I will share the inspirations that shape this story as a cosmology into a deeper reflection of what it is to choose our way, and evolve continuously, in nature, nurture and nourishment, moving from immense suffering, through tremendous love and beyond with persistent presence. These stories are in part a personal-memoir, a collection of incredible authors who came before me, and a compassionate expedition exploring the past, present and perennial. All of which follow a soulful quest into self-awareness and our potential for a fulfilled consciousness in becoming more aware, awake, alert and alive in the distinct, dark and divine worlds we exist and play in. I have come to better appreciate the natural world as the process of evolving and creating itself. When I seek questions, answers or wisdom ultimately, I look for natural metaphors and signals in our common elements of nature; space, water, fire, air and earth. The first source of wisdom is nature itself, and that wisdom is perennial as it keeps evolving. We will delve into the sacred space between all things as one of the common elements and is known in Japan as Ma and Sanskrit as Akash. I am no saint, as I have experimented with the three worlds in the divine, dark and distinct. I have strived to make the most balanced choices, and I sometimes choose excess over temperance, egoism over humility, and agitation over patience. When I am persistently present, I can make more balanced choices, and I do make them and then I do not, suspire, perspire and transpire. The manuscript expands on the evolution of a vision I experienced while returning from my hermitage on the Pacific northwest coast. A vision can be like the universe, in that it is evolving through alchemical reactions of self-creating atoms, molecules, and cells. Words evolve in similar ways, from letters, sounds, sentences and phrases into great stories and deeper, more complex meanings and cosmologies. Aldous Huxley said, “Experience is not what happens to a person; it is what a person does with what happens to them.” He paved the way for inclusion and transcendence amongst all cultures and generations and it is because of his sharing stories that we can carry on the development and participation of perennial wisdom, tradition, philosophy and science. Our appetites change over time, tastes evolve, and we hopefully come to better appreciate the company around our banquet table in the garden and beyond. Engaging with others becomes more important than getting a full belly as we find simpler ways to experience nature, nurture, and nourishment. I welcome all who are willing to share in hospitality and possibly even a good squabble. We are never truly alone, there are always realms of energy available to us for relationships in our communities. There are unseen energies that help manifest our dreams, call them conscious agents, conscience, angels or rascals the great news is that we get to choose which energy we participate with in a deliberate determined detailed destiny. I am learning to choose chances for change, participating and expanding in collective consciousness, while seeking the meandering mystic.
This fifth and final volume of The Papers of Will Rogers traces the career of Oklahoma’s beloved entertainer during his most popular years and extends beyond his death in 1935. By 1928, the Oklahoma humorist and commentator had reached national prominence through his newspaper columns, silent films, sound recordings, books, philanthropic endeavors, and lecture tours. His fame, fortune, and influence, however, had yet to crest. This volume showcases a wide variety of documents, including correspondence with some of the most significant figures of the day, revealing Rogers’s rise to fame as the nation’s leading social and political commentator and as a hugely popular star of radio, stage, and film. Rogers’s multifaceted career ended abruptly when he and the famous aviator Wylie Post died in an airplane crash in northernmost Alaska. This documentary history of his final years includes transcripts of radio broadcasts, contracts, and business documents, as well as nearly two hundred telegrams and letters to family, friends, and notable public figures—the majority of which have never before been published. It also covers the aftermath of his fatal airplane accident: the certificate of death, a first-person account of his funeral, settlement of his estate, efforts to pay tribute to his memory, and unauthorized attempts to capitalize on his fame.
These journals also provide insight into Dodge's character, with reports of his official duties as a military man and of several landmark events in his family life. Extensive commentaries and notes by Wayne R. Kime provide further detail, including a history of Cantonment North Fork Canadian River, a six-company post Dodge established and commanded in the region."--BOOK JACKET.
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
In the early years of his performing career, Will Rogers was a vaudeville performer of limited prominence. Around the age of thirty-five, however, this Oklahoma cowboy philosopher shed his role as local stage entertainer and moved toward fame as a Broadway star and nationally beloved humorist. This documentary history, volume four in the definitive five-volume Papers of Will Rogers, reveals Rogers’s personal and professional transformation during what may have been the most productive period of his diverse career. Between 1915 and 1928—the years covered by this volume—Rogers developed his unique monologues of topical humor, sampled the relatively new medium of radio, and pursued a career in silent films. He also tried his voice in sound recordings, witnessed his work as a writer reach millions of readers of daily newspapers, became one of the most sought-after speakers on the dinner circuit, and embarked on a three-year tour of the nation’s lecture halls. In addition to Rogers’s personal correspondence with family members and friends, editors Steven K. Gragert and M. Jane Johansson present more than one hundred letters and telegrams to and from people Rogers touched both inside and outside public life, including prominent figures in politics, show business, literature, industry, government, publishing, and the arts. Much of this material, gleaned from private collections, interviews, manuscripts, and sound recordings, has never before been published.
This book serves as a definitive reference for inverse morphology across all documented Algonquian languages. It considers not only the morphology of the inverse construction but also its syntax and pragmatics, giving equal weight to diachronic, typological, functional, and formal perspectives.
Una dintre forțele cele mai dinamice din divertismentul contemporan, recunoscută la nivel global, își povestește viața într-o carte deopotrivă curajoasă și motivantă, care îi urmărește parcursul de învățare până în punctul alinierii perfecte a succesului exterior, fericirii interioare și conexiunii umane. Will spune povestea necenzurată a uneia dintre cele mai uimitoare evoluții în lumea muzicii și filmului.
A nostalgic return to Will Rogers' America; 100 photos and exclusive interviews with some of Rogers' famous friends. A warm look at a younger, more naive America through the eyes and words of Will Rogers: Wild-West shows and vaudeville, Hollywood, the silent movies and the "talkies" and America's favorite pastime, politics.
A Fred Will Reader samples the writings of Frederic Will, compiling excerpts of his poetry, travel work, agricultural sociology, short stories and novels, speculative philosophy, and cultural history. Naming the world, Will says, is at least half of world, the half that gives in to us. The other half, the world that reading invents, is supplied by the reader. By reading each other globally, Will argues that we should learn to share ways of reconstructing the often broken totality of the human condition.
With free audio sampler In 2001 Will Young shot to fame as the first winner of Pop Idol. It was clear from the start that he would never be a typical pop star - and more than ten years later he has become one of our best-loved and most intriguing artists. From his dramatic experiences on Pop Idol; to coming out in the glare of the media spotlight; to his valiant struggles against depression; to the crazy reality of being famous, Will is open about both the highs and lows of his life. He also provides sound and practical advice on dealing with the DVLA helpline - something that has been woefully neglected by all other celebrity memoirs. If you have ever wondered what it's like to attend a fashion show (and find yourself accidentally waving at Anna Wintour); how it feels to sing in front of thousands while fighting a catastrophic bout of low self-esteem; or be subjected to the terror that is a This Morning 'makeover', then Funny Peculiar reveals all. It also reveals what not to say if you ever meet David Beckham. Moving, witty and scrupulously honest, Funny Peculiar is a refreshingly different and fascinating autobiography by a true original.
Successful prospectors in the hills north of Council Bluffs are being ambushed and killed by a gang determined to snatch every ounce of gold that is dug from the ground or panned from the streams. But when one such indiscriminate attack earns the robbers nothing but a pack of pelts, it sets in motion a chain of events leading to a bloody conclusion. Their victim is a man unwilling to relinquish his possessions without seeking revenge. To the settlers along the Missouri he is known as Weston Gray, but to those further west he is Medicine Feather, brother of the Arapaho and friend of the Sioux.
This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.
Society does not generally expect its farmers to be visionaries." Perhaps not, but longtime Maine farmer and homesteader Will Bonsall does possess a unique clarity of vision that extends all the way from the finer points of soil fertility and seed saving to exploring how we can transform civilization and make our world a better, more resilient place. In Will Bonsall's Essential Guide to Radical, Self-Reliant Gardening, Bonsall maintains that to achieve real wealth we first need to understand the economy of the land, to realize that things that might make sense economically don't always make sense ecologically, and vice versa. The marketplace distorts our values, and our modern dependence on petroleum in particular presents a serious barrier to creating a truly sustainable agriculture. For him the solution is, first and foremost, greater self-reliance, especially in the areas of food and energy. By avoiding any off-farm inputs (fertilizers, minerals, and animal manures), Bonsall has learned how to practice a purely veganic, or plant-based, agriculture--not from a strictly moralistic or philosophical perspective, but because it makes good business sense: spend less instead of making more. What this means in practical terms is that Bonsall draws upon the fertility of on-farm plant materials: compost, green manures, perennial grasses, and forest products like leaves and ramial wood chips. And he grows and harvests a diversity of crops from both cultivated and perennial plants: vegetables, grains, pulses, oilseeds, fruits and nuts--even uncommon but useful permaculture plants like groundnut (Apios). In a friendly, almost conversational way, Bonsall imparts a wealth of knowledge drawn from his more than forty years of farming experience. "My goal," he writes, "is not to feed the world, but to feed myself and let others feed themselves. If we all did that, it might be a good beginning.
(FAQ). Prog Rock FAQ traces the controversial, but much misunderstood musical genre through its five-decade history, highlighting the rise, eventual decline, and recent resurgence of one of the most inventive and storied popular musical forms of the latter half of the 20th Century. Prog Rock FAQ digs deep to deliver a view of progressive rock as you've never known it: Technical wizards, cosmic messengers, visionary producers, groundbreaking album-cover illustrators, and even innovative musical instrument vendors separate memory from myth, fact from fiction, to recount prog rock's most historically significant milestones and little-known tales. This interview-rich, unapologetic volume addresses topics taboo and burning alike, while welcoming the reader on an enthralling journey replete with rapturous visions, wondrous stories, and endless enigmas.
Will Tuladhar-Douglas sheds new light on an important branch of Mahayana Buddhism and establishes the existence, character and causes of a renaissance of Buddhism in the fifteenth century in the Kathmandu Valley of Nepal. He provides the basis for the historical study of Newar Buddhism as one distinct tradition among the many that comprise Indic Buddhism. Through a thorough study of the relevant texts in the classical Himalayan languages (Sanskrit, Newari, Tibetan and Nepali), the book puts forward a new thesis about how the Newars legitimated and reinvented their tradition by devising new concepts of canonicity, as such it will appeal to scholars of the history and philology of Buddhism.
The suddenness and depth of the recession has raised questions about the workability of capitalism not seen since the 1930s. One of the constraints on recovery is the growing belief that if the old model did not work there is no new one on offer. This book sets out to provide one, arguing that reconstructing a bust financial system is not just a technical question. It cannot be done without a wholescale revision of the wider system and values on which it is based. And fairness must be placed at the heart of the new capitalism if our society is to recover its values. Will Hutton's new book musters brilliant, convincing arguments which will lend favour on both right and left. It is set to be a book which captures the mood of the moment in the same way that THE STATE WE'RE IN did.
Although Joe Klein's Woody Guthrie and Ed Cray's Ramblin' Man capture Woody Guthrie's freewheeling personality and his empathy for the poor and downtrodden, Kaufman is the first to portray in detail Guthrie's commitment to political radicalism, especially communism. Drawing on previously unseen letters, song lyrics, essays, and interviews with family and friends, Kaufman traces Guthrie's involvement in the workers' movement and his development of protest songs. He portrays Guthrie as a committed and flawed human immersed in political complexity and harrowing personal struggle. Since most of the stories in Kaufman's appreciative portrait will be familiar to readers interested in Guthrie, it is best for those who know little about the singer to read first his autobiography, Bound for Glory, or as a next read after American Radical.
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