Wes Britton's Spy Television (2004) was an overview of espionage on the small screen from 1951 to 2002. His Beyond Bond: Spies in Fiction and Film (2004) wove spy literature, movies, radio, comics, and other popular media together with what the public knew about actual espionage to show the interrelationships between genres and approaches in the past century. Onscreen and Undercover, the last book in Britton's Spy Trilogy, provides a history of spies on the large screen, with an emphasis on the stories these films present. Since the days of the silent documentary short, spying has been a staple of the movie business. It has been the subject of thrillers, melodramas, political films, romances, and endless parodies as well. But despite the developing mistrust of the spy as a figure of hope and good works, the variable relationship between real spying and screen spying over the past 100 years sheds light on how we live, what we fear, who we admire, and what we want our culture—and our world—to become. Onscreen and Undercover describes now forgotten trends, traces surprising themes, and spotlights the major contributions of directors, actors, and other American and English artists. The focus is on movies, on and off camera. In a 1989 National Public Radio interview, famed author John Le Carre said a spy must be entertaining. Spies have to interest potential sources, and be able to draw people in to succeed in recruiting informants. In that spirit, Wes Britton now offers Onscreen and Undercover.
At a time when the methods and purposes of intelligence agencies are under a great deal of scrutiny, author Wesley Britton offers an unprecedented look at their fictional counterparts. In Beyond Bond: Spies in Film and Fiction, Britton traces the history of espionage in literature, film, and other media, demonstrating how the spy stories of the 1840s began cementing our popular conceptions of what spies do and how they do it. Considering sources from Graham Greene to Ian Fleming, Alfred Hitchcock to Tom Clancy, Beyond Bond looks at the tales that have intrigued readers and viewers over the decades. Included here are the propaganda films of World War II, the James Bond phenomenon, anti-communist spies of the Cold War era, and military espionage in the eighties and nineties. No previous book has considered this subject with such breadth, and Britton intertwines reality and fantasy in ways that illuminate both. He reveals how most themes and devices in the genre were established in the first years of the twentieth century, and also how they have been used quite differently from decade to decade, depending on the political concerns of the time. In all, Beyond Bond offers a timely and penetrating look at an intriguing world of fiction, one that sometimes, and in ever-fascinating ways, can seem all too real. At a time when the methods and purposes of intelligence agencies are under a great deal of scrutiny, author Wesley Britton offers an unprecedented look at their fictional counterparts. In Beyond Bond: Spies in Film and Fiction, Britton traces the history of espionage in literature, film, and other media, demonstrating how the spy stories of the 1840s began cementing our popular conceptions of what spies do and how they do it. Considering sources from Graham Greene to Ian Fleming, Alfred Hitchcock to Tom Clancy, Beyond Bond looks at the tales that have intrigued readers and viewers over the decades. Included here are the propaganda films of World War II, the James Bond phenomenon, anti-communist spies of the Cold War era, and military espionage in the eighties and nineties. No previous book has considered this subject with such breadth, and Britton intertwines reality and fantasy in ways that illuminate both. He reveals how most themes and devices in the genre were established in the first years of the twentieth century, and also how they have been used quite differently from decade to decade, depending on the political concerns of the time. And he delves into such aspects of the genre as gadgetry, technology, and sexuality-aspects that have changed with the times as much as the politics have. In all, Beyond Bond offers a timely and penetrating look at an intriguing world of fiction, one that sometimes, and in ever-fascinating ways, can seem all too real.
For half a century, television spies have been trained professionals, reluctant heroes, housewives, businessmen, criminals, and comedians. They have by turns been glamorous, campy, reflective, sexy, and aloof. This is the first book-length treatment of one of TV's oldest and most fascinating genres. Britton's comprehensive guide provides readers, from casual viewers to die-hard fans, with behind-the-scenes stories to this notable segment of television entertainment. From the early 1960s, in which television spies were used essentially as anti-Communist propaganda, through the subsequent years that both built upon and parodied this model, and finally to today's gadget-laden world of murky motives and complex global politics, spy television has served as much more than mere escapism. From the beginning, television spies opened doors for new kinds of heroes. Women quickly took center stage alongside men, and minority leads in spy programs paved the way for other kinds of roles on the small screen. For half a century, television spies have been trained professionals, reluctant heroes, housewives, businessmen, criminals, and comedians. They have by turns been glamorous, campy, reflective, sexy, and aloof. This is the first book-length treatment of one of TV's oldest and most fascinating genres.
Before Bond, before Maxwell Smart and Mrs. Emma Peel, we''ve enjoyed a wide variety of TV Spies. From 1951''s Dangerous Assignment to today''s Burn Notice, we''ve watched cloak-and-dagger adventures from popular successes like Alias and Mission: Impossible to thoughtful mini-series like The Sandbaggers to cartoons and even live animals in shows like Lancelot Link, Secret Chimp. Our TV secret agents have worn masks and capes (Adventures of Zorro), fought in the historical past (Hogan's Heroes, Jack of All Trades), been as stylish as Napoleon Solo in The Man From U.N.C.L.E., or have been as frumpy as George Smiley in Tinker, Tailor, Soldier, Spy. No one knows more about the wide vista of these undercover operatives than Dr. Wesley Britton, author of the highly-acclaimed 2004 history of the genre, Spy Television. Now, Britton has compiled the first indispensable reference book on television espionage unveiling the secrets behind our beloved favorites, the nuggets we might have missed, and the programs that disappeared without a trace after their short original runs. Britton provides the behind-the-scenes creative process for TV spies drawn from both extensive research and his interviews with many participants. He uncovers the reasons why some dramas were either unforgettable hits or regrettable misses. But The Encyclopedia of TV Spies is more than a historical overview-. Britton offers analysis of the elements that made key shows innovative and trend-setting and why some of the best productions ever made never jelled with the networks or audiences. And, like a "Special Edition" DVD, The Encyclopedia of TV Spies also includes extra features including articles on tie-in novels and how to collect TV spy music. In short, no entertainment library is complete without The Encyclopedia of TV Spies, and no fan of television should be without it. Every reader should expect to discover surprises and suggestions for their own viewing, and will find themselves seeking out the best dramas and comedies available on DVD or online.
Immerse yourself in an extraordinary universe revealed by the most original storytelling you'll ever experience. "Science fiction yes, but so much more." Praise for The Blind Alien: "The Blind Alien is a story with a highly original concept, fascinating characters, and not-too-subtle but truthful allegories. Don't let the sci-fi label or alternate Earth setting fool you--this is a compelling and contemporarily relevant story about race, sex, and social classes." - Raymond Benson, Former James Bond novelist and author of the Black Stiletto books "I've not read a book like this before, full of alternative perspectives, excellent characterisation, plots, emotional turmoil and torment. Ripped from Earth, Malcolm, a well-read but relatively insignificant earthling, finds himself suddenly transported to a planet in another universe. During this transition, he loses his sight, so he has to face this alien world with a different culture, language, morals and ethics, totally blind. Here, the elite treat him like a science experiment probing and analysing every part of him - inside and out. But through the months of experiments and torment, he devises a plan to escape using the only weapon he has - his own uniqueness. Therein, other characters emerge helping him with is struggles and adding their cultural and emotional perspectives. The plot and dialogue are densely packed with ideas and the unique structure of the plot transport the reader to this new world. Dr Britton has successfully created a parallel world; something that many sci-fi books fail miserably at." Well worth the read! - Robert Cole, author The Ego Cluster "This is the first book of a series where Robinson Crusoe meets Fringe in a parallel Universe dominated by women because of a disease that kills 3 to 1 the males who are born ... Dr Wesley Britton is a natural born storyteller who has worked so much on his craft that it seems effortless. Don't let yourself be deceived by that. It takes a lot of effort and talent to create so many characters that can stand on their own, have your own, simple yet particular voice as a writer that can keep you on reading and reading and once you are done, you wonder ... "That's all? I definitely need to know what happened next!" - Amanda Spark, author of Janus Quadrifrons
A well thought out treatment of the New Testament by one of the most influential Arminian theologians that was caused by the Reformation. This is the first book in a series that encompasses the whole Bible and gives us a look into the thinking of John Wesley and the church that arose around his powerful relationship with God.
Want to know how to live the Christian life? Learn from one of the foremost authorities, John Wesley, in this single-volume library of journal selections, sermons, and other addresses, essays, and letters. Two and a half centuries ago, the great Methodist distinguished himself as one of the world’s greatest authorities on the committed Christian life. Now, his most powerful writings have been compiled under one cover, perfect for personal study, pastoral research, or Christian school use. Including sermons on conversion, growth in grace, and practical holiness; essays on theological questions; personal letters; even hymns written and translated by Wesley, this all-in-one resource has been lightly updated for ease of reading, featuring scripture from the New King James Version.
This is the 2nd Edition of John Wesley's Tracts on Prayer published by furocious studios (revised Aug 2017). The contents of this book are similar to those found in The Works of the Rev John Wesley - Volume Xi used for the first edition. Used in this edition are the original booklets with substantive capitalization found in early 18th Century. The main difference in this book from the original booklets is the modern text-type rather than Caslon. Other than that this book keeps the original style especially the European English spellings. These editions are preserved here in flavour with John Wesley's Prayer Collection. They have nice little surprises like Wesley's Preface. Little touches like that keep this book from being redundant with other collections of Wesley's work. There are also Hymns added to the collection of Prayers for Children and a tiny delightful booklet called GRACES perfect to make this book complete.
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