* Will Gadd is an ESPN X Games and Ice World Cup winner * Color photos throughout illustrate the climbing techniques * Part of The Mountaineers Outdoor Expert series "Mixed climbing is my favorite discipline. It's the most fun because it has the fewest rules -- sort of like professional wrestling compared to boxing." So says Will Gadd, as profiled in the book Fifty Favorite Climbs. Here the champion ice climber presents the same techniques and veteran wisdom he imparts to those who attend his annual clinics. These include step-by-step instructions for the swing (ice axe), the kick (footwork), and putting it all together (tracking); how to "read" ice to select your line and follow it safely; and drytool techniques for mixed climbing. Training exercises and inspirational stories complete this seminal guide. Will Gadd won every major ice competition in the world in 1998 and 1999, as well as the 2000 Ice World Cup. A resident of Canmore, Alberta, he has written for Climbing and Rock & Ice, among other publications.
This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.
Through curated essays, readers will experience a deeply personal and engaging survey of key figures in jazz in the book that Publishers Weekly calls "a cheerful celebration of an uniquely American musical form.” Whether in the compositions of foundational figures like Jelly Roll Morton, Thomas “Fats” Waller. and Earl “Fatha” Hines; swing pioneers such as Teddy Wilson and Joe Bushkin; torch-bearers like Mary Lou Williams and her student Thelonious Monk; technical masters including Bud Powell and Bill Evans; or modern mixologists such as Sun Ra and Keith Jarrett, the piano has been the site of historic innovations in jazz, and the stage on which some of its most colorful personalities have cemented their legacies. It’s no coincidence that several legendary pianists—Duke Ellington, Count Basie, Nat King Cole—are named after royalty. As one of the leading writers on jazz today, author, journalist, and historian Will Friedwald has witnessed over a half-century of epochal developments in the genre and the central role that the piano has played in its evolution. Nights at the Red Steinway collects key writings (from the Wall Street Journal and elsewhere) to form a deeply personal and engaging survey of key figures from Abrams to Zawinul. Irreverent when it wants to be but serious when it counts, Friedwald’s writing offers a wide-ranging, deeply considered tour through the history of jazz piano. It is an indispensable collection for fans of all stripes.
Wallace Stegner called South Pass “one of the most deceptive and impressive places in the West.” Nowhere can travelers cross the Rockies so easily as through this high, treeless valley in Wyoming immediately south of the Wind River Mountains. South Pass has received much attention in lore and memory but attracted no serious book-length study—until now. In this narrative, award-winning author Will Bagley explains the significance of South Pass to the nation’s history and to the development of the American West. Fur traders first saw South Pass in 1812. From the early 1840s until the completion of the Union Pacific and Central Pacific Railroads almost forty years later, emigrants on the Oregon, California, and Mormon Trails used South Pass in transforming the American West in a single generation. Bagley traces the peopling of the region by the earliest inhabitants and adventurers, including Indian peoples, trappers and fur traders, missionaries, and government-commissioned explorers. Later, California gold rushers, Latter-day Saints, and families seeking new lives went through this singular gap in the Rockies. Without South Pass, overland wagons beginning their journey far to the east along the Missouri River could not have reached their destinations in a single season, and western settlement might have been delayed for decades. The story of South Pass offers a rich history. The Overland Stage, Pony Express, and first transcontinental telegraph all came through the region. Nearly a century later, President Dwight D. Eisenhower designated South Pass as one of America’s first National Historic Landmarks. An American place so rich in historical significance, Bagley argues, deserves the best of historical preservation efforts.
You already know about the Bunnies, now learn about the music that helped shape Playboy. Playboy—the magazine, the empire, the lifestyle—is one of the world's best known brands. Since the launch of Playboy magazine in 1953, two elements have been remarkably consistent: the first, is the celebration of the female form. The second, readers may be surprised to learn, is Playboy's involvement in the music scene. The playboy experience has never been just about sex, but about lifestyle. Hugh Hefner's personal passion for music, particularly fine jazz, has always been an essential component of that. Full of interviews with hundreds of people who were on the scene throughout the rise, fall, and on-going renaissance, Playboy Swings carries readers on a seductive journey. Farmer focuses on Playboy's involvement in the music scene and impact on popular entertainment, and demonstrates how the empire helped change the world by integrating television and festivals. Join Patty Farmer as she guides the reader through the first inception of the Playboy empire through the 1959 Jazz Festival, and club opening after club opening. With 60 pages of photos and a complete reference guide, readers will associate music, not just Bunnies, when thinking about Playboy after reading this enthralling look into the history of one of the world's most infamous brands.
Can a free press survive in an era of free content? An “entertaining and well-written” examination of copyright law, its history, and its purpose (New York Law Journal). You can’t copyright facts, but is news a category unto itself? Without legal protection for the “ownership” of news, what incentive does a news organization have to invest in producing quality journalism that serves the public good? Can a free press survive in the era of free content? This book explores the intertwined histories of journalism and copyright law in the United States and Great Britain, revealing how shifts in technology, government policy, and publishing strategy have shaped the media landscape. Publishers have long sought to treat news as exclusive to protect their investments against copying or “free riding.” But over the centuries, arguments about the vital role of newspapers and the need for information to circulate have made it difficult to defend property rights in news. Beginning with the earliest printed news publications and ending with the Internet, Will Slauter traces these countervailing trends, offering a fresh perspective on debates about copyright and efforts to control the flow of news. “A well-written, thoughtful book, demonstrating how copyright law has struggled to keep up with the development of news culture, setting out the historical context in great detail and supported by much research, and with interesting conclusions and predictions for the future. It is unreservedly recommended.” ––European Intellectual Property Review
Working with Violent Men gives a detailed insight into working with men who have been violent towards intimate partners. As such this monograph aims to contribute to a gap in knowledge and understanding within an important social and criminal justice topic. The book is underpinned by research based on participant observation at domestic abuse groups, allowing for direct observation of behaviours and interactions, including gestures and emotional responses, as well as semi-structured interviews with group facilitators and participants. It also draws on the author’s experience of working with domestically abusive men, as a probation officer and facilitator of domestic abuse programmes. He argues that groups involve a micro social order, involving rules and rituals. These are continuously constructed and negotiated by participants, against a backdrop of ideas about masculinity, and involve the performance of gendered roles. Understanding the perspectives of these men, as well the interactional rules, rituals, and dynamics of programmes, enables facilitators to navigate the hostility that men display and engage them in a process of change. Attention to these considerations has implications for the effectiveness of group-based interventions in reducing violence against intimate partners and the training of those who deliver programmes. More general extrapolations are also drawn, about contemporary understandings of gender, masculinity, identity, and effective communication within groups. This book will be of value to undergraduate and postgraduate students with interests in domestic violence, gender, probation, and the rituals of social interactions. It will also be useful to academics, researchers, and policymakers wishing to explore and develop approaches to work with domestically violent men.
(Book). From its artful beginnings (Syd Barrett-era Pink Floyd, the Mothers of Invention, and those progressive forebearers, the Sgt. Pepper-era Beatles), through the towering guitar solos, monumental synthesizer banks, and mind-boggling special effects of the Golden Age of Prog (Rush, Pink Floyd, Yes, ELP, Genesis, Jethro Tull, King Crimson, UK), through the radio-friendly "pop era" (Asia, the Phil Collins-led Genesis, and a reformed Yes), and right up to the present state of the art (Marillion, Spock's Beard, and Mars Volta), this is a wickedly incisive tour of rock music at its most spectacular. This is indeed the book prog rock fans have been waiting for, the only one of its kind, as fantastic as the subjects it covers.
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