A Chicago department store is the scene of gruesome crime in this mystery by a New York Times–bestselling Edgar Award winner. Linell Wynn, copywriter for Chicago department store Cunningham’s, knows how to put a clever spin on everything. But she’s at a loss for words when, after closing time, she finds a corpse in a window display. There he is, as cold and lifeless as a mannequin, his skull pulverized with a golf club: valued store manager Michael “Monty” Montgomery. And while red might be the color for the new spring season, Linell never expected to see quite so much of it . . . Linell had a history with the too-charming-to-be-believed victim—and being intimately acquainted with his cruel side has made her a suspect in his murder. But as everyone at Cunningham’s knows, finding someone who didn’t want Monty dead would be tough. When a second murder throws the store detective off track, Linell is plunged into the investigation. Now, she’s working after hours to find a killer, and she has more to lose than her job. The recipient of an Agatha Award for Lifetime Achievement, “Phyllis Whitney is, and always will be, the Grand Master of her craft” (Barbara Michaels). This ebook features an illustrated biography of Phyllis A. Whitney including rare images from the author’s estate.
A trio of romantic spellbinders from a New York Times–bestselling and Edgar Award–winning “master of suspense” (Mary Higgins Clark). Three atmospheric psychological thrillers from the undisputed “Queen of the American gothics” (The New York Times). Woman Without a Past: Popular mystery novelist Molly Hunt has just made a stunning discovery: She’s the daughter of South Carolina blue bloods and was kidnapped as an infant from their plantation in Charleston. But her birth family is a strange brood and meeting them is not the happy reunion she expected. It’s only when Molly finds a letter from her late father that she comes to realize how much danger she’s in—and what it will take to escape the shadows of Mountfort Hall alive. The Red Carnelian: Linell Wynn, copywriter for Chicago department store Cunningham’s, can put a clever spin on everything. But she’s at a loss for words when, after closing time, she finds the manager’s corpse in a window display. Considering her volatile history with the victim, she’s the number one suspect—until a second murder throws the store detective for a loop and plunges Linell into the investigation. Now she’s working after hours to find a killer, and she has more to lose than her job. Feather on the Moon: It’s been seven years since Jennifer Blake’s daughter vanished, but she’s never given up hope of finding her. Then comes the call from a wealthy dowager a continent away who believes the girl living in her own home could be Jennifer’s long-lost child. When Jennifer arrives at the sprawling Vancouver Island estate she must navigate a maze of threatening secrets if she’s to find her daughter—and solve the most shattering mystery of all, locked away in the shadows of Radburn House.
Rachel, against her better judgement joins a Christian commune. Immediately she finds the atmosphere intimidating and at times creepy. Hysterical rantings, vicious verbal attacks and intense lengthy house meetings are the order of the commune and used to victimize her. She learns child abuse is taking place between the church organist and his two foster sons. She begs various church members to investigate, but they refuse to believe anything is going on. This important true story (all names have been changed) deals with various levels and type of abuse and at the same time looks at the complex relationships that exist in this segment of the Christian community....
A trio of romantic spellbinders from a New York Times–bestselling and Edgar Award–winning “master of suspense” (Mary Higgins Clark). Three atmospheric psychological thrillers from the undisputed “Queen of the American gothics” (The New York Times). Woman Without a Past: Popular mystery novelist Molly Hunt has just made a stunning discovery: She’s the daughter of South Carolina blue bloods and was kidnapped as an infant from their plantation in Charleston. But her birth family is a strange brood and meeting them is not the happy reunion she expected. It’s only when Molly finds a letter from her late father that she comes to realize how much danger she’s in—and what it will take to escape the shadows of Mountfort Hall alive. The Red Carnelian: Linell Wynn, copywriter for Chicago department store Cunningham’s, can put a clever spin on everything. But she’s at a loss for words when, after closing time, she finds the manager’s corpse in a window display. Considering her volatile history with the victim, she’s the number one suspect—until a second murder throws the store detective for a loop and plunges Linell into the investigation. Now she’s working after hours to find a killer, and she has more to lose than her job. Feather on the Moon: It’s been seven years since Jennifer Blake’s daughter vanished, but she’s never given up hope of finding her. Then comes the call from a wealthy dowager a continent away who believes the girl living in her own home could be Jennifer’s long-lost child. When Jennifer arrives at the sprawling Vancouver Island estate she must navigate a maze of threatening secrets if she’s to find her daughter—and solve the most shattering mystery of all, locked away in the shadows of Radburn House.
Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest—and perhaps only original—musical form. Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines—a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made. Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting—a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"—and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz.
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