A wake-up call to Britain, and the global economy THE STATE WE'RE IN, Will Hutton's explosive analysis of British society, was the biggest selling politico-economic work since the Second World War. Now, as the world realigns itself in the wake of September 11, Hutton turns his attention to the global picture, and the ways in which the new world should be ordered. To understand the global economy, Hutton argues, one must first understand the United States where, over the past 30 years, the forces of conservatism have achieved such supremacy as to reduce liberalism to a term of abuse. The results have been dire: America is a weaker, fragmented society, and its economic strenths are oversold and misunderstood. But Britain and Europe are different: our attitudes towards property, equality, social solidarity and the public realm are strikingly distinct from Amerrica's current conservative leanings. Europe should not be afraid to stand up against the American version of globalisation, and champion the cause of a reinvigorated international society - taking over the mantle now abandoned by the US.
The forthcoming General Election will be one of the most decisive in British post-war history. If the Conservatives were to win again, it would confirm that British democracy is a sham - that we live in a one party state and the electorate will exact no penalty for broken promises and the abuse of power. Will Hutton argues that the tories can no longer be trusted: the recent economic `growth' is little more than a catch-up from the lost recession years, while investment is still weak and inflation high; Black Wednesday revealed the Goverments economic incompetence; and taxes have risen by a record in post-war Britain. Tony Blair has skilfully exploited the Tory divisions and successfully remodelled his party: New Labour is reformist, committed to social justice, solidarity and achievable levels of equality. The years of Tory Goverment have revealed the shortcomings of a free-market economy: a big shift of economic power to the employers and a sharp rise in in equality. Will Hutton urges Labour not to embrace a Conservative agenda in economic terms but to deal with the challenge of structuring the free-market economy to get the best balance of growth and a good society, and to make fundemental choices over the character of the capitalism we want to develop.
Will Friedwald’s illuminating, opinionated essays—provocative, funny, and personal—on the lives and careers of more than three hundred singers anatomize the work of the most important jazz and popular performers of the twentieth century. From giants like Ella Fitzgerald, Louis Armstrong, Frank Sinatra, and Judy Garland to lesser-known artists like Jeri Southern and Joe Mooney, they have created a body of work that continues to please and inspire. Here is the most extensive biographical and critical survey of these singers ever written, as well as an essential guide to the Great American Songbook and those who shaped the way it has been sung. The music crosses from jazz to pop and back again, from the songs of Irving Berlin and W. C. Handy through Stephen Sondheim and beyond, bringing together straightforward jazz and pop singers (Billie Holiday, Perry Como); hybrid artists who moved among genres and combined them (Peggy Lee, Mel Tormé); the leading men and women of Broadway and Hollywood (Ethel Merman, Al Jolson); yesterday’s vaudeville and radio stars (Sophie Tucker, Eddie Cantor); and today’s cabaret artists and hit-makers (Diana Krall, Michael Bublé). Friedwald has also written extended pieces on the most representative artists of five significant genres that lie outside the songbook: Bessie Smith (blues), Mahalia Jackson (gospel), Hank Williams (country and western), Elvis Presley (rock ’n’ roll), and Bob Dylan (folk-rock). Friedwald reconsiders the personal stories and professional successes and failures of all these artists, their songs, and their performances, appraising both the singers and their music by balancing his opinions with those of fellow musicians, listeners, and critics. This magisterial reference book—ten years in the making—will delight and inform anyone with a passion for the iconic music of America, which continues to resonate throughout our popular culture.
Challenges popular conceptions about the 40th president's administration and legacy, arguing that subsequent presidents and conservative policymakers have exploited the country's misunderstandings of Reagan's achievements to promote risky agendas. Reprint.
Will Croft Barnes (1858–1937) first came to Arizona as a cavalryman and went on to become a rancher, state legislator, and conservationist. From 1905 to 1935, his travels throughout the state, largely on horseback, enabled him to gather the anecdotes and geographical information that came to constitute Arizona Place Names. For this first toponymic encyclopedia of Arizona, Barnes compiled information from published histories, federal and state government documents, and reminiscences of "old timers, Indians, Mexicans, cowboys, sheep-herders, historians, any and everybody who had a story to tell as to the origin and meaning of Arizona names." The result is a book chock full of oddments, humor, and now-forgotten lore, which belongs on the night table as well as in the glove compartment. Barnes' original Arizona Place Names has become a booklover's favorite and is much in demand. The University of Arizona Press is pleased to reissue this classic of Arizoniana, which remains as useful and timeless as it was more than half a century ago.
In 1966 Will Cohu's grandparents moved to Bramble Carr, a remote cottage on the Yorkshire moors. The summers and winters he spent there were full of freedom and light; only after childhood ended was he aware of the price the adults had paid for life in this most romantic of settings. Navigating family tensions and the trials of growing up, Will describes the close-knit community of North Yorkshire and his family's place within it: the shepherd probing the head-high snowdrifts for his flock; the pub landlord obsessed with military uniforms; the village doctor lost in his love for the purple moorland; Will's glamorous RAF parents; and, at the centre of the story, his beloved but enigmatic grandparents. The Wolf Pit is an enquiring love letter from Will Cohu to his family, and to a changing rural England that is passionate, frightening and funny.
In this complete life and times biography, author Will Friedwald offers a new take on Nat King Cole, framing him first as a bandleader and then as a star.
Despite the importance of the subject to contemporaries, this is the first monograph to look at the institution of godparenthood in early modern English society. Utilising a wealth of hitherto largely neglected primary source data, this work explores godparenthood, using it as a framework to illuminate wider issues of spiritual kinship and theological change. It has become increasingly common for general studies of family and religious life in pre-industrial England to make reference to the spiritual kinship evident in the institution of godparenthood. However, although there have been a number of important studies of the impact of the institution in other periods, this is the first detailed monograph devoted to the subject in early modern England. This study is possible due to the survival, contrary to many expectations, of relatively large numbers of parish registers that recorded the identities of godparents in the sixteenth and seventeenth centuries. By utilising this hitherto largely neglected data, in conjunction with evidence gleaned from over 20,000 Wills and numerous other biographical, legal and theological sources, Coster has been able to explore fully the institution of godparenthood and the role it played in society. This book takes the opportunity to study an institution which interacted with a range of social and cultural factors, and to assess the nature of these elements within early modern English society. It also allows the findings of such an investigation to be compared with the assumptions that have been made about the fortunes of the institution in the context of a changing European society. The recent historiography of religion in this period has focused attention on popular elements of religious practice, and stressed the conservatism of a society faced with dramatic theological and ritual change. In this context a study of godparenthood can make a contribution to understanding how religious change occurred and the ways in which popular religious practice was affected.
The Story of Civilization, Volume IX: A history of civilization in Western Europe from 1715 to 1756, with special emphasis on the conflict between religion and philosophy. This is the ninth volume of the classic, Pulitzer Prize-winning series.
Male Friendship and Testimonies of Love in Shakespeare’s England reveals the complex and unfamiliar forms of friendship that existed between men in the late sixteenth century. Using the unpublished letter archive of the Elizabethan spy Anthony Bacon (1558-1601), it shows how Bacon negotiated a path through life that relied on the support of his friends, rather than the advantages and status that came with marriage. Through a set of case-studies focusing on the Inns of Court, the prison, the aristocratic great house and the spiritual connection between young and ardent Protestants, this book argues that the ‘friendship spaces’ of early modern England permitted the expression of male same-sex intimacy to a greater extent than has previously been acknowledged.
Frank Sinatra was the greatest entertainer of his age, invigorating American popular song with innovative phrasing and a mastery of drama and emotion. Drawing upon interviews with hundreds of his collaborators as well as with "The Voice" himself, this book chronicles, critiques, and celebrates his five-decade career. Will Friedwald examines and evaluates all the classic and less familiar songs with the same astute, witty perceptions that earned him acclaim for his other books about jazz and pop singing. Now completely revised and updated, and including an authoritative discography and rare photos of recording sessions and performances, Sinatra! The Song Is You is an invaluable resource for enthusiasts and an unparalleled guide through Sinatra's vast musical legacy.
The author of the magisterial A Biographical Guide to the Great Jazz and Pop Singers now approaches the great singers and their greatest work in an innovative and revelatory way: through considering their finest albums, which is the format in which this music was most resonantly organized and presented to its public from the 1940s until the very recent decline of the CD. It is through their albums that Ella Fitzgerald, Frank Sinatra, Peggy Lee, Sarah Vaughan, Nat King Cole, Judy Garland, and the rest of the glorious honor roll of jazz and pop singers have been most tellingly and lastingly appreciated, and the history of the album itself, as Will Friedwald sketches it, can now be seen as a crucial part of musical history. We come to understand that, at their finest, albums have not been mere collections of individual songs strung together arbitrarily but organic phenomena in their own right. A Sinatra album, a Fitzgerald album, was planned and structured to show these artists at their best, at a specific moment in their artistic careers. Yet the albums Friedwald has chosen to anatomize go about their work in a variety of ways. There are studio and solo albums: Lee’s Black Coffee, June Christy’s Something Cool, Cassandra Wilson’s Belly of the Sun. There are brilliant collaborations: famous ones—Tony Bennett and Bill Evans, Louis Armstrong and Oscar Peterson—and wonderful surprises like Doris Day and Robert Goulet singing Annie Get Your Gun. There are theme albums—Dinah Washington singing Fats Waller, Maxine Sullivan singing Andy Razaf, Margaret Whiting singing Jerome Kern, Barb Jungr singing Bob Dylan, and the sublime Jo Stafford singing American and Scottish folk songs. There are also stunning concert albums like Ella in Berlin, Sarah in Japan, Lena at the Waldorf, and, of course, Judy at Carnegie Hall. All the greats are on hand, from Kay Starr and Carmen McRae to Jimmy Scott and Della Reese (Della Della Cha Cha Cha). And, from out of left field, the astounding God Bless Tiny Tim. Each of the fifty-seven albums discussed here captures the artist at a high point, if not at the expected moment, of her or his career. The individual cuts are evaluated, the sequencing explicated, the songs and songwriters heralded; anecdotes abound of how songs were born and how artists and producers collaborated. And in appraising each album, Friedwald balances his own opinions with those of musicians, listeners, and critics. A monumental achievement, The Great Jazz and Pop Vocal Albums is an essential book for lovers of American jazz and popular music.
Every thinking person knows that a great change is needed in our country. Will Hutton's passionate book shows how the right and left have gone wrong over the course of the last century – and how we can remake a better Britain. Britain's inability to invest in itself is at the heart of our problems. The malevolent thread linking the grievous errors of the last forty-five years is the attempt to create the utopia of free markets and a minimal state. The terrible consequences scar our country today. We need an alternative economic and political philosophy, especially if we are to ward off a nihilist populism. Two great traditions – ethical socialism and progressive liberalism – can be brought together to offer a different way forward. Hutton describes the views of their major thinkers, and their common vision of what he calls the 'We Society' – combining the 'We' and the 'I'. The two strands of thought both believe in the duty to treat people fairly in a capitalist system that, without guiderails, spirals into inequality, monopoly and exploitation. Out of this shared worldview came the great reforming Liberal government of 1906–14, supported by Labour MPs who'd been elected in industrial areas with Liberal backing. This alliance, Hutton argues, was the great opportunity of modern British history. It was destroyed by the First World War. In 1945 a Labour government, informed by great Liberal intellectuals like Keynes and Beveridge, showed once again what can be achieved when the two progressive strands fuse. Since then, our deeply unfair electoral system has allowed Conservatives to dominate government and commit a long series of great, avoidable errors. The Labour Party, fatally divided between socialist purity and timid pragmatism, must rediscover the ingredients that made for the success of the great reforming governments of the twentieth century. This failure to uphold the 'We Society' has betrayed Britain. Capitalism must be repurposed to work for the common good. And our degraded democracy, the necessary means for such change, must be reformed. Hutton's proposals are inspiring and rooted in values held by the overwhelming majority of us. Above all, they are achievable.
The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism if our society is to recover its values. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.
The definitive biography of singer-songwriter Nick Lowe, best-known for "Cruel to Be Kind" and "(What's So Funny 'Bout) Peace, Love, and Understanding" Described as "Britain's greatest living songwriter," Nick Lowe has made his mark as a pioneer of pub rock, power-pop, and punk rock and as a producer of Elvis Costello, Graham Parker, the Damned, and the Pretenders. He has been a pop star with his bands Brinsley Schwarz and Rockpile, a stepson-in-law to Johnny Cash and June Carter Cash, and is the writer behind hits including "Cruel to Be Kind" and "(What's So Funny 'Bout) Peace, Love, and Understanding." In the past decades, however, he has distinguished himself as an artist who is equally acclaimed for the second act of his career as a tender yet sharp-tongued acoustic balladeer. Biographer Will Birch, who in addition to being a music writer was a drummer and songwriter with The Records, has known Lowe for over forty years and melds Lowe's gift as a witty raconteur with his own authoritative analysis of Lowe's background and the cultural scenes he exemplifies. Lowe's parallel fame as one of the best interviews in the business will contribute to this first look into his life and work--and likely the closest thing fans will get to an autobiography by this notoriously charming cult figure. This is not an authorized biography, but Lowe has given it his spiritual blessing and his management and label are fully on board. Cruel to Be Kind will be the colorful yet serious account of one of the world's most talented and admired musicians.
A Civil War-era treatise addressing the power of governments in moments of emergency The last work of Abraham Lincoln's law of war expert Francis Lieber was long considered lost--until Will Smiley and John Fabian Witt discovered it in the National Archives. Lieber's manuscript on emergency powers and martial law addresses important contemporary debates in law and political philosophy and stands as a significant historical discovery. As a key legal advisor to the Lincoln White House, Columbia College professor Francis Lieber was one of the architects and defenders of Lincoln's most famous uses of emergency powers during the Civil War. Lieber's work laid the foundation for rules now accepted worldwide. In the years after the war, Lieber and his son turned their attention to the question of emergency powers. The Liebers' treatise addresses a vital question, as prominent since 9/11 as it was in Lieber's lifetime: how much power should the government have in a crisis? The Liebers present a theory that aims to preserve legal restraint, while giving the executive necessary freedom of action. Smiley and Witt have written a lucid introduction that explains how this manuscript is a key discovery in two ways: both as a historical document and as an important contribution to the current debate over emergency powers in constitutional democracies.
A practical handbook on the management of building design, this guide explains the processes, roles and responsibilities of those involved in the design of the building, as well as ways to maximise efficiency. Well structured and easy to read, the book includes useful notes and checklists on, for example, how to select a design team and how to organise and plan the design process. The authors are recognised authorities in the field of project management, based at an internationally renowned department. Their book will prove invaluable to both students and practitioners in project management.
Having banished eastern Native peoples to lands west of the Mississippi, President Andrew Jackson’s government by 1833 needed a new type of soldier to keep displaced Indians from returning home. And so the 1st Dragoons came into being. Will and John Gorenfeld tell their story—an epic of exploration, conquest, and diplomacy from the outposts of western history—in this book-length treatment of the force that became the U.S. Cavalry. The 1st Dragoons represented a new regiment of horsemen that drew on the combined skills and clashing visions of two types of leaders: old Indian killers and backwoodsmen such as loudmouth miner Henry Dodge; and straight-arrow battlefield veterans such as Stephen Watts Kearny, who had fought Redcoats in 1812 but now negotiated treaties with Indian tribes and enforced the new order of the West. Drawing on soldiers’ journals and other never-before-used sources, Kearny’s Dragoons Out West reconstructs this forgotten, often surprising moment in U.S. history. Under Kearny, the 1st Dragoons performed its mission through diplomacy and intimidation rather than violence, even protecting Indians from white settlers. Following the regiment up to the U.S.-Mexican War, when diplomacy gave way to open violence, this book introduces readers to future Civil War generals. Colorful characters appearing in these pages include Private Thomas Russell, a young attorney tricked by a horse thief into joining the army; James Hildreth, who authored two books on the 1st Dragoons; and English drill sergeant Long Ned Stanley, whose tenure in the 1st reveals much about American immigrants’ experience in 1833–48. The promises made in Kearny’s well-intentioned treaty making were ultimately broken. This detailed and in-depth look back at his legacy offers a glimpse of a lost world—and an intriguing turning point in the history of western expansion.
Hegel's Antiquity aims to summarize, contextualize, and criticize Hegel's understanding and treatment of major aspects of the classical world, approaching each of the major areas of his historical thinking in turn: politics, art, religion, philosophy, and history itself. The discussion excerpts relevant details from a range of Hegel's works, with an eye both to the ancient sources with which he worked, and the contemporary theories (German aesthetic theory, Romanticism, Kantianism, Idealism (including Hegel's own), and emerging historicism) which coloured his readings. What emerges is that Hegel's interest in both Greek and Roman antiquity was profound and is essential for his philosophy, arguably providing the most important components of his vision of world-history: Hegel is generally understood as a thinker of modernity (in various senses), but his modernity can only be understood in essential relation to its predecessors and 'others', notably the Greek world and Roman world whose essential 'spirit' he assimilates to his own notion of Geist.
When Germany occupied the originally 'demilitarised' Channel Islands in 1940, Hitler ordered the area to be staunchly fortified with colossal permanent structures like Battery Moltke on Jersey. As it was the only piece of the British Isles in Nazi control, he was determined that the islands should remain German forever. Churchill was equally obsessed, urging numerous commando raids and harebrained schemes for the invasion and liberation of the islands. But when France was freed in 1944, the Channel Islands were completely bypassed. German troops were cut off from their supplies and the island population began to starve. Occupied for almost the entire war, these quintessentially English islands serve as a fascinating microcosm of what Britain might have been like under Nazi rule. With one German soldier to every three islanders, resistance had to remain at a low level: possession of a radio merited a prison sentence. The Last Raid is an atmospheric account of life under German occupation, as well as the political manoeuvring behind the scenes. With the first detailed account in English of the Granville Raid, a unique German commando operation, Will Fowler combines the social experience of war with the military to form a fascinating chronicle of the fight for the Channel Islands during the Second World War.
This book challenges traditional conceptions of readiness in early childhood education by sharing concrete examples of practice, policy and histories that rethink readiness. This book seeks to reimagine possible new educational worlds for young children.
They rode out as the snow began to fall, a party of seven. Their purpose to rescue a band of travellers trapped by an avalanche in the high Bitterroot Mountains. But once clear of the Montana township of Wicker it is soon apparent that the on-coming winter blizzards are not the only threat to success. The swiftly assembled group have brought with them their own grievances and evils, and there can only be trouble ahead...
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