The Kendalls are in the business of family-- and business is good. After decades of building the family name and reputation in the streets, Box and Gene have prepared Ty and Meli, the heirs to the throne, to continue their legacy. But what happens when the family's business creates envy? The streets don't take prisoners, just the souls of the soldiers and each soldier is out to climb the ranks.
Eminent contributors from the fields of art, literature, and contemporary culture work together to provide a wide-ranging introduction to American art as well as to the Whitney Museum's unparalleled collection. 105 color plates. 130 b&w illustrations.
Dr. Logan Rhys arrives in Philadelphia, Pennsylvania after attending a work conference in Dubai, only to find out that her flight has been delayed for nearly twelve hours. Although annoyed at her delay, a stranger with a secret identity keeps her company inside the airport. Interestingly enough, Logan and the stranger develop feelings for each other. However, the two unfortunately part ways, but not before the stranger gifts Logan a beautiful golden locket, which turns out to be critical evidence of who he really is. It isn't until Logan arrives home in North Carolina that she uncovers the truth about the stranger's identity; an identity that turns out to be both a blessing and a curse.
The cotton gin revolutionized the economic power of the southern states in America and it was the brainchild of one man, this is the fascinating biography of Eli Whitney, a man of humble origins but who rose to become well respected and connected to the highest levels of government.
In January 1961, three days before President Dwight D. Eisenhower passed the torch to John F. Kennedy, the president had one final mission. In the young readers’ edition of his New York Times bestselling book, Fox News anchor Bret Baier examines the historic transition and Eisenhower’s last chance to lead the country he loved through his legendary farewell address and his personal appeals to Kennedy. Baier paints a vivid picture of the contrasts between old and new at the beginning of a decisive decade in American history. Eisenhower and Kennedy were very different men. Eisenhower, at seventy, was an elder statesman, a five-star Army general during WWII, and one of the most popular Republican presidents of the past century. Kennedy, a forty-three-year-old Democrat, had captured the nation’s attention with his energy and youth, but was inexperienced. Eisenhower believed he had hard-won knowledge to pass on to his successor, but he didn’t know if Kennedy would listen. It was Eisenhower’s final mission as president to leave the new president, and the country, with the lessons he had learned and guidance for a direction forward. Meticulously researched, broad in scope, and full of timely insights—as well as historic photographs—this edition will enable young readers to experience a piece of “living history” and will inspire a deeper understanding of the pivotal moments that forged the next seventy-five years.
The blockbuster #1 national bestseller Bret Baier, the Chief Political Anchor for Fox News Channel and the Anchor and Executive Editor of Special Report with Bret Baier, illuminates the extraordinary yet underappreciated presidency of Dwight Eisenhower by taking readers into Ike’s last days in power. “Magnificently rendered. … Destined to take its place as not only one of the masterworks on Eisenhower, but as one of the classics of presidential history. … Impeccably researched, the book is nothing short of extraordinary. What a triumph!”—JAY WINIK, New York Times bestselling author of April 1865 and 1944 In Three Days in January, Bret Baier masterfully casts the period between Eisenhower’s now-prophetic farewell address on the evening of January 17, 1961, and Kennedy’s inauguration on the afternoon of January 20 as the closing act of one of modern America’s greatest leaders—during which Eisenhower urgently sought to prepare both the country and the next president for the challenges ahead. Those three days in January 1961, Baier shows, were the culmination of a lifetime of service that took Ike from rural Kansas to West Point, to the battlefields of World War II, and finally to the Oval Office. When he left the White House, Dwight Eisenhower had done more than perhaps any other modern American to set the nation, in his words, “on our charted course toward permanent peace and human betterment.” On January 17, Eisenhower spoke to the nation in one of the most remarkable farewell speeches in U.S. history. Ike looked to the future, warning Americans against the dangers of elevating partisanship above national interest, excessive government budgets (particularly deficit spending), the expansion of the military-industrial complex, and the creeping political power of special interests. Seeking to ready a new generation for power, Eisenhower intensely advised the forty-three-year-old Kennedy before the inauguration. Baier also reveals how Eisenhower’s two terms changed America forever for the better, and demonstrates how today Ike offers us the model of principled leadership that polls say is so missing in politics. Three Days in January forever makes clear that Eisenhower, an often forgotten giant of U.S. history, still offers vital lessons for our own time and stands as a lasting example of political leadership at its most effective and honorable.
When news broke that the CIA had colluded with literary magazines to produce cultural propaganda throughout the Cold War, a debate began that has never been resolved. The story continues to unfold, with the reputations of some of America’s best-loved literary figures—including Peter Matthiessen, George Plimpton, and Richard Wright—tarnished as their work for the intelligence agency has come to light. Finks is a tale of two CIAs, and how they blurred the line between propaganda and literature. One CIA created literary magazines that promoted American and European writers and cultural freedom, while the other toppled governments, using assassination and censorship as political tools. Defenders of the “cultural” CIA argue that it should have been lauded for boosting interest in the arts and freedom of thought, but the two CIAs had the same undercover goals, and shared many of the same methods: deception, subterfuge and intimidation. Finks demonstrates how the good-versus-bad CIA is a false divide, and that the cultural Cold Warriors again and again used anti-Communism as a lever to spy relentlessly on leftists, and indeed writers of all political inclinations, and thereby pushed U.S. democracy a little closer to the Soviet model of the surveillance state. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 13.0px Helvetica; color: #323333; -webkit-text-stroke: #323333} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 13.0px Helvetica; color: #323333; -webkit-text-stroke: #323333; min-height: 16.0px} span.s1 {font-kerning: none}
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