In the summer of 1875, two travellers walk south across the Lincolnshire Wolds to a village riven with dark secrets. When Norman Tanner kills his workmate on a cold February morning a century later, he thinks he’s got away with murder. But Norman doesn’t know about the workmate’s girlfriend, or the child that will come back to haunt him; and how he is caught up in a story that stretches back to that Victorian summer. For some in the village of Southby and its nearby grand estate, man is master of his fate, and the world is full of meaning; for others there is nothing but grass.
In 1966 Will Cohu's grandparents moved to Bramble Carr, a remote cottage on the Yorkshire moors. The summers and winters he spent there were full of freedom and light; only after childhood ended was he aware of the price the adults had paid for life in this most romantic of settings. Navigating family tensions and the trials of growing up, Will describes the close-knit community of North Yorkshire and his family's place within it: the shepherd probing the head-high snowdrifts for his flock; the pub landlord obsessed with military uniforms; the village doctor lost in his love for the purple moorland; Will's glamorous RAF parents; and, at the centre of the story, his beloved but enigmatic grandparents. The Wolf Pit is an enquiring love letter from Will Cohu to his family, and to a changing rural England that is passionate, frightening and funny.
Out of the Woods takes you on a revelatory ramble through country and city - from woodlands of majestic oak and ash to mean streets lined with cherries. Containing myriad tips for recognition and rich in tree-biography and gossip, this book will enable you to tell your birch from your beech as you pass at 70mph, and will inspire even the most unreformed couch potato to pull on the wellies and brave the local park in search of the national treasures scattered all around us.
For me, one of the most remarkable things about my Scottie is that he's a descendent of the grey wolf. Thousands of years of evolution and selective breeding have refined him into a creature two and a half foot long, a foot high, with thick black hair, that uncut quickly becomes a shaggy perm. I realise that I've imbued him with a character that is moody and slightly obsessive, but determined, playful and in his heart of hearts, thoroughly optimistic - the better bits of myself in fact. His true character is in his breeding. He's a terrier. He likes to shake socks to death, has a short concentration span, a stubborn nature and never gives up on a good sniff.' In URBAN DOG, Will Cohu shares with the reader a charming and highly amusing account of life with his independent, demanding and lovable Scottish Terrier, Parker. Named after Lady Penelope's chauffeur in the Thunderbirds, Parker has been the focus of a highly successful diary column in the DAILY TELEGRAPH since April 1998, but now Will Cohu writes a fitting full-length homage to his adventures with Parker alongside a wry and witty evocation of bachelor life in the urban jungle.
In 1966 Will Cohu's grandparents moved to Bramble Carr, a remote cottage on the Yorkshire moors. The summers and winters he spent there were full of freedom and light; only after childhood ended was he aware of the price the adults had paid for life in this most romantic of settings. Navigating family tensions and the trials of growing up, Will describes the close-knit community of North Yorkshire and his family's place within it: the shepherd probing the head-high snowdrifts for his flock; the pub landlord obsessed with military uniforms; the village doctor lost in his love for the purple moorland; Will's glamorous RAF parents; and, at the centre of the story, his beloved but enigmatic grandparents. The Wolf Pit is an enquiring love letter from Will Cohu to his family, and to a changing rural England that is passionate, frightening and funny.
In the summer of 1875, two travellers walk south across the Lincolnshire Wolds to a village riven with dark secrets. When Norman Tanner kills his workmate on a cold February morning a century later, he thinks he’s got away with murder. But Norman doesn’t know about the workmate’s girlfriend, or the child that will come back to haunt him; and how he is caught up in a story that stretches back to that Victorian summer. For some in the village of Southby and its nearby grand estate, man is master of his fate, and the world is full of meaning; for others there is nothing but grass.
Drawing upon the existing scholarship of period drama and emerging research into new media ecologies, instigated by television streaming services such as Netflix, this book establishes a critical framework for understanding the representation of nationhood and cultural identity in television drama. By formalising the term ‘post-heritage’ the book proposes a methodology which recognises the interplay of traditional and innovative elements within period drama productions. The book applies this critical perspective to popular British period drama productions from the 2010s, with examples including The Crown, the ‘society dramas’ of Upstairs Downstairs and Downton Abbey, Steven Knight’s Dickens adaptations, and Stephen Poliakoff’s recent oeuvre, to demonstrate the benefits of evaluating period drama as part of twenty-first century television’s developments. It challenges the assumptions around characteristics and ideological purpose that period drama discourse often contends with, and offers new perspectives on understanding the past through televisual representations. This book will be important reading for students and scholars of television studies, film studies and cultural studies.
Titles included in this collection include: Umbrella Walking to Hollywood The Butt Dr Mukti and other Tales of Woe How the Dead Live Tough Tough Toys for Tough Tough Boys
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