This biograph takes a humorous and unashamedly candid look at some of the most memorable moments in an agricultural economist's life, while simultaneously raising pertinent questions about aid given to Third World countries. Employed to advise on wide-ranging development projects abroad, Bogarde experiences at first hand the .difficulties in achieving anything of any long-lasting value and merit
This fifth and final volume of The Papers of Will Rogers traces the career of Oklahoma’s beloved entertainer during his most popular years and extends beyond his death in 1935. By 1928, the Oklahoma humorist and commentator had reached national prominence through his newspaper columns, silent films, sound recordings, books, philanthropic endeavors, and lecture tours. His fame, fortune, and influence, however, had yet to crest. This volume showcases a wide variety of documents, including correspondence with some of the most significant figures of the day, revealing Rogers’s rise to fame as the nation’s leading social and political commentator and as a hugely popular star of radio, stage, and film. Rogers’s multifaceted career ended abruptly when he and the famous aviator Wylie Post died in an airplane crash in northernmost Alaska. This documentary history of his final years includes transcripts of radio broadcasts, contracts, and business documents, as well as nearly two hundred telegrams and letters to family, friends, and notable public figures—the majority of which have never before been published. It also covers the aftermath of his fatal airplane accident: the certificate of death, a first-person account of his funeral, settlement of his estate, efforts to pay tribute to his memory, and unauthorized attempts to capitalize on his fame.
Conrad had it pretty good in life -- a Porsche, pretty girls, and a trust fund full of oil money. But now, thanks to a brutal hazing incident at Louisiana State University's Gamma Chi fraternity, Conrad is dead -- a nineteen-year-old spirit suddenly without an earthly body. Make no mistake, the newly deceased Conrad is one angry ghost, and the object of his wrath is chapter president Ryan Hutchins, a "big, bright, rising star" who, in Conrad's view, is really "the darkest black hole you'll ever meet -- and I'm not just saying that because he killed me." Conrad's ghostly ability to see all but be seen by no one (except Miss Etta, Gamma Chi's elderly cook, who is gifted with paranormal powers) confirms his suspicion that Ryan's dark hand has a wide reach, from beating his girlfriend, Maggie Meadows, to terrorizing Sarah Jane Bradford, a religious student who senses that Ryan must be stopped. Out for revenge, Conrad possesses an unsuspecting pledge's body so he can finish what Ryan started, steering them toward a depraved confrontation with a surprising outcome that will leave readers gasping.
Here's a series young students will race to read--a collection of books about the high-speed world of NASCAR. From the lives of famous drivers to what goes on behind the scenes, these books bring the world of auto racing vividly to life. Action photos and clear, straightforward text will appeal to even the most reluctant readers. This series will put young readers on the fast track!
The Last Hunter" is an examination of family, life on the land, and those things we hold dear enough to want to carry along, one generation to another.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Map Worlds plots a journey of discovery through the world of women map-makers from the golden age of cartography in the sixteenth-century Low Countries to tactile maps in contemporary Brazil. Author Will C. van den Hoonaard examines the history of women in the profession, sets out the situation of women in technical fields and cartography-related organizations, and outlines the challenges they face in their careers. Map Worlds explores women as colourists in early times, describes the major houses of cartographic production, and delves into the economic function of intermarriages among cartographic houses and families. It relates how in later centuries, working from the margins, women produced maps to record painful tribal memories or sought to remedy social injustices. Much later, one woman so changed the way we think about continents that the shift has been likened to the Copernican revolution. Other women created order and wonder about the lunar landscape, and still others turned the art and science of making maps inside out, exposing the hidden, unconscious, and subliminal “text” of maps. Shared by all these map-makers are themes of social justice and making maps work for the betterment of humanity.
A fascinating journey through the origins of American tourism In the early nineteenth century, thanks to a booming transportation industry, Americans began to journey away from home simply for the sake of traveling, giving rise to a new cultural phenomenon —the tourist. In Selling the Sights, Will B. Mackintosh describes the origins and cultural significance of this new type of traveler and the moment in time when the emerging American market economy began to reshape the availability of geographical knowledge, the material conditions of travel, and the variety of destinations that sought to profit from visitors with money to spend. Entrepreneurs began to transform the critical steps of travel—deciding where to go and how to get there—into commodities that could be produced in volume and sold to a marketplace of consumers. The identities of Americans prosperous enough to afford such commodities were fundamentally changed as they came to define themselves through the consumption of experiences. Mackintosh ultimately demonstrates that the cultural values and market forces surrounding tourism in the early nineteenth century continue to shape our experience of travel to this day.
Pitch and Revelation is the first book-length study of the poetry, prose, and dramatic literature of the African American poet Jay Wright (1934-). The authors premise their reading on joy as a foundational philosophical concept. In this, they follow Spinoza, who understood joy as that affect necessary for the construction of an intellectual love of God, leading into the infinite univocity of everything. Similarly, with Wright, joy leads to a visceral sense of what the authors call the great weave of the world. This weave is akin to the notion of entanglement made popular by physicists and contemporary scholars of Science Studies, such as Karen Barad, which speaks of the always ongoing, mutually constitutive connections of all matter and intellectual processes. By exhibiting and detailing the joy of reading Wright, Pitch and Revelation intends to help others chart their own paths into the intellectual, musical, and rhythmical territories of Wright's world so as to more fully experience joy in the world generally. Although the exhibitions of meaning making presented are instructive, they do not follow the "do as I do" or "do as I say" model of instructional texts. Instead,they invite the reader to "do along with us" as the authors make meaning from selections across Wright's erudite, dense, rhythmically fascinating, endlessly lyrical, highly structured, and seemingly hermetic body of work."--publisher's website.
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