A woman recounts her decades-long saga to bring her sister’s killer to justice in a harrowing true crime story of domestic abuse and family perseverance. From the moment it happened, Renee Fehr knew that Gregory Houser had murdered her sister Sheryl. Cruel, abusive, and increasingly violent, Greg had threatened to kill Sheryl if she tried to leave him. Yet Sheryl’s death was ruled a suicide. And for twenty-seven years after her death, Greg continued walked free. But Renee wouldn’t rest until he was convicted for murder. As the old saying goes, “the wheels of justice turn slowly, but they grind exceedingly fine.” The Wheels of Justice is the story of a monstrous killer, a harrowing look at domestic violence, and an inspirational story of a family that wouldn’t quit until justice prevailed.
Seth Jovango is a wealthy stockbroker, who is also a sadistic serial killer who has a high-powered family and friends to protect him. Brenda Ellingsworth is the tenacious detective on his trail, trying to solve countless murders while they play a continuous cat and mouse game to the end, and Todd Roundtree is her seasoned partner who offers experience and dedication. A terrifying, spine-chilling thriller to keep you on the edge of your seat.
Bob Thompson (1937-1966) was a figurative expressionist painter active in literary, musical, and artistic circles in New York and Europe from the late 1950s until his death in 1966. In the first book devoted solely to Thompson, the life and work of this pivotal figure in modern American art history and African American culture receive the attention they deserve. Judith Wilson situates Bob Thompson within the context of both contemporary artistic production and cultural trends of the fifties and sixties. She uses interviews, Thompson's diary entries and letters to his family, and his work to give a thoughtful and thorough interpretation of his art and persona. She traces Thompson's development--psychologically, socially, and artistically--effectively portraying his first encounters with art and bohemian culture and his intensely active period in Europe shortly before his death in Rome at the age of 29. Bob Thompson's life intersects several important currents in recent American culture, and his work reveals an unfinished quest for communal identity, says Wilson. His use of postmodern techniques of appropriation and pastiche embraced both the Western tradition and cultural resources specific to the African American experience. The publication of Bob Thompson recognizes the important role of the artist in the vanguard of twentieth-century American art. Bob Thompson (1937-1966) was a figurative expressionist painter active in literary, musical, and artistic circles in New York and Europe from the late 1950s until his death in 1966. In the first book devoted solely to Thompson, the life and work of this pivotal figure in modern American art history and African American culture receive the attention they deserve. Judith Wilson situates Bob Thompson within the context of both contemporary artistic production and cultural trends of the fifties and sixties. She uses interviews, Thompson's diary entries and letters to his family, and his work to give a thoughtful and thorough interpretation of his art and persona. She traces Thompson's development--psychologically, socially, and artistically--effectively portraying his first encounters with art and bohemian culture and his intensely active period in Europe shortly before his death in Rome at the age of 29. Bob Thompson's life intersects several important currents in recent American culture, and his work reveals an unfinished quest for communal identity, says Wilson. His use of postmodern techniques of appropriation and pastiche embraced both the Western tradition and cultural resources specific to the African American experience. The publication of Bob Thompson recognizes the important role of the artist in the vanguard of twentieth-century American art.
From Coastal Wilderness to Fruited Plain is an account of the making of a large part of the American landscape following European settlement. Drawing upon land survey records and early travellers' accounts, Dr Whitney reconstructs the 'virgin' forests and grasslands of the north-eastern and central United States during the pre-settlement period. He then documents successively the clearance and fragmentation of the region's woodlands, the harvest of the forest and its game, the ploughing of the prairies, and the draining of wetlands. The degree to which these activities altered the soil, climate, plant and animal communities, and water cycle are evaluated, and the sustainability of present-day ecosystems is brought into question in this account.
The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white. Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners' papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. By exploring the material remnants of the past, Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home.
Jazz critic for The New Yorker since 1957 and the author of some fifteen books, Whitney Balliett has spent a lifetime listening to and writing about jazz. "All first-rate criticism," he once wrote in a review, "first defines what we are confronting." He could as easily have been describing his own work. For nearly half a century, Balliett has been telling us, in his widely acclaimed pitch-perfect prose, what we are confronting when we listen to America's greatest—and perhaps only original—musical form. Collected Works: A Journal of Jazz 1954-2001 is a monumental achievement, capturing the full range and register of the jazz scene, from the very first Newport Jazz Festival to recent performances (in clubs and on CDs) by a rising generation of musicians. Here are definitive portraits of such major figures as Duke Ellington, Dizzy Gillespie, Django Reinhardt, Martha Raye, Buddy Rich, Charles Mingus, Louis Armstrong, Billie Holliday, Art Tatum, Bessie Smith, and Earl Hines—a list that barely scratches the surface. Generations of readers have learned to listen to the music with Balliett's graceful guidance. For five decades he has captured those moments during which jazz history is made. Though Balliett's knowledge is an encyclopedic treasure, he has always written as if he were listening for the first time. Since its beginnings in New Orleans at the turn of the century, jazz has been restlessly and relentlessly evolving. This is an art form based on improvising, experimenting, shapeshifting—a constant work in progress of sounds and tonal shades, from swing and Dixieland, through boogie-woogie, bebop, and hard bop, to the "new thing," free jazz, abstract jazz, and atonal jazz. Yet, in all its forms, the music is forever sustained by what Balliett calls a "secret emotional center," an "aural elixir" that "reveals itself when an improvised phrase or an entire solo or even a complete number catches you by surprise." Balliett's celebrated essays invariably capture the so-called "sound of surprise"—and then share this sound with general readers, music students, jazz lovers, and popular American culture buffs everywhere. As The Los Angeles Times Book Review has observed, "Few people can write as well about anything as Balliett writes about jazz.
Black feminist thought has developed in various parts of the academy for over three decades, but has made only minor inroads into archaeological theory and practice. Whitney Battle-Baptiste outlines the basic tenets of Black feminist thought and research for archaeologists and shows how it can be used to improve contemporary historical archaeology. She demonstrates this using Andrew Jackson‘s Hermitage, the W. E. B. Du Bois Homesite in Massachusetts, and the Lucy Foster house in Andover, which represented the first archaeological excavation of an African American home. Her call for an archaeology more sensitive to questions of race and gender is an important development for the field.
This volume is based on the symposium "Psychology and Productivity: Bringing Together Research and Practice" held at the University of Arkansas at Little Rock in August 1987. The conference was made possible by the Marie Wilson Howell's bequest to the UALR Psychology Department. The symposium participants (and others invited to contribute to this volume) came from three different perspectives. There were basic researchers with a broad range of theoretical interests, applied researchers with an industrial-organizational orientation, and practitioIlers who apply psychological principles in business settings. The conference was organized into three sessions, each consisting of presentations and discussions from one of the perspectives. This book follows the same format. It was our hope that the symposium would serve as a forum for communication across different areas that can contribute to understanding and improving white collar productivity. We hope that this volume helps to continue, on a broader scale, the communication established at the symposium.
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
This special bundle is your essential guide to all things concerning Canada’s polar regions, which make up the majority of Canada’s territory but are places most of us will never visit. The Arctic has played a key role in Canada’s history and in the history of the indigenous peoples of this land, and the area will only become more strategically and economically important in the future. This bundle provides an in-depth crash course, including titles on Arctic exploration (Arctic Obsession), Native issues (Arctic Twilight), sovereignty (In the Shadow of the Pole), adventure and survival (Death Wins in the Arctic), and military issues (Arctic Front). Let this collection be your guide to the far reaches of this country. Arctic Front Arctic Naturalist Arctic Obsession Arctic Revolution Arctic Twilight Death Wins in the Arctic In the Shadow of the Pole Pike’s Portage Voices From the Odeyak
Nancy Hanks, Chairman of the National Endowment for the Arts (NEA) from 1969 to 1977, turned this fledgling organization into a major instrument for government support of the arts—accomplishing thereby a virtual revolution in the public arts policy of the United States. She died of cancer on January 7, 1983; later that year, at the request of Congress, President Ronald Reagan designated the building complex at Pennsylvania Avenue and 11th Street (the "Old Post Office") in Washington, D.C., as the Nancy Hanks Center. This biography captures the spirit and the flavor of Ms. Hanks's remarkable life, above all during the eight years in which she led the Endowment. Tracing her childhood in Florida and North Carolina through her achievements as a student leader at Duke University, Straight makes clear her conscious effort to find a path with more scope than the usual marriage-and-a-family when expected of Southern women. Nancy Hanks went to Washington and found a job with the Office of War Mobilization. She later worked with Nelson Rockefeller, who became governor of New York, a Republican party luminary, and vice president under Gerald Ford, in addition to being an heir to one of America's greatest fortunes. Her relationship with Rockefeller was crucial to her personal life, and his conception of government and its role and a lasting influence on her career. Straight examines Nancy Hanks's leadership of the NEA and takes particular note of the intense debate over the role of government in fostering American artistic expression, an issue with roots running back through the New Deal to the early history of the United States. Nancy Hanks took a strong and activist role in the formulation and administration of a national arts policy, and her accomplishments have left an indelible mark on public support for arts in the United States. Straight, who worked closely with Ms. Hanks and admired her despite frequent policy disagreements, deals honestly with both the successes and failures of her efforts. His biography imparts a sense of the reasons why her many friends felt such loyalty to this complex and gifted woman.
Martin's narrative of this talented lawyer includes not only an account of his relationships with Mayor La Guardia and others, but also details about Burlingham's private life - his eccentric wife; his tragically afflicted son; and his daughter-in-law Dorothy Tiffany Burlingham, who took CCB's grandchildren off to Vienna, where she was analyzed by Sigmund Freud, and her children by Anna Freud."--BOOK JACKET.
In-depth and refreshingly readable, Splattered Ink is a bold analysis of postfeminist gothic, a literary genre that continues to jar readers, reject happy endings, and find powerful new ways to talk about violence against women. Sarah E. Whitney explores the genre's challenge to postfeminist assumptions of women's equality and empowerment. The authors she examines--Patricia Cornwell, Jodi Picoult, Susanna Moore, Sapphire, and Alice Sebold--construct narratives around socially invisible and physically broken protagonists who directly experience consequences of women's ongoing disempowerment. Their works ask readers to inhabit women's suffering and to face the uncomfortable, all-too-denied fact that today's women must navigate lives fraught with risk. Whitney's analysis places the authors within a female gothic tradition that has long given voice to women's fears of their own powerlessness. But she also reveals the paradox that allows the genre to powerfully critique postfeminism's often sunshiney outlook while uneasily coexisting within the same universe.
Biographies of artists and writers have traditionally presented an individual's lone struggle for self-expression. In this book, critics and historians, challenge these assumptions in a series of essays that focus on artist and writer couples who have shared sexual and artistic bonds. Featuring duos such as Auguste Rodin and Camille Claudel, Sonia and Robert Delaunay, Vanessa Bell and Duncan Grant, and Jasper Johns and Robert Ruaschenberg, this book combines biography with evaluation of each partner's work in the context of the relationship.
No one is better than Kate Bennett at playing by the rules–because no one has quite her knack for running into bad luck. Orphaned while in college, Kate handled her loss by graduating with honors and acquiring a secure job and a dependable boyfriend. But now, with her thirtieth birthday around the corner, Kate decides it’s time to shake things up. She quits her job, breaks up with her long-term boyfriend, and U-Hauls it across the country for her first year at Tulane Law School. Too bad nothing in the Big Easy is quite so easy…. Before she knows it, Kate finds her life turned upside down by a notoriously sadistic professor, a larger-than-life new boss–and two interested men who are sure that she’s The One…. But can either of the men in her life really know Kate, when she’s just getting to know herself? In a year of self-discovery, the most important lesson Kate may learn is that to change your luck, sometimes you have to change your mind–including what you thought was your dream.
Make your lessons interesting, interactive, and engaging Successful lessons are explicit, yet also inspire active learning and opportunities to respond. As the one shaping lessons, can you do better? Probably, and you’re not alone. Research shows teachers consistently offer students far fewer than the recommended opportunities to respond, leaving all students—including those with special needs and behavior challenges—less than engaged and falling short of their best chance for success. With this book, you’ll discover 14 strategies you can translate directly to your classroom, complete with descriptions, advantages and disadvantages of each, and how and when best to use them. Divided into three parts, you will be guided through Verbal engagement strategies, such as whip around, choral responding, quick polls, and individual questioning Non-verbal engagement strategies, such as stop and jot, guided notes, response cards, and hand signals Partner and teaming strategies, such as turn & talk, cued retell, four corners, and classroom mingle Dive into these strategies and transform your classroom into a rich and interactive environment—no matter the subject, context, or age of your students.
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