In the past few years the market for electric guitar kits and parts has exploded. For every two enthusiasts, there are four opinions on how properly to fill woodgrain. In this book, Will Kelly cuts through all that noise and shows how, with a little patience and some inexpensive tools, the average person can turn a modest investment into a gig-worthy instrument and perhaps even a lifelong hobby. Kelly presents guitar-building in a progressive fashion, beginning with a simple Stratocaster-style kit with a bolt-on neck and continuing on to a "relic'd" Telecaster-style build, two Gibson-style set-neck models, and a custom double-neck mash-up. Because each build is more involved than the previous, the reader builds on his or her skill set and acquires only the tools necessary for the reader's level of interest. Kelly shows how to apply finishes, choose and install hardware, wire electronics, execute the final assembly, and set up the finished guitar for proper action and intonation.
Richly woven from life experiences and the legends and lore of the American South, this loving memoir centers on the relationship between Walter G. Stuard and his youngest daughter, Kelly, and an alternative version of the celebrated Legend of the Bell Witch of Adams, Tennessee. Brimming with family politics and dynamics, this work also shares recent paranormal activities centering around Timothy Will and Kelly Stuard-Will as well as eyewitness accounts of this protective, often mischievous ghost. According to Mr. Stuard, a native son of Adams, this specter is that of a murdered household slave, who was starved to death at the hands of John Bell
Nothing much happened in Grande Flat. But in 1878 the Kelly boy unexpectedly returned to town, now a man of 26. The townsfolk saw the long scar on his face, the gun strapped to his thigh. The anger had brought him back to fi nd a man he had to kill.
The five-time winner of the Golden Spur Award pits Yellowstone Kelly, a devil-may-care Irishman with a penchant for quoting literature and an unequalled shot, against the Sioux war chief who has stolen his woman. Original.
A captivating and revelatory glimpse into the life of one of the most critically acclaimed and enigmatic musicians working today. The man who acts under the name Will Oldham and sings and composes under the name Bonnie “Prince” Billy has, over the past quarter-century, made an idiosyncratic journey through, and an indelible mark on, the worlds of indie rock and independent cinema. These conversations with longtime friend and associate Alan Licht probe his highly individualistic approach to music making and the music industry, one that cherishes intimacy, community, mystery, and spontaneity. Exploring Oldham’s travels and artistic influences while discussing his experiences with such disparate figures as Johnny Cash, Bjork, James Earl Jones, and R. Kelly, the book conveys the brilliance that has captivated fans and made Oldham one of our most influential and beloved songsmiths. Oldham has declared this book his “last interview”—an essential guide to his life and career. Featuring a full discography, it offers the most in-depth look we may ever get of this fascinating cult figure.
Will Roberts has retained the wit and country mannerisms of Will Rogers, both on stage and in his writings. The daily articles on world events and politics are as typical of our times as Rogers's daily sayings and Sunday articles of his day. I know you will enjoy the way Roberts has kept the legacy of a great journalist, skilled roper, actor, and an American icon in his writings today.
Una dintre forțele cele mai dinamice din divertismentul contemporan, recunoscută la nivel global, își povestește viața într-o carte deopotrivă curajoasă și motivantă, care îi urmărește parcursul de învățare până în punctul alinierii perfecte a succesului exterior, fericirii interioare și conexiunii umane. Will spune povestea necenzurată a uneia dintre cele mai uimitoare evoluții în lumea muzicii și filmului.
If prophets are called to unveil and expose the illegitimacy of those principalities masquerading as the right and purportedly using their powers for the good, then Will D. Campbell is one of the foremost prophets in American religious history. Like Clarence Jordan and Dorothy Day, Campbell incarnates the radical iconoclastic vocation of standing in contraposition to society, naming and smashing the racial, economic, and political idols that seduce and delude. Despite an action-packed life, Campbell is no activist seeking to control events and guarantee history's right outcomes. Rather, Campbell has committed his life to the proposition that Christ has already set things right. Irrespective of who one is, or what one has done, each human being is reconciled to God and one another, now and forever. History's most scandalous message is, therefore, Be reconciled! because once that imperative is taken seriously, social constructs like race, ethnicity, gender, and nationality are at best irrelevant and at worst idolatrous. Proclaiming that far too many disciples miss the genius of Christianity's good news (the kerygma) of reconciliation, this Ivy League-educated preacher boldly and joyfully affirms society's so-called least one, cultivating community with everyone from civil rights leaders and Ku Klux Klan militants, to the American literati and exiled convicts. Except for maybe the self-righteous, none is excluded from the beloved community. For the first time in nearly fifty years, Campbell's provocative Race and Renewal of the Church is here made available. Gayraud Wilmore called Campbell's foundational work an unsettling reading experience, but one that articulates an unwavering confidence in the victory which God can bring out of the weakness of the church.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The definitive collection of lyrics from three decades of songwriting. As a performer, songwriter, and actor, Will Oldham has carved a singular path through the worlds of indie folk and cinema. Now the critically acclaimed, enigmatic artist presents his life’s work: the lyrics to more than two hundred songs spanning the 1980s to the present, each with annotations that impart new meaning to his music. Oldham’s aphoristic meditations—on death, patience, and turning carelessness into a virtue—are, like his lyrics, profound, earthy, and often funny. They reveal flashes of Oldham’s philosophy, the sources and circumstances that inspired his lyrics, and the literary ambition of his songwriting. Separated from their aural form, Oldham’s lyrics become a new kind of poetry—candid, awkward, and wise—with influences as diverse as Rabindranath Tagore and The Mekons. A book that will delight his longtime fans and inspire young songwriters, Songs of Love and Horror reveals an artist who has captured extraordinary poetry in music despite being "a stranger among my own language.
The complete collection of fifteen stories starring one of pulp fiction’s most hardened PIs, with accompanying illustrations It’s hot in St. Louis, and Donahue is looking for a hired gun. An ex–New York cop who got canned from the NYPD after raiding the wrong gambling joint, Donahue has spent four years on the job as a private detective—punishing work that’s turned him from a tough customer into one of the most hard-boiled operatives in the country. A killer named Micky Shane has skipped New York for St. Louis, and Donahue has come to find him. When he does, it won’t be good for Donahue—but it’ll be a whole lot worse for Shane. In his days writing Donahue stories for Black Mask magazine, Frederick Nebel was as popular and well respected as Dashiell Hammett and Raymond Chandler. Although his name is no longer widely known, these classic tales of two-fisted justice have lost none of their grit or their bite.
Unusual Stories, Unusually Told celebrates some of the boldest contemporary American voices with seven plays from Clubbed Thumb's Summerworks. Spanning 2001 to 2019 and accompanied by artist interviews and reflections on the work, this anthology presents a vital survey of formally inventive 21st century playwriting, and is a perfect collection for study and performance. U.S. Drag by Gina Gionfriddo A serial killer named Ed stalks the city, luring his victims by asking for help. To protect themselves, a group of New Yorkers form SAFE, “Stay Away From Ed.” The first rule: don't help anyone. It's a matter of urban survival. Slavey by Sigrid Gilmer In which Robert and Nora, a couple on the rise, get a big promotion, a bigger house, and a brand new slave. Dot by Kate E. Ryan In which old Dot and the weird kid from the neighborhood become friends. Set in that kind of Florida town that makes you wonder: is this TV, a book, or maybe even a cabaret? Baby Screams Miracle by Clare Barron In which a freak storm knocks down all the trees in town and a prodigal daughter is taught a new way to pray. But the weird weather's not over yet. Men on Boats by Jaclyn Backhaus Ten explorers. Four boats. One Grand Canyon. Men On Boats is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River. Of Government by Agnes Borinsky The adventures of Barb the Teacher, Deb the Seeker, Heidi the Helper, Tawny the Addict and a host of others. With songs! Presented by Miss Marjorie Blain, her students, and members of the community. Light refreshments will be provided. Plano by Will Arbery Tonight, and later, and earlier, three sisters (no, not those ones) are stricken with a series of strange plagues. Let's talk about family nightmares. I mean, uh, memories.
This fifth and final volume of The Papers of Will Rogers traces the career of Oklahoma’s beloved entertainer during his most popular years and extends beyond his death in 1935. By 1928, the Oklahoma humorist and commentator had reached national prominence through his newspaper columns, silent films, sound recordings, books, philanthropic endeavors, and lecture tours. His fame, fortune, and influence, however, had yet to crest. This volume showcases a wide variety of documents, including correspondence with some of the most significant figures of the day, revealing Rogers’s rise to fame as the nation’s leading social and political commentator and as a hugely popular star of radio, stage, and film. Rogers’s multifaceted career ended abruptly when he and the famous aviator Wylie Post died in an airplane crash in northernmost Alaska. This documentary history of his final years includes transcripts of radio broadcasts, contracts, and business documents, as well as nearly two hundred telegrams and letters to family, friends, and notable public figures—the majority of which have never before been published. It also covers the aftermath of his fatal airplane accident: the certificate of death, a first-person account of his funeral, settlement of his estate, efforts to pay tribute to his memory, and unauthorized attempts to capitalize on his fame.
In the not-so-distant year of 2038, a world on the precipice of chaos is divided into two stark realms: the meticulously governed suburbs, where AI reigns supreme, and the lawless, untamed urban wastelands that sprawl beyond. It is within this fragile equilibrium that the fate of humanity hangs by a thread. At the heart of this compelling futuristic thriller lies an audacious plan conceived by a disillusioned English boy. His objective: to rescue the luminous Asian pop star, Suki, from the clutches of a world defined by its horrors. Yet, destiny has a different script in mind-one that draws Joe Jones, a weary New York cop, into the vortex of an incomprehensible global conspiracy. A wave of unprecedented system failures ripples across the fabric of civilization, from the once-reliable driverless vehicles to the volatile fluctuations of the stock market. Amid this mayhem, a singular figure emerges-Joe Jones-tasked with deciphering the intricate web of sabotage and deceit that now engulfs the world. As chaos tightens its grip and uncertainty becomes the norm, Joe races against time. His mission is twofold: to save his estranged family from the chaos that threatens to engulf them and to protect the enigmatic pop star, Suki, who harbors secrets that could alter the course of humanity. As he delves deeper into the labyrinthine conspiracy, Joe must uncover the truth behind the British boy's audacious actions-a truth that carries the specter of apocalyptic consequences. In a relentless pursuit through a landscape where technology and human vulnerability intertwine, Joe navigates a treacherous path. With stakes higher than ever and the survival of humanity hanging in the balance, he must confront the very essence of the human spirit. Will Joe Jones succeed in thwarting a sinister plot that has the power to extinguish mankind? Can he unveil the hidden truths before they plunge the world into darkness? "Dystopian Resonance," a gripping and resonant narrative, delves into the heart of a world teetering between order and chaos. As humanity grapples with the consequences of its own creations, Joe Jones stands as a beacon of determination, resilience, and sacrifice. In this enthralling tale, the boundaries of technology, morality, and the human condition blur, revealing the extraordinary lengths one man is willing to traverse to safeguard the ones he cherishes and prevent the annihilation of a world on the brink.
Will Cuppy is one of the greatest humorists this country has produced and is still (despite eleven printings of his imperishable The Decline and Fall of Practically Everybody) too little known. Here is one of his three classic "How-To's," considering notable birds and animals whose habits (and often existence) seem to have disturbed Cuppy ("Birds Who Can't Even Fly," "Optional Insects," "Octopuses and Those Things"), as well as more mundane creatures like the frog, the gnat, and the moa, who have no visible vices but whose virtues are truly awful. Spanning the breadth of the animal kingdom, Cuppy neatly classes his observations for easy reference: Problem Mammals, Pleasures of Pond Life, Birds Who Can't Sing and Know It.
Joe Helms received a grant while at the University of Maryland. He was on a quest to find lost treasures and artifacts of the Spanish explorers who came up from Mexico to travel through what is Now Texas, Oklahoma, and into Colorado. In the 1890's Joe Helms set out on his quest and found more than he bargained for. The University sent Joe a letter telling him that he no longer held a grant or was employed by them. It was not long afterward that Joe made the biggest discovery of his life and became a rich man. Even though he had every thing that he had ever wanted he was still haunted by not finding out more about the old Spanish Settlement at Devils Canyon.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.