Explorations in American Archaeology is a collection of original essays relating to the areas of archaeology within which Hurt conducted pioneering research. The contributions include a number of noted scholars in both North And South America and reflect Hurt's regional and topical interests. This volume is focused to a considerable degree of continuity among its contributions. Many of the papers provide new data and insights related to seminal and contemporary issues in American archaeology, and is strengthened by Pedro Schmitz and other prominent Brazilian archaeologists who provide new and unpublished data regarding native subsistence strategies. Due to the integration and continuity of the entire volume, those searching for specific information will finds essays throughout the volume useful to their purposes.
Present day: Sterling Morris reaches across the aisle to select Kaki Smithson as his Presidential running mate, uniting a polarized nation. But when an assassin's bullet leaves the new President critically wounded in New Orleans' Charity Hospital, tenacious journalist Ronnie Tamlin set her sights on a conspiracy and gives it a name: The BENEFACTORS - an organization that may have orchestrated Kaki's rise to power and Sterling's fall - and the consequences may prove fatal. Flashback to 1945: WWII is coming to a close. The Nazis and the Japanese have looted their empires and are secreting vast treasure. Leading the ranks of the OSS, three brazen agents, Herbert Mannington, Anthony Laperose, and Charles Constantine aid the U.S. to victory and in doing so, commandeer unimaginable wealth. As the world rebuilds, these well-intentioned renegades remain determined to establish a new world order while the pull of unfettered power begins to erode their sense of direction. The Gold Factor, the first in the series and based on real events, is a twisting tale of intrigue that follows the rise of The BENEFACTORS, the legacy of a man who would see them stopped dead in their tracks, and the lives of four women entangled in a plot to assassinate a modern-day Presiden
A smart, sharply written novel from a talent whose “fresh and original” works made her one of England’s most beloved authors (The New York Times). Abandoned by her mother and betrayed by the men she thought she loved, Juno Marlowe is alone. So alone that when the air raid sirens ring out, she has nowhere to hide until a kind but frail man offers to take her in for the night. Her sad story inspires him to write her a letter of introduction to his family—a caring gesture that will turn out to mean more than she could have imagined. With nowhere to call home, she seeks out the man’s father, Robert Copplestone, who lives on a quiet Cornwall estate where Juno is able to earn her keep by helping him tend to his animals. And she soon finds that the strong, handsome widower is more of a friend than she’s ever had and more like family than anyone she’s ever known. But when Juno’s fractured past catches up with her, the fragile and unlikely bond Robert and Juno have formed may be in danger of breaking under the strain. This “heartwarming story of May-December love” is a gentle look at the folly of humanity, weaving a tale of friendship, love, and healing (Publishers Weekly). “An elegant, satisfying entertainment.” —Kirkus Reviews
The term Ubuntu articulates an African understanding of our need to connect to one another in order to be complete. Likewise, A Common Mission offers a description of churches that connect with one another through the growing phenomenon of mission partnerships. The word "common" indicates something shared among equals. The word "common" also suggests something present in all parts of an organism, production, or narrative, such as a common thread. These two aspects of commonality provide an important orientation for contemporary mission. Since 2008, congregational partnerships emerged so quickly and spontaneously that very few researchers originally noticed this groundswell. Partnerships remain present in over 80 percent of United States mega-churches and are prominent in a large number of smaller US churches. This should not be surprising. Mission exists as an expression of the church's identity, an evangelistic expression that crosses frontiers and goes to the ends of the earth. In our globalized context, however, mission also crosses neighborhood "frontiers" to the immigrants within our own communities. Mission expresses its Christian witness as congregations love those separated from the church by ethnicity, language, sexual orientation, religion, or fear. A Common Mission provides a framework of healthy patterns for churches to live into this mission identity.
Sacred Matters explores the multi-disciplinary literature about the role of religion in family life and provides new research and a new theory about ways various aspects of the sacred are helpful and harmful. The authors hope that their new conceptual framework will stimulate new research and encourage the creation of new intervention programs designed to help families. Sacred Matters features: a new conceptual framework and theory about how, when, and why sacred matters influence family processes and outcomes new qualitative and quantitative research collected in a variety of ways from people with different religious perspectives in different geographical areas an expansion in theory and research about the role of forgiveness, sacrifice, prayer, and sanctification in family life the integration of studies and issues from psychology, sociology, family studies, anthropology, and religion. This book raises the bar in creating new theories about family processes and in the integration of theory, research, and application. It begins with a review of the previous literature and then expands the research about sanctification to create a new general theory (or model) about ways sacred processes help and hinder families. Next the authors expand the theory and research about the role of forgiveness, sacrifice, and prayer in families. New theory and research are then added about loving, coping with conflict, dealing with undesirable behavior, generational relationships, morality, and the psychosocial aspects of religion. The authors then describe ways sacred theory can be integrated with other theories and ways it provides new explanations about broader social problems. The book concludes with new quantitative research and suggestions for future research. Researchers, practitioners, and advanced students in several disciplines will find this volume valuable. It will expand and enrich the reading in graduate and advanced undergraduate courses in areas such as family studies, human development, marriage and family therapy, the psychology of the family and the psychology of religion, the sociology of the family and the sociology of religion, pastoral counseling, anthropology, and social work.
Wes and Patricia were both raised in the “Winter Wonderland” state called Minnesota. However, they both fell in love with the ocean and all the miracles it has to offer, so they decided to get married and move to the “Sunshine State” Florida. They both are still having miracles from God. Also signs are seen daily from their loved ones that they have lost and ones that are still with them. God Bless you all!
Since the early days of television, well before most households had a set, the Academy of Television Arts and Sciences has been handing out honors for the industry's best efforts. Now fans can read about their favorites--and perhaps rediscover some forgotten pleasures--in this reference to prime time and nighttime Emmy winners. Beginning with the heated charade contest known as Pantomime Quiz, which won Most Popular Program of 1948 in the first Emmy Awards ceremony (held in 1949), each of more than 100 winning shows gets star treatment with an entry that includes the year of award or awards, air times, hosts, guests, casts and a full discussion of the show's history and run. Many of the entries include original interviews with cast or crew members. With such rich information, each show's entry constitutes a chapter in the history of television through the story of the show and the people who made it happen. The best of variety, drama, game shows, comedies, adventures and many more categories are featured. An appendix offers interesting facts and figures and ranks shows according to such statistics as longest run, longest delay from debut to win, and most Emmys won.
In this riveting, “gory, and action-packed” (Jonathan Maberry) survival thriller, set in the expansive world of Robert Kirkman’s The Walking Dead series, three people from different walks of life in China must join forces against the typhoon of undead as chaos sweeps over Asia. In the aftermath of the zombie virus outbreak, what remains of the Chinese government has estimated that one billion walkers (called jiangshi) are currently roaming through the country. Across this dramatic landscape, large groups of survivors have clustered together for safety in villages and towns that have been built vertically as a means of protection against the unceasing wave of jiangshi. Before this devastation, Zhu was one of the millions of poor farmers who left their rural roots for the promise of consistent employment in one of China’s booming factory towns. Elena was an American teaching English in China while on a gap year before beginning law school. Hengyen was a grizzled military officer of some renown, and a passionate believer in his nation’s ability to surmount any obstacle. But with the settlement’s 3,000 mouths to feed and the scavengers having to travel further and further in search of food, Zhu ends up at his home village, where he is shocked to find survivors. Does he force them to join the settlement or keep their existence a secret? Meanwhile, Hengyen is tasked with the impossible: fortifying the Beacon against a 100,000-strong “typhoon” of walkers header their way. Even though he realizes that the Beacon hardly stands a chance, Hengyen is a believer and will stand with his compatriots to the very last, bringing him into conflict with Zhu, who intends to flee the path of the typhoon and make for the safety of China’s dramatic mountain ranges before it’s too late. Given “two decaying thumbs up,” (Jonathan Mayberry, author of Rot & Ruin), this book is sure to get your heart racing and leave you wanting more!
The book explores ways in which combat film scores interact collaboratively with other film elements (for instance, image and dialogue) to guide audience understanding of theme and character. Examined are classical and current models of film scoring practice and the ways they work to represent changes in film narratives taking place over time or from film to film. Differing approaches to scoring practice are considered as possible reflections of prevailing cultural attitudes toward war and warriors during the time of a film's creation, the war it represents, or both. Observations of cinematic representations of masculinity, heroism and war raise questions regarding whether (and if so, to what extent) we have lost some measure of faith in our country's motives for waging war and in the traditional models of what we think it means to be a hero.
For half a century, television spies have been trained professionals, reluctant heroes, housewives, businessmen, criminals, and comedians. They have by turns been glamorous, campy, reflective, sexy, and aloof. This is the first book-length treatment of one of TV's oldest and most fascinating genres. Britton's comprehensive guide provides readers, from casual viewers to die-hard fans, with behind-the-scenes stories to this notable segment of television entertainment. From the early 1960s, in which television spies were used essentially as anti-Communist propaganda, through the subsequent years that both built upon and parodied this model, and finally to today's gadget-laden world of murky motives and complex global politics, spy television has served as much more than mere escapism. From the beginning, television spies opened doors for new kinds of heroes. Women quickly took center stage alongside men, and minority leads in spy programs paved the way for other kinds of roles on the small screen. For half a century, television spies have been trained professionals, reluctant heroes, housewives, businessmen, criminals, and comedians. They have by turns been glamorous, campy, reflective, sexy, and aloof. This is the first book-length treatment of one of TV's oldest and most fascinating genres.
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