Exposes vastly under-explored topics compared to other media reports and books on Jeffrey Epstein How did Jeffrey Epstein manage to evade justice for decades? Who enabled him and why? Why were legal officials told that Epstein “ belonged to intelligence” and to back off during his first arrest in the mid-2000s? Volume 1 of One Nation Under Blackmail traces the origin of the network behind Jeffrey Epstein and his associates to the merging of organized crime and intelligence networks during World War II and follows their most notable activities through the decades. Various scandals, acts of corruption and other crimes throughout the last several decades of American history, many involving sex blackmail, can be traced back to these same networks, which have subverted and taken control of many of America' s most important institutions for their benefit, and to the detriment of the public.
This book takes up the queer girl as a represented and rhetorical figure within film, television and video. In 1987, Canada’s Degrassi Junior High featured one of TV’s first queer teen storylines. Contained to a single episode, it was promptly forgotten within both the series and popular culture more generally. Cut to 2016 – queer girls are now major characters in films and television series around the globe. No longer represented as subsidiary characters within forgettable storylines, queer girls are a regular feature of contemporary screen media. Analysing the terms of this newfound visibility, Whitney Monaghan provides a critical perspective on this, arguing that a temporal logic underpins many representations of queer girlhood. Examining an archive of screen texts that includes teen television series and teenpics, art-house, queer and independent cinemas as well as new forms of digital video, she expands current discourse on both queer representation and girls’ studies by looking at sexuality through themes of temporality. This book, the first full-length study of its kind, draws on concepts of boredom, nostalgia and transience to offer a new perspective on queer representation in contemporary screen media.
Martin's narrative of this talented lawyer includes not only an account of his relationships with Mayor La Guardia and others, but also details about Burlingham's private life - his eccentric wife; his tragically afflicted son; and his daughter-in-law Dorothy Tiffany Burlingham, who took CCB's grandchildren off to Vienna, where she was analyzed by Sigmund Freud, and her children by Anna Freud."--BOOK JACKET.
Richard Diebenkorn (1922-1993) quietly constructed a place for himself in the history of twentieth-century art with his singular vision and intense commitment to the idea and practice of both figuration and abstraction.
While much dialogue has focused on aspects of Colin Gunton’s Trinitarian theology, there has been a need for a full-scale study of Gunton's doctrine of creation that locates the significance of his understanding of creation within the wider spectrum of his theology. Problem and Promise demonstrates how Gunton's doctrine of creation cannot be read in abstraction from his Trinitarian theology and argues that creation remains a central feature in Gunton’s writing that holds lasting importance for understanding ethical and moral aspects of Gunton’s theology. William B. Whitney establishes how this Trinitarian account of creation goes beyond offering a theological description of the created realm and also provides the basis for understanding human involvement in creation through the enterprises of culture.
A detailed study of early historical preservation efforts between the 1780s and the 1850s In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued. Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service. Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.
Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest—and perhaps only original—musical form. Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines—a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made. Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting—a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"—and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz.
A New York designer is reunited with her estranged family in Arizona after her father’s murder in this novel of “romantic suspense at its wildest” (Cosmopolitan). Manhattan fashion designer Lindsay Phillips isn’t surprised to hear her estranged father was beaten to death in a Las Vegas hotel room. A sordid end to a sordid life. What she knew about the reckless and philandering low-life wasn’t pretty—least of all the way he treated her dying mother. But what does surprise Lindsay is the anonymous letter she receives implicating her volatile half-sister Sybil in the murder. Under the guise of mourning, Lindsay follows the stranger’s advice and heads for Sybil’s home in Sedona. Caught in a web of betrayal and lies, Lindsay will discover the truth about her mother’s death, her father’s murder, and her own haunted past. And as this strange and confusing new world closes in on her, she’ll have nothing, and no one, left to trust but her own instincts for survival. Set against the backdrop of the colorful Southwest and Native American folklore, Edgar Award winner Phyllis A. Whitney’s Vermilion is perfect for fans of Tony Hillerman, Anne Hillerman, and Margaret Coel. This ebook features an illustrated biography of Phyllis A. Whitney including rare images from the author’s estate.
Three spellbinding romantic thrillers from the New York Times–bestselling and Edgar Award–winning “master of suspense” (Mary Higgins Clark). Now in one volume: Three of the most haunting novels by the “queen of the American gothics” (The New York Times). Hunter’s Green: When Eve North returns to Athmore, it’s to win back the love of her estranged husband, Justin. But she’s dangerously unaware of the secrets in the sprawling English estate—and the motives of those who protect them, including Justin’s brother, who once preyed on Eve’s emotions; Justin’s manipulative new fiancée; and Justin himself. Eve’s only ally appears to be the old family gardener who has carved from the green-black yew a magnificent chessboard, both a topiary masterpiece and a warning. Dream of Orchids: Laurel York has come to Key West at the request of her estranged father, expecting to heal old wounds with the celebrated author. Instead, she’s greeted with the unexpected: her father’s cold reception, two weird stepsisters, and whispers of a woman’s bizarre death in a greenhouse full of orchids. The only one pleased with her presence is her father’s mysterious collaborator. But in a house of bad blood and family secrets, trusting the wrong person could cost Laurel her life. The Winter People: Manhattan art curator Diana Blake is looking forward to finally meeting her husband Glen’s family. Unfortunately, when she arrives at the lakeside Victorian mansion in the snowy Jersey hills, the greeting is as ice-cold as the frozen Gray Rocks Lake where Glen’s mother mysteriously drowned. But it’s Glen’s twin sister who casts the most sinister shadow. Because it’s here in dark halls of High Towers, where a strange sibling rivalry will draw Diana into a chilling and inescapable game of family secrets. This trio of atmospheric psychological thrillers once again proves why Phyllis A. Whitney “is, and always will be, the Grand Master of her craft” (Barbara Michaels).
The Canadian Rangers stand sentinel in the farthest reaches of our country. For more than six decades, this dedicated group of citizen-soldiers has quietly served as Canada's eyes, ears, and voice in isolated coastal and northern communities. Drawing on official records, interviews, and participation in Ranger exercises, Lackenbauer argues that the organization offers an inexpensive way for Canada to "show the flag" from coast to coast to coast. The Rangers have also laid the foundation for a successful partnership between the modern state and Aboriginal peoples, a partnership rooted in local knowledge and crosscultural understanding.
Seth Jovango is a wealthy stockbroker, who is also a sadistic serial killer who has a high-powered family and friends to protect him. Brenda Ellingsworth is the tenacious detective on his trail, trying to solve countless murders while they play a continuous cat and mouse game to the end, and Todd Roundtree is her seasoned partner who offers experience and dedication. A terrifying, spine-chilling thriller to keep you on the edge of your seat.
Today, the general public craves information on food and agriculture with an unprecedented passion. But the agricultural sector, unaccustomed to an interested and inquisitive society, has largely failed to respond to the public’s demands for information. Instead, corporations, time-pressed journalists, bloggers, media celebrities, film-makers, authors and concerned consumers jumped in to fill the void. Food is emotional, and these players - some well-intentioned and others not - got a lot of traction playing off consumer fears of the unknown. This critical and timely book explains how changing demographics, cultural shifts, technological advances and agriculture’s silence all combined to create the perfect storm – a great chasm between those who know, and those who don’t know, agriculture. The ramifications of a poorly-informed consumer base are now becoming clear in our policy debates and consumer-driven business decisions. There is a lot of common ground between the agricultural sector and their consumer base, but each group largely fails to appreciate it, and the consequences of such a divide grow increasingly dire. Drawing on a wide-range of expertise, from leading agricultural researchers to major agribusiness leaders to consumer advocates, Eise and Hodde lay out exactly why communication is so urgently critical to our modern-day agricultural system. They outline the major themes affecting agricultural communication – perception, emotion, technology, science - and what we can do now to improve the debate and safeguard our future food supply for generations to come.This book is suitable for those who study agriculture, environmental economics and mass media and communication.
Black Feminist Sociology offers new writings by established and emerging scholars working in a Black feminist tradition. The book centers Black feminist sociology (BFS) within the sociology canon and widens is to feature Black feminist sociologists both outside the US and the academy. Inspired by a BFS lens, the essays are critical, personal, political and oriented toward social justice. Key themes include the origins of BFS, expositions of BFS orientations to research that extend disciplinary norms, and contradictions of the pleasures and costs of such an approach both academically and personally. Authors explore their own sociological legacy of intellectual development to raise critical questions of intellectual thought and self-reflexivity. The book highlights the dynamism of BFS so future generations of scholars can expand upon and beyond the book’s key themes.
In Mobilizing Youth, Susan B. Whitney examines how youth moved to the forefront of French politics in the two decades following the First World War. In those years Communists and Catholics forged the most important youth movements in France. Focusing on the competing efforts of the two groups to mobilize the young and harness generational aspirations, Whitney traces the formative years of the Young Communists and the Young Christian Workers, including their female branches. She analyzes the ideologies of the movements, their major campaigns, their styles of political and religious engagement, and their approaches to male and female activism. As Whitney demonstrates, the recasting of gender roles lay at the heart of Catholic efforts and became crucial to Communist strategies in the mid-1930s. Moving back and forth between the constantly shifting tactics devised to mobilize young people and the circumstances of their lives, Whitney gives special consideration to the context in which the youth movements operated and in which young people made choices. She traces the impact of the First World War on the young and on the formulation of generation-based political and religious identities, the role of work and leisure in young people’s lives and political mobilization, the impact of the Depression, the importance of Soviet ideas and intervention in French Communist youth politics, and the state’s attention to youth after the victory of France’s Popular Front government in 1936. Mobilizing Youth concludes by inserting the era’s youth activists and movements into the complicated events of the Second World War.
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