Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-ansi-language:EN-US;} The Birdsong Papers, which appeared in 1896 as Die Akten des Vogelsangs, was Wilhelm Raabe’s next-to-last completed narrative. What might be called an anti-Bildungsroman, it is widely considered to be the work that secures Raabe’s place as a precursor of German modernist fiction writers. Its tone is critical of late-nineteenth-century society, both German and American, with its industrial expansion, urbanization, pursuit of wealth, and erosion of conventional values; but this critical tone also produces an uneasy tension for its narrator, Karl Krumhardt, a high-ranking bureaucrat with a stake in the stability of that society. It is against that social-critical background that Krumhardt’s Papers record a coming to terms with a subject – his longtime friend Velten Andres – whose life both fascinates and profoundly unsettles him. Velten is intelligent, imaginative, idealistic, and full of promise; but he cares nothing about his gifts, chooses self-imposed seclusion over conformity, and carries his individualism to what Jeffrey L. Sammons calls ‘a kind of spectacular irrelevance in the conduct of life’. With this translation of Die Akten des Vogelsangs, the first into English, a major work by one of the most respected German writers of the nineteenth century is made accessible to a new, international readership.
The Odin Field deals with a major period of German history: it reveals much about German customs, manners, and outlook during the eighteenth century, and yet it also deals with timeless ethical issues in a subtle and convincing manner. The work has never previously been translated into English. A detailed introduction and a generous number of notes provide context and background for the contemporary reader."--BOOK JACKET.
This volume assembles English translations of three of Wilhem Raabe's narratives. German Moonlight is a tongue-in-cheek study of lunacy and split personality; Höxter and Corvey is a reconstruction of civil unrest and anti-Jewish violence in the seventeenth century which advocates tolerance and sobriety in troubled times; and At the Sign of the Wild Man is an inverted genre piece in which a rural idyll is devastated by an agent of global capitalism.
Wilhelm Raabe's novel entitled Der Hungerpastor (1864) is a classic example of the so-called "poetic realism" to which many - primarily bourgeois - German writers were devoted between 1850 and 1890. --- Wilhelm Raabe (1831 - 1910) became famous following the publication of his first novel, Die Chronik der Sperlingsgasse (The Sparrow Lane Chronicle), in 1856. His late works are known for their social criticism, while earlier novels, such as The Hunger Pastor, were intended to be primarily educational. --- With the figure of Hans Unwirrsch in The Hunger Pastor, Raabe completely lives up to his motto - "Look up to the stars. Pay attention to the streets." The budding pastor, who was born into poverty, "hungers" for knowledge and a respected place in society, but he constantly stumbles over obstacles that his own life, as well as the lives of his family and friends, place before him. --- Raabe's rambling style makes his works difficult reading for many contemporary readers. In this version of The Hunger Pastor, several chapters have therefore been summarized by the translator, while the most important ones are published in their original length. --- Despite some anti-Semitic elements, which were commonly found in the works of some 19th century bourgeois writers in Germany, The Hunger Pastor is and remains a German literature classic.
The Odin Field deals with a major period of German history: it reveals much about German customs, manners, and outlook during the eighteenth century, and yet it also deals with timeless ethical issues in a subtle and convincing manner. The work has never previously been translated into English. A detailed introduction and a generous number of notes provide context and background for the contemporary reader."--BOOK JACKET.
This book offers a moving tribute to one of the twentieth century's most seminal philosophers and theologians, Paul Tillich. In fact, it is widely accepted as the standard biography for Tillich. A soberly objective portrait, it was supported by Tillich himself, who hoped that the full telling of his story would set in context its unconventional aspects (as told in books by Hannah Tillich and Rollo May). Wilhelm and Marion Pauck have recreated the many-sided "Paulus" in all his greatness and humanness. Tracing the development of Tillich's thought alongside the unfolding of his life in Germany and the United States, the authors have provided an excellent model of biographical research.
Wilhelm Hauff was a writer of extraordinary fancy and invention, but working for a more obvious purpose, and producing narratives more related in character to popular legends. He was born in 1802, at Stuttgard, and in early life showed a great predilection for telling childish narratives. Being designed for the theological profession, he went to the University of Tubingen in 1820. --- On leaving the university, Hauff became tutor to the children of the Wurttemberg minister of war, General Ernst Eugen Freiherr von Hugel, and for them wrote his Tales, which he published in his "Almanach of Tales for the year 1826". --- Only a few of his famous tales take place in Germany, among them the "Nose, the Dwarf" and "The Cold Heart." --- Hauff needs only to be known to become popular in any country. His works, which are somewhat numerous, were published in a complete edition by the poet Gustav Schwab, in 1830. Wilhelm Hauff died in 1827, before he had completed his twenty-sixth year.
Roepke's The Social Crisis of Our Time is a series of blasts against the malformations of economics: the Nazi and Communist forms of collectivism both come in for severe criticism. Roepke shows the process by which the Western liberal tradition itself makes possible these rebellions against open economic systems. The drive toward social welfare, full employment policies, and the state management of fiscal fluctuations all lead away from free societies no less than market economies.
Wilhelm Roepke may have been the soundest economist of the twentieth century. He understood the limitations as well as the strengths of his discipline. Economists are often tempted to take the easy way out, by denying reality to aspects of human existence and reducing them to arbitrary and subjective tastes and preferences. Roepke never does this, and this is his strength. He realizes that all of these are legitimate aspects of human experience which must be satisfied in a balanced and harmonious social existence. Nature, sex, religion, beauty, and politics are all meaningful as parts of the whole. Problems occur only when each segment attempts to become the whole. The original title of this book, Civitas Humana, contains a double meaning. It promises a treatment of questions fundamental not only to human society but also to humane society. The volume combines distinct aspects of life. Half of the book is devoted to questions of economic and social life. The other half examines spiritual and national life. Chapters include "Moral Foundations," "The Place of Science in the City of Man," "Counterweights to the State," "Congestion and Proletarianisation of Society," and "Economic System and International New Order." Although Roepke recognized the validity of the nation in the modern world, he was constantly trying to find the smaller agencies within society in which real allegiances and loyalties were to be developed. His ideas continue to be of significance. As described by William F. Campbell in the new introduction, The Moral Foundations of Civil Society is a necessary addition to the libraries of economists, sociologists, theologians, and philosophers.
This is the first book on lock-in thermography, an analytical method applied to the diagnosis of microelectronic devices. This useful introduction and guide reviews various experimental approaches to lock-in thermography, with special emphasis on the lock-in IR thermography developed by the authors themselves.
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