provide a far better and more exciting education for youngsters than they received themselves. Whereas other teachers speak with clarity of detail about stimulating and influential teachers who inspired their lives and now they want to do the same. This book is an examination of what our most inspirational teachers do in order to get creative and inspirational responses from children. It aims to put fun back into teaching, provide a framework for creativity in the twenty first century and act as a book of hope for the new curriculum proposals.
What began with Alan Moore and Dave Gibbons' landmark graphic novel, Watchmen (1987) is no longer a single story, but rather a cross-platform, multi-media franchise, including a role-playing game and video game, a motion comic, a Zack Snyder movie, and a series of comic book prequels and sequels, as well as a prestige HBO TV series. Will Brooker explores the way that Watchmen expanded over time from the mid-1980s to the present day, drawing on theories of adaptation, intertextuality and deconstruction to argue that each addition subtly changes our understanding of the original. Does it matter whether these adaptations are 'faithful'? Can they ever be, as they cross over into another medium? How does each version enter a dialogue with the others? And as Damon Lindelof's series ran parallel to an entirely distinct comic book Watchmen sequel, Doomsday Clock, how do readers and viewers make sense of these conflicting narratives? Can we relate the unstable, shifting stories of Watchmen to our contemporary climate of post-truth, where we have to weigh up contradictory versions of the facts and decide which we believe?
What happened before the primordial fire of the Big Bang: a theory about the ultimate origin of the universe. In the beginning was the Big Bang: an unimaginably hot fire almost fourteen billion years ago in which the first elements were forged. The physical theory of the hot nascent universe—the Big Bang—was one of the most consequential developments in twentieth-century science. And yet it leaves many questions unanswered: Why is the universe so big? Why is it so old? What is the origin of structure in the cosmos? In An Infinity of Worlds, physicist Will Kinney explains a more recent theory that may hold the answers to these questions and even explain the ultimate origins of the universe: cosmic inflation, before the primordial fire of the Big Bang. Kinney argues that cosmic inflation is a transformational idea in cosmology, changing our picture of the basic structure of the cosmos and raising unavoidable questions about what we mean by a scientific theory. He explains that inflation is a remarkable unification of inner space and outer space, in which the physics of the very large (the cosmos) meets the physics of the very small (elementary particles and fields), closing in a full circle at the first moment of time. With quantum uncertainty its fundamental feature, this new picture of cosmic origins introduces the possibility that the origin of the universe was of a quantum nature. Kinney considers the consequences of eternal cosmic inflation. Can we come to terms with the possibility that our entire observable universe is one of infinitely many, forever hidden from our view?
Hegel's Antiquity aims to summarize, contextualize, and criticize Hegel's understanding and treatment of major aspects of the classical world, approaching each of the major areas of his historical thinking in turn: politics, art, religion, philosophy, and history itself. The discussion excerpts relevant details from a range of Hegel's works, with an eye both to the ancient sources with which he worked, and the contemporary theories (German aesthetic theory, Romanticism, Kantianism, Idealism (including Hegel's own), and emerging historicism) which coloured his readings. What emerges is that Hegel's interest in both Greek and Roman antiquity was profound and is essential for his philosophy, arguably providing the most important components of his vision of world-history: Hegel is generally understood as a thinker of modernity (in various senses), but his modernity can only be understood in essential relation to its predecessors and 'others', notably the Greek world and Roman world whose essential 'spirit' he assimilates to his own notion of Geist.
For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous. From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for six-figure sums and hangs on celebrities’ walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now more National Treasure than edgy outsider, who is Banksy and how did he become what he is today? In the first attempt to tell the full story of Banksy’s life and career, Will Ellsworth-Jones pieces together a picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question ‘Who is Banksy?’ is as much about his career as it is ‘the man behind the wall’. 'Britain's unlikeliest national treasure' Independent ‘A fascinating portrait that elicits admiration for a man who, despite his increasingly unconvincing efforts to retain some shred of his vandal status, has had an undeniable impact on art’ The Times
Marie Antoinette has remained atop the popular cultural landscape for centuries for the daring in style and fashion that she brought to 18th century France. For the better part of the queen’s reign, one man was entrusted with the sole responsibility of ensuring that her coiffure was at its most ostentatious best. Who was this minister of fashion who wielded such tremendous influence over the queen’s affairs? Winner of the Adele Mellen Prize for Distinguished Scholarship, Marie Antoinette’s Head: The Royal Hairdresser, The Queen, and the Revolution charts the rise of Leonard Autie from humble origins as a country barber in the south of France to the inventor of the Pouf and premier hairdresser to Queen Marie-Antoinette. By unearthing a variety of sources from the 18th and 19th centuries, including memoirs (including Léonard’s own), court documents, and archived periodicals the author, French History professor and expert Will Bashor, tells Autie’s mostly unknown story. Bashor chronicles Leonard’s story, the role he played in the life of his most famous client, and the chaotic and history-making world in which he rose to prominence. Besides his proximity to the queen, Leonard also had a most fascinating life filled with sex (he was the only man in a female dominated court), seduction, intrigue, espionage, theft, exile, treason, and possibly, execution.
This riveting book explores the little-known intimate life of Marie Antoinette and her milieu in a world filled with intrigue, infidelity, adultery, and sexually transmitted diseases. Will Bashor reveals the intrigue and debauchery of the Bourbon kings from Louis XIII to Louis XV, which were closely intertwined with the expansion of Versailles from a simple hunting lodge to a luxurious and intricately ordered palace. It soon became a retreat for scandalous conspiracies and rendezvous—all hidden from the public eye. When Marie Antoinette arrived, she was quickly drawn into a true viper's nest, encouraged by her imprudent entourage. Bashor shows that her often thoughtless, fantasy-driven, and notorious antics were inevitable given her family history and the alluring influences that surrounded her. Marie Antoinette's frivolous and flamboyant lifestyle prompted a torrent of scathing pamphlets, and Bashor scrutinizes the queen's world to discover what was false, what was possible, and what, although shocking, was most probably true. Readers will be fascinated by this glimpse behind the decorative screens to learn the secret language of the queen’s fan and explore the dark passageways and staircases of endless intrigue at Versailles.
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