Despite the importance of the subject to contemporaries, this is the first monograph to look at the institution of godparenthood in early modern English society. Utilising a wealth of hitherto largely neglected primary source data, this work explores godparenthood, using it as a framework to illuminate wider issues of spiritual kinship and theological change. It has become increasingly common for general studies of family and religious life in pre-industrial England to make reference to the spiritual kinship evident in the institution of godparenthood. However, although there have been a number of important studies of the impact of the institution in other periods, this is the first detailed monograph devoted to the subject in early modern England. This study is possible due to the survival, contrary to many expectations, of relatively large numbers of parish registers that recorded the identities of godparents in the sixteenth and seventeenth centuries. By utilising this hitherto largely neglected data, in conjunction with evidence gleaned from over 20,000 Wills and numerous other biographical, legal and theological sources, Coster has been able to explore fully the institution of godparenthood and the role it played in society. This book takes the opportunity to study an institution which interacted with a range of social and cultural factors, and to assess the nature of these elements within early modern English society. It also allows the findings of such an investigation to be compared with the assumptions that have been made about the fortunes of the institution in the context of a changing European society. The recent historiography of religion in this period has focused attention on popular elements of religious practice, and stressed the conservatism of a society faced with dramatic theological and ritual change. In this context a study of godparenthood can make a contribution to understanding how religious change occurred and the ways in which popular religious practice was affected.
Family and Kinship in England 1450-1800 guides the reader through the changing relationships that made up the nature of family life from the late medieval period to the beginnings of industrialisation. It gives a clear introduction to many of the intriguing areas of interest that this field of history has opened up, including childhood, youth, marriage, sexuality and death. This book introduces the elements that made up family life at different stages of its development, from creation to dissolution, and traces the degree to which family life in England changed throughout the early modern period. It also provides a valuable synthesis of the debates and research on the history of the family, highlighting the different ways historians have investigated the topic in the past. This new edition has been fully updated to incorporate the latest research on urban communities, emotions and interactions between the family and the parish, town and state. Supported by a range of compelling primary source documents, a glossary of terms, a chronology and a who’s who of key characters, this is an essential resource for any student of the history of the family.
During World War II, jazz embodied everything that was appealing about a democratic society as envisioned by the Western Allied powers. Labelled `degenerate' by Hitler's cultural apparatus, jazz was adopted by the Allies to win the hearts and minds of the German public. It was also used by the Nazi Minister for Propaganda, Joseph Goebbels, to deliver a message of Nazi cultural and military superiority. When Goebbels co-opted young German and foreign musicians into `Charlie and his Orchestra' and broadcast their anti-Allied lyrics across the English Channel, jazz took centre stage in the propaganda war that accompanied World War II on the ground. The Jazz War is based on the largely unheard oral testimony of the personalities behind the German and British wartime radio broadcasts, and chronicles the evolving relationship between jazz music and the Axis and Allied war e orts. Studdert shows how jazz both helped and hindered the Allied cause as Nazi soldiers secretly tuned in to British radio shows while London party-goers danced the night away in demimonde `bottle parties', leading them to be branded a `menace' in Parliament. This book will appeal to students of the history of jazz, broadcasting, cultural studies, and the history of World War II.
This fifth and final volume of The Papers of Will Rogers traces the career of Oklahoma’s beloved entertainer during his most popular years and extends beyond his death in 1935. By 1928, the Oklahoma humorist and commentator had reached national prominence through his newspaper columns, silent films, sound recordings, books, philanthropic endeavors, and lecture tours. His fame, fortune, and influence, however, had yet to crest. This volume showcases a wide variety of documents, including correspondence with some of the most significant figures of the day, revealing Rogers’s rise to fame as the nation’s leading social and political commentator and as a hugely popular star of radio, stage, and film. Rogers’s multifaceted career ended abruptly when he and the famous aviator Wylie Post died in an airplane crash in northernmost Alaska. This documentary history of his final years includes transcripts of radio broadcasts, contracts, and business documents, as well as nearly two hundred telegrams and letters to family, friends, and notable public figures—the majority of which have never before been published. It also covers the aftermath of his fatal airplane accident: the certificate of death, a first-person account of his funeral, settlement of his estate, efforts to pay tribute to his memory, and unauthorized attempts to capitalize on his fame.
In the early years of his performing career, Will Rogers was a vaudeville performer of limited prominence. Around the age of thirty-five, however, this Oklahoma cowboy philosopher shed his role as local stage entertainer and moved toward fame as a Broadway star and nationally beloved humorist. This documentary history, volume four in the definitive five-volume Papers of Will Rogers, reveals Rogers’s personal and professional transformation during what may have been the most productive period of his diverse career. Between 1915 and 1928—the years covered by this volume—Rogers developed his unique monologues of topical humor, sampled the relatively new medium of radio, and pursued a career in silent films. He also tried his voice in sound recordings, witnessed his work as a writer reach millions of readers of daily newspapers, became one of the most sought-after speakers on the dinner circuit, and embarked on a three-year tour of the nation’s lecture halls. In addition to Rogers’s personal correspondence with family members and friends, editors Steven K. Gragert and M. Jane Johansson present more than one hundred letters and telegrams to and from people Rogers touched both inside and outside public life, including prominent figures in politics, show business, literature, industry, government, publishing, and the arts. Much of this material, gleaned from private collections, interviews, manuscripts, and sound recordings, has never before been published.
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
These journals also provide insight into Dodge's character, with reports of his official duties as a military man and of several landmark events in his family life. Extensive commentaries and notes by Wayne R. Kime provide further detail, including a history of Cantonment North Fork Canadian River, a six-company post Dodge established and commanded in the region."--BOOK JACKET.
This critically acclaimed and award-winning collection of the best writings of one of America's most beloved and influential humorists includes Rogers's most popular speeches and newspaper columns. 16 pages of photographs.
A nostalgic return to Will Rogers' America; 100 photos and exclusive interviews with some of Rogers' famous friends. A warm look at a younger, more naive America through the eyes and words of Will Rogers: Wild-West shows and vaudeville, Hollywood, the silent movies and the "talkies" and America's favorite pastime, politics.
Recently having abandoned his R.D. Laing-influenced experiment in running a therapeutic community -- the so-called Concept House in Willesden -- maverick psychiatrist Zack Busner arrives at Friern Hospital, a vast Victorian mental asylum in North London, under a professional and marital cloud. He has every intention of avoiding controversy, but then he encounters Audrey Death, a working-class girl from Fulham born in 1890 who has been immured in Friern for decades. A socialist, a feminist and a munitions worker at the Woolwich Arsenal, Audrey fell victim to the encephalitis lethargica sleeping sickness epidemic at the end of the First World War and has been in a coma ever since. Realising that Audrey is just one of a number of post-encephalitics scattered throughout the asylum, Busner becomes involved in an attempt to bring them back to life -- with wholly unforeseen consequences.
Featuring original interviews with mountain guides and climbers—including Jimmy Chin and Conrad Anker—this vivid and authoritative adventure history chronicles one of the least likely industries on Earth: guided climbing on Mount Everest. Anyone who has read Jon Krakauer’s Into Thin Air or has seen a recent photo of climbers standing in line to get to the top of Everest may think they have the mountain pretty well figured out. It’s an extreme landscape where bad weather and incredible altitude can occasionally kill, but more so an overcrowded, trashed-out recreation destination where rich clients pad their egos—and social media feeds—while exploiting local Sherpas. There’s some truth to these clichés, but they’re a sliver of the story. Unlike any book to date, Everest, Inc. gets to the heart of the mountain through the definitive story of its greatest invention: the Himalayan guiding industry. It all began in the 1980s with a few boot-strapping entrepreneurs who paired raw courage and naked ambition with a new style of expedition planning. Many of them are still living and climbing today, and as a result of their astonishing success, ninety percent of the people now on Everest are clients or employees of guided expeditions. Studded with quotes from original interviews with more than a hundred western and Sherpa climbers, clients, writers, filmmakers, and even a Hollywood actor, Everest, Inc. foregrounds the voices of the people who have made the mountain what it is today. And while there is plenty of high-altitude drama in unpacking the last forty years of Everest tragedy and triumph, it ultimately transcends stereotypes and tells the uplifting counternarrative of the army of journeymen and women who have made people’s dreams come true, and of the Nepalis who are pushing the industry into the future.
For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous. From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for six-figure sums and hangs on celebrities’ walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now more National Treasure than edgy outsider, who is Banksy and how did he become what he is today? In the first attempt to tell the full story of Banksy’s life and career, Will Ellsworth-Jones pieces together a picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question ‘Who is Banksy?’ is as much about his career as it is ‘the man behind the wall’. 'Britain's unlikeliest national treasure' Independent ‘A fascinating portrait that elicits admiration for a man who, despite his increasingly unconvincing efforts to retain some shred of his vandal status, has had an undeniable impact on art’ The Times
The official account of the Royal Artillery's activities in the Normandy campaign, this volume breaks down the historic achievements of the Regiment, integrating newly published research with a detailed account of their activities, logistics and equipment in the offensive. Gunners in Normandy includes mention of every regiment that served, a Roll of Honour, and a list of the dead by unit. This book presents the definitive record of events, assembled from interviews with veterans, papers and documents from the Firepower Archives, terrain studies, personal memoirs, war diaries and other official documents. Serious students of the battle for Normandy should find this essential reading, with comprehensive coverage of the role of the Royal Artillery, and much material not published anywhere else, including orders of battle, the details of targets engaged by the guns and their effectiveness.
The Story of Civilization, Volume VI: A history of European civilization from Wyclif to Calvin: 1300–1564. This is the sixth volume of the classic, Pulitzer Prize–winning series. An engrossing volume on the European Reformation by Pulitzer Prize–winning historian Will Durant The sixth volume of Durant’s acclaimed Story of Civilization, The Reformation chronicles the history of European civilization from 1300 to 1564. In this masterful work, you will encounter: -The schism within the Roman Catholic Church and the formation of early Protestantism -The theology of Martin Luther and his societal impact -The rise of Humanism and the life of Desiderius Erasmus -The royal monarchies of England, France, Spain, and Italy -The imperial conquests of Christopher Columbus and the discovery of the Americas -The Bohemian revolution of Eastern Europe, the unification of Russia, and the rise of the Ottoman Empire -The teachings of John Calvin -The Counter-Reformation of the 16th century
In this fully revised and richly illustrated edition, author and journalist Will Ellsworth-Jones pieces together a complete picture of the life and work of Banksy, perhaps the most iconic, enigmatic and controversial artist of modern times. For someone who shuns the limelight so completely that he conceals his name, never shows his face and gives interviews only by email, Banksy is remarkably famous. This fully updated and illustrated story of Banksy’s life and career builds an intriguing picture of his world and unpicks its contradictions. Whether art or vandalism, anti-establishment or sell-out, Banksy and his work have become a cultural phenomenon and the question ‘Who is Banksy?’ is as much about his career as it is ‘the man behind the wall’. From his beginnings as a Bristol graffiti artist, his artwork is now sold at auction for seven-figure sums and hangs on celebrities’ walls. The appearance of a new Banksy is national news, his documentary Exit Through the Gift Shop was Oscar-nominated and people queue for hours to see his latest exhibition. Now moreNational Treasure than edgy outsider, who is Banksy and how did he become what he is today? This book charts Banksy's journey from the graffiti-scrawled streets of Barton Hill, the working class neighbourhood of Bristol where he and others covered the walls with vibrant pieces while trying to avoid the police, through to some of the most prestigious galleries of the world, where his daring acts of guerilla art have forced us to reconsider how we define as art. From the artist's own words to recollections of friends and colleagues, this book also examines the contradictions of Banksy's life: charting how a privately educated boy from a middle class area of Bristol reinvented himself as a rogue and an outlaw who would take the art world by storm. With beautiful reproductions of some of his most controversial and recognisable works, this detailed study is a truly indispensible guide to understanding the ultimate art rebel whose work is no less relevant today than it was when he first started out some thirty years ago.
There are not many people in Oklahoma County who do not know who Bob Macy is. A lot of people know of Bob Macy as the white-haired gentleman who wore a western-style string bow tie who sent a lot of people to prison. Others may have thought of Bob Macy as their hero, the man who protected them and their families from the murderers, the rapists, and the robbers. During the 1980s, people knew there were a large number of vicious crimes happening in Oklahoma City and that Bob Macy was their guy to clean house. On the other hand, not many people know that Bob Macy was a football player, a police officer, a cattle raiser, and a Washington, D.C., bureaucrat. Bob Macy: The Man behind the String Tie is a journey into the life of Bob Macy, encompassing his life before his career in the law, his time spent with the federal government, the saga of his term as Oklahoma County District Attorney, and his relations with the community outside of the courthouse. This is an engaging illustration of The Man behind the String Tie.
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