Learn how to jump-start your imagination to conjure up innovative, worthwhile ideas with help from some of the greatest artists in the world. How do artists think? Where does their creativity originate? How can we, too, learn to be more creative? BBC Arts Editor Will Gompertz seeks answers to these questions in his exuberant, intelligent, witty, and thought-provoking style. Think Like an Artist identifies ten key lessons on creativity from artists that range from Caravaggio to Warhol, Da Vinci to Ai Weiwei, and profiles leading contemporary figures in the arts who are putting these skills to use today. After getting up close and personal with some of the world’s leading creative thinkers, Gompertz has discovered traits that are common to them all. He outlines basic practices and processes that allow your talents to flourish and enable you to embrace your inner Picasso—no matter what you do for a living. With wisdom, inspiration, and advice from an author named one of the fifty most original thinkers in the world by Creativity magazine, Think Like an Artist is an illuminating view into the habits that make people successful. It’s time to get inspired and think like an artist!
The perfect gift for the art lover in your life. In the tradition of Eats, Shoots & Leaves, Will Gompertz teaches art history with a sense of humor Every year, millions of museum and gallery visitors ponder the modern art on display and secretly ask themselves, "Is this art?" A former director at London's Tate Gallery and now the BBC arts editor, Will Gompertz made it his mission to bring modern art's exciting history alive for everyone, explaining why an unmade bed or a pickled shark can be art—and why a five-year-old couldn't really do it. Rich with extraordinary tales and anecdotes, What Are You Looking At? entertains as it arms readers with the knowledge to truly understand and enjoy what it is they’re looking at.
Taking us into the minds of artists—from contemporary stars to old masters—See What You’re Missing shows us how to look and experience the world with their heightened awareness. Artists are expert lookers: they have learned to pay attention. The rest of us spend most of our time on auto-pilot, rushing from place to place, our overfamiliarity blinding us to the marvellous, life-affirming phenomena of our world. But that doesn’t have to be the case. In his inimitable engaging style, Will Gompertz takes us into the minds of artists—from contemporary stars to old masters, the well-known to the lesser-so, and from around the world—to show us how to look and experience the world with their heightened awareness. In See What You’re Missing we learn, for example, how Hasegawa Tohaku can help us to see beauty, how David Hockney helps us to see colour, and how Frida Kahlo can help us see pain. In doing so we come to know the exhilarating feeling of being truly alive. See What You’re Missing is at once entertaining and enlightening art history while delivering empowering new insights to its reader.
What is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art. You will learn: not all conceptual art is bollocks; Picasso is king (but Cezanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art, why your five year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? asks all the basic questions that you were too afraid to ask. Your next gallery trip is going to be a little less intimidating and a lot more interesting.
Un Gompertz muy Gompertz. Un texto sobre los precursores del Pop Art y las revolucionarias ideas que dieron pie al movimiento. En este texto, incluido en el exitoso libro ¿Qué estás mirando? 150 años de arte moderno en un abrir y cerrar de ojos, el autor desgrana las obras que marcaron el inicio y posteriormente la consagración del Pop Art, así como la trayectoria de sus autores. Gompertz nos sitúa en diferentes puntos estratégicos del mapa mundial para trazar las vidas de los precursores del movimiento: Paolozzi, Jasper Jones, Robert Rauschenberg, Warhol, Lichtenstein o Richard Hamilton —por mencionar algunos—; y relata con una prosa absorbente el minuto exacto en el que dieron a luz a sus obras más emblemáticas. Esta corriente artística, considerada por algunos como arte «fácil» para una masa pueril, en el fondo no defendía otra cosa que la democratización de la cultura y reivindicaba que no existía un arte elevado, sino que había valor en las imágenes que formaban parte del mundo cotidiano (aunque estas fueran el resultado impersonal de la producción en cadena). Así, una botella de Coca-Cola se elevaba al nivel de una escultura de Bernini. Siguiendo esta tesis, los artistas del Pop Art descontextualizaron los objetos de la sociedad de consumo para romper mediante la ironía y el color con la corriente artística imperante: el expresionismo abstracto. Con un estilo narrativo propio de la literatura, el autor constata su maestría como uno de los mayores expertos en arte moderno y contagia su entusiasmo a lo largo de estas páginas. Una pieza clave para entender que el Pop Art siempre ha estado entre nosotros, pero necesitábamos a los artistas para descubrirlo. «Gompertz ha escrito un enérgico y completo recorrido por el arte moderno». The Independent Sobre el autor se dijo: «A Gompertz lo de aburrir no se le da nada bien». The Times «Will Gompertz es el mejor profesor que haya tenido jamás». The Guardian «Gompertz ha escrito un enérgico y completo recorrido por el arte moderno». The Independent «Will Gompertz un tipo singular. Rápido como la sangre. Y de algún modo un defensor de la claridad en un territorio de opacidades. Entra en faena desde un libro lúcido que tiene algo de síntesis mental de lo complejo. Una exploración que desacraliza con audacia e ironía tanto el cuello duro de la crítica de arte, a la vez que hace su propia crítica desde la orilla de la claridad». Antonio Lucas, El Mundo «Es tan provocador, irreverente, irónico, divertido y políticamente incorrecto como muchos de los artistas de los que habla. Gompertz da un buen repaso (en todos los sentidos) al arte moderno y contemporáneo. Su visión del mundo del arte es inteligente, salpimentada con buenas dosis de humor». Nati Pulido, ABC «Tanta contundencia en las opiniones proviene de Will Gompertz, director de arte de la BBC y considerado una autoridad mundial en el arte moderno y contemporáneo. [...] En realidad, el libro requiere algo más que un simple pestañeo. Se lee más bien como un completo y ameno manual de 472 páginas». Ángeles García, El País «Para salvar la brecha que separa a muchos visitantes de los objetos que contemplan, Gompertz ha escrito precisamente ¿Qué estás mirando?, un ameno recorrido por la creación moderna para que la comprenda todo el mundo». Javier Ors, La Razón
Think Like an Artist by BBC Arts editor Will Gompertz - wisdom and smart thinking from Da Vinci to Ai Weiwei Why do some people seem to find it easy to come up with brilliant, fresh ideas? And how do they turn them into something worthwhile? Will Gompertz, the BBC's Arts Editor and a former director at the Tate, has spent years getting up close and personal with some of the world's greatest creative thinkers. And he's discovered a handful of traits that are common to all successful people, from novelists and film directors to scientists and philosophers. These basic practices allow their talent to flourish. And they can be adopted by all of us - no matter what we do in life - to unleash our own latent creativity and help us achieve extraordinary things. It's time to Think Like An Artist. 'Will Gompertz is the best teacher you never had' Guardian As the BBC's Arts Editor, Will Gompertz has interviewed and observed many of the world's leading artists, directors, novelists, musicians, actors and designers. Creativity Magazine in New York ranked him as one of the 50 most original thinkers in the world. He is the author of the international bestselling art history book What Are You Looking At? which has been published in over 15 languages.
The perfect gift for the art lover in your life. In the tradition of Eats, Shoots & Leaves, Will Gompertz teaches art history with a sense of humor Every year, millions of museum and gallery visitors ponder the modern art on display and secretly ask themselves, "Is this art?" A former director at London's Tate Gallery and now the BBC arts editor, Will Gompertz made it his mission to bring modern art's exciting history alive for everyone, explaining why an unmade bed or a pickled shark can be art—and why a five-year-old couldn't really do it. Rich with extraordinary tales and anecdotes, What Are You Looking At? entertains as it arms readers with the knowledge to truly understand and enjoy what it is they’re looking at.
From the Booker-shortlisted author of Shark and it's acclaimed prequel Umbrella Titles include: The Quantity Theory of Psychosis Cock & Bull My Idea of Fun Grey Area Great Apes The Sweet Smell of Psychosis
In this fully revised and richly illustrated edition, author and journalist Will Ellsworth-Jones pieces together a complete picture of the life and work of Banksy, perhaps the most iconic, enigmatic and controversial artist of modern times. For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous. This fully updated and illustrated story of Banksy’s life and career builds an intriguing picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question ‘Who is Banksy?’ is as much about his career as it is ‘the man behind the wall’. From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for seven-figure sums and hangs on celebrities’ walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now moreNational Treasure than edgy outsider, who is Banksy and how did he become what he is today? This book charts Banksy's journey from the graffiti-scrawled streets of Barton Hill, the working class neighbourhood of Bristol where he and others covered the walls with vibrant pieces while trying to avoid the police, through to some of the most prestigious galleries of the world, where his daring acts of guerilla art have forced us to reconsider how we define as art. From the artist's own words to recollections of friends and colleagues, this book also examines the contradictions of Banksy's life: charting how a privately educated boy from a middle class area of Bristol reinvented himself as a rogue and an outlaw who would take the art world by storm. With beautiful reproductions of some of his most controversial and recognisable works, this detailed study is a truly indispensible guide to understanding the ultimate art rebel whose work is no less relevant today than it was when he first started out some thirty years ago.
In early 1970 President Richard M. Nixon created a new executive office, the Office of Telecommunications Policy (OTP), and appointed Dr. Clay T. Whitehead as OTP's first director. (Whitehead had previously been on the staff of Peter Flanigan, a presidential assistant responsible for telecommunications policy at the White House.) What was the motivation behind this action? Were political interests being served? With what results? Thomas Will believes that these and other questions must be raised in view of the history of the Nixon administration. In an attempt to answer them, he examines the development of telecommunications policy in the executive branch from 1900 to 1970. Dr. Will reviews the early executive branch involvement in radio telecommunications, the Radio Act of 1927 and the Communications Act of 1934, the technological advance of radio telecommunications and its effect on the executive branch before and after World War II, the. appointments of telecommunications advisors to presidents from 1951 to 1967, and the creation of the President's Task Force in 1967 to deal with the problems created by an inherently limited radio spectrum. He traces the steps taken to create the OTP and analyzes the extent to which the office reflected a traditional progression of executive branch telecommunications authority. His study and conclusions are directly and essentially relevant to the current debate on telecommunications policy.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.