This biography celebrates the man who will be remembered for ever as theather of modern plant taxonomy. This is an account of Linnaeus the man, hisdventures in the wilds of Lapland, his family life and his relations withis pupils, as well as his epoch-making scientific achievements.
Was There a Fifth Man? Quintessential Recollections presents the author's personal account of his professional life as an experimental physicist in the service, at different times, of each of the three countries that joined forces at the Quebec Conference in 1943 to produce the atom bomb. The author has been identified, though always in a way which was just short of actionable, with the so-called ""Fifth Man"" of the long-running British spy saga. For his sake and that of his family, he felt duty-bound to set the record straight before myth had time to trespass on history. Making extensive use of dated correspondence and publications, he shows precisely where he was at the times that an individual called ""Basil"" was supposed to have been operating in collusion with Donald Maclean at the British Embassy in Washington. He claims that the misfit between ""Basil"" and himself is epitomized by the fact that when Basil was supposed to be entering the scene in Washington for an extensive sojourn, the author was actually leaving Washington for the United Kingdom.
In New Mexico in the early 1940s, Pinto, a nine-year-old Pueblo Indian boy, determines to help his family have a better Christmas by searching for another source of turquoise when the mines on which his jeweler grandfather depends close because of the war.
From Simon & Schuster, Frank and Maisie is an unforgettable memoir featuring the author's undauntable parents. The novelist and essayist, Wilfrid Sheed, presents an exuberant, often humorous memoir of his remarkable, undauntable parents—Maisie Ward and Frank Sheed—recounting their street-corner Catholic evangelism, their lecture and writing careers, and their marriage and relationship.
Wilfrid Mellers ranks among the most eminent of contemporary British writers and lecturers on music. The range of his interest is exceptionally wide, encompassing music from the renaissance to the present day, from Monteverdi to Minimalism, not excluding jazz and many different forms of popular music, as well as music from non-western cultures. That breadth of vision is nowhere more apparent than in his occasional writings. In these necessarily concentrated and closely focused pieces we find the essence of his thinking about music, its nature and its meaning. Written in the first instance for the general reader, they also offer insights that should be of importance to music students in schools, colleges, and universities.
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