James Beard–award-winning pastry chef Johnny Iuzzini returns to basics in this complete baking course in a book with everything a home baker needs to confidently turn out 150+ sweets with sophisticated flavors. Iuzzini starts by sharing his expert tips on fundamentals such as making caramel and mixing butter cakes, with accompanying step-by-step photographs, before moving on to recipes for Salted Caramels and Sticky Caramel Date Cake. After mastering the simple method for making light-as-air meringues, anyone can make ethereal espresso marshmallows, mile-high soufflés, and chewy French macaron sandwich cookies. Readers can finally expand their cake and ice cream horizons to embrace flavors as thrilling as those in Brown Sugar-Molasses Layer Cake and Bitter Orange Ice Cream. The 250 photographs include both instructive technique shots to reassure bakers at every turn as well as stunning photographs of the ready-to-eat treats. With Sugar Rush, baking at home has never been easier—or more inviting.
Praise for the First Edition: `Totally reliable... the authors have produced a book urgently needed by all those charged with introducing students to the classics... quite indispensable′ - Times Higher Education Supplement This is a fully updated and expanded new edition of the successful undergraduate text. Providing a lucid examination of the pivotal theories of Marx, Durkheim and Weber, the authors submit that these figures have decisively shaped the discipline. They show how the classical apparatus is in use, even though it is being directed in new ways in response to the changing character of society. Written with the needs of undergraduates in mind, the text is essential reading for students in sociology and social theory.
A single spark can rekindle the light. Sparks brings three emerging authors together for the very first time in publication. Both Wes Cowan's "Greenbrier" and "Poems" take a deeper look at the psychological aspect of death. Clay Spangler's analysis of the wonder of the vast and unknown in "Sparks" neatly counters Jake Spangler's theme of loneliness and desolation in "Rite of Passage." Together, these seven stories form a tight comradeship to keep you company wherever you might find yourself.
Pete Hadfield had been ordered by his father to bring in his half- brother, Harry, who stood accused of murder. Harry had always denied his guilt and it was up to Pete to prove his brother's innocence. Pete had to take drastic action and before long he was heading for a lynch party.
For millennia, the Kamir and their creation, the Il'Ri'Kamm Hive Mind, have warred against each other and their allies. Now, in the 31st Century, the crew of the VES Minerva are charged with the mission of bearing a small boy to a desolate, deadly world where the two ancient races will face each other in a final showdown. If the Minerva succeeds, the two races will annihilate each other and OtherSpace faster-than-light drives will cease functioning. If the Minerva fails, corporeal life will be destroyed. OtherSpace: Storm Warning is a snapshot of the shared epic that has been told online in real-time since 1998, by participants from around the world. The universe and several key characters are the creation of Wes Platt, but the characters of participants help flesh out and spark critical events that shape the history of the text-based improvisational storytelling environment. See the website and logs at www.jointhesaga.com.
Parody is the least appreciated of all film comedy genres and receives little serious attention, even among film fans. This study elevates parody to mainstream significance. A historical overview places the genre in context, and a number of basic parody components, which better define the genre and celebrate its value, are examined. Parody is differentiated from satire, and the two parody types, traditional and reaffirmation, are explained. Chapters study the most spoofed genre in American parody history, the Western; pantheon members of American Film Comedy such as The Marx Brothers, W. C. Fields, Mae West, and Laurel and Hardy; pivotal parody artists, Bob Hope and Woody Allen; Mel Brooks, whose name is often synonymous with parody; and finally, parody in the 1990s. Films discussed include Destry Rides Again (1939), The Road to Utopia (1945), My Favorite Brunette (1947), The Paleface (1948), Butch Cassidy and the Sundance Kid (1969), Blazing Saddles (1974), Young Frankenstein (1974), Hot Shots! Part Deux (1993) and Scream (1996). This examination of parody will appeal to scholars and students of American film and film comedy, as well as those interested in the specific comedians discussed and the Western genre. Gehring's work will also find a place in American pop culture studies and sociological studies of the period from the 1920s to the 1990s. The book is carefully documented and includes a selected bibliography and filmography.
Woody Allen's Manhattan Murder Mystery has been described as "a kind of Rear Window for retirees." As this quote suggests, an analysis of Alfred Hitchcock's methodical use of comedy in his films is past due. One of Turner Classic Movies' on-screen scholars for their summer 2017 online Hitchcock class, the author grew tired of misleading throwaway references to the director's "comic relief." This book examines what should be obvious: Hitchcock systematically incorporated assorted types of comedy--black humor, parody, farce/screwball comedy and romantic comedy--in his films to entertain his audience with "comic" thrillers.
The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.
This groundbreaking film study begins with a survey of American print humorists from eras leading up to and overlapping the advent of film--including some who worked both on the page and on the screen, like Robert Benchley, Will Rogers, Groucho Marx and W. C. Fields. Six comic film genres are identified as outgrowths of a national tradition of Cracker Barrel philosophers, personality comedy, parody, screwball comedy, romantic comedy and dark comedy. Whether it is Mark Twain or a parody film involving Steve Martin, comedy is most often about blowing "raspberries" at the world, and a reminder you are not alone.
Beyond the Sangres is a family saga that tells of the life long struggle of Zan and Liette to reconcile their heritage with the forces that run rough shod over their lives in the later half of the twentieth century. Beyond the Sangres reveals what happens to people of mixed ancestry when they are entangled by ties to divergent cultures. This powerful first Novel is a tale about the failure and success of adaptation and the creation of a new ethnicity. It is a story of love: love of the land, love of country, love of a lost way of life, and the love of a woman and man for each other. The heroism of human longing and the anguish of revolution set the stage in Beyond the Sangres for rebirth in a new creation. 'Beyond the Sangre' reveals an America that few know, but many long for. This book is as enigmatic as its title and and has layer upon layer of meaning. If you want a unique read about a yet to be discovered America, read 'Beyond the Sangres.
A young man sets out to hitchhike Europe, meets interesting people and has extraordinary experiences. His travels are abruptly halted and his future is significantly altered when he is left for dead after coming to the rescue of an older lady and gentlemen. Now, as the coffins are being lowered into the ground in a centuries-old cemetery in England, Richard Lion begins to recall fragments of memories, glimpses in his mind of how he fought to escape death, his awakening and how in a remarkable chain of events, he became the heir to a title and a fortune and had to fight and survive in order to keep them.
For more than twenty years, Hoosier comic Red Skelton entertained millions of viewers who gathered around their television sets to delight in the antics of such notable characters as Freddie the Freeloader, Clem Kaddiddlehopper, Cauliflower McPugg, and Sheriff Deadeye. Noted film historian Wes D. Gehring examines the man behind the characters—someone who never let the facts get in the way of a good story. Gehring delves into Skelton's hardscrabble life with a shockingly dysfunctional family in the southern Indiana community of Vincennes, his days on the road on the vaudeville circuit, the comedian's early success on radio, his up-and-down movie career with Metro-Goldwyn-Mayer, and his sometimes tragic personal life.
Poetry is certainly a form of art that I appreciate. When I want to express myself, I write on paper, and then I read my words out loud. What I love most about poetry is that it has no boundaries, and I personally believe that freedom of expression is poetrys best friend. Poetry allows me to evolve in so many ways and challenges me to learn more and create art for the mind. Sometimes Im at a loss for words to write; at times it takes minutes, hours, days, and months for me to write a new piece. Just like any relationship, poetry requires patience, dedication, and understanding. Anyone can write a poem if they put their mind to it, but to write continuous poetry, you need the passion for it. Some may view my work as prose or spoken word; to me personally they all come from the same family, so if you are probably wondering what I write, I write poetry.
This examination of dark comedies of the 1970s focuses on films which concealed black humor behind a misleading genre label. All That Jazz (1979) is a musical...about death--hardly Fred and Ginger territory. This masking goes beyond misnomer to a breaking of formula that director Robert Altman called "anti-genre." Altman's MASH (1970) ridiculed the military establishment in general--the Vietnam War in particular--under the guise of a standard military service comedy. The picaresque Western Little Big Man (1970) turned the bluecoats vs. Indians formula upside-down--the audience roots for the Indians instead of the cavalry. The book covers 12 essential films, including Harold and Maude (1971), Slaughterhouse-Five (1972), One Flew Over the Cuckoo's Nest (1975) and Being There (1979), with notes on A Clockwork Orange (1971). These films reveal a compounding complexity that reinforces the absurdity at the heart of dark comedy.
This bio-bibliography was designed to present a combined biographical, critical, and bibliographical portrait of the Marx Brothers. It examines their significance in film comedy in particular, and as popular culture figures in general. The book is divided into five sections, beginning with a biography which explores the public and private sides of the Marx Brothers. The second section is concerned with the influences of the Marx Brothers as icons of anti-establishment comedy, as contributors to developments in American comedy, as early examples of saturation comedy, and as a crucial link between silent films and the talkies. Three original articles, two by Groucho and one by Gummo, comprise part three. A bibliographical essay, which assesses key reference materials and research collections, is followed by two bibliographical checklists. Appendices containing a chronological biography with a timeline, a filmography, and a selected discography complete the work.
Famous co-stars such as Katharine Hepburn and Cary Grant to Tom Hanks and Meg Ryan, have made screwball and romantic comedies a big seller at the box office. These seemingly timeless genres are as popular today as ever! This book takes a closer look at the precise meanings of the terms screwball and romantic. Film fans and scholars alike tend to lump film with laughter and love under a screwball/romantic umbrella and use the terms screwball and romantic interchangeably. In reality, there is a distinction; the screwball variety places its emphasis on "funny," while the more traditional romantic comedy accents "love." Covering over 60 titles each of romantic and screwball comedy dating from the 1930s to the present, this research tool not only demonstrates how screwball and romantic comedy are two distinct genres, but also highlights pivotal social and artistic changes which impacted both genres. Includes 24 black and white movie stills, countless quotations from selected films, an annotated bibliography, and a two-part filmography. Not only an informative resource for film students and scholars, but also an interesting read for film buffs.
A Sacred Society exists amongst us all. Believed only as a myth—its origin thrives in secret. Once transformed, each generation of its members become the elite of our society—some for good and some for evil as well. Troy Anthony, unknowingly and somewhat unwillingly, is about to join the elite, like his father before him. It takes a close family friend to ultimately expose the Secret to Troy, revealing his true destiny, and then she becomes a valuable ally. They inadvertently share a unique bond—one of which many doubt its very existence. Troy is taken to two magical places where he learns many secrets of the world, many of which we all have been curious about. It becomes an epic battle where Troy clashes with an evil tyrant, his father's assassin, a distant cousin sharing many of Troy's unique abilities. There are two seeds planted at the end of the story, one new and one older, one good and one evil. One catches Troy by surprise, while the other he will have to deal with—as the story continues.
Although he never played a day in the white major leagues, John Henry "Pop" Lloyd was one of the greatest baseball players who ever lived. A shortstop who could take over a game with his glove or his bat, Lloyd dominated early black baseball, drawing comparisons to the most celebrated National Leaguer of his day, Honus Wagner, who declared it a privilege to be mentioned with Lloyd. Beginning his career years before the first Negro National League was established, Lloyd played for a dizzying number of teams, following the money, as he'd put it, throughout the country and sometimes past its borders, doing several stints in Cuba. He was seemingly ageless, winning two batting titles in his 40s and playing at the highest levels of blackball until he was 48. (He would continue to coach and play semi-pro baseball for another ten years.) Admired by teammates and opponents alike for his generosity and quiet strength, Lloyd was also one of the most beloved figures in white or black baseball.
The author of Dragons and Chariots and the four Ra Books shares his thirty-year adventure as a Federation telepath, and the wisdom brought to Earth through his telepathic connections.
This first full-length biography of a legendary and award-winning Hollywood writer, producer, and director (Duck Soup, My Favorite Wife, An Affair to Remember, Going My Way, and The Bells of St. Mary's) explores the director's life as filtered through his art. Gehring maintains that McCarey's films were often a reworking of his antiheroic self. In addition, the apparent diversity of his films actually represents an interrelated web of various comedy genres and a pattern of antiheroic characters and themes.
Alfonso Ramon Lopez spent 36 years in the big leagues as a catcher and manager. He had a .261 lifetime batting average, compiled 1,547 hits and caught a then-record 1,918 games in a 19-year playing career. The teams he managed--the Cleveland Indians and the Chicago White Sox--won two pennants and finished runner-up 10 times in 17 seasons. He was the only manager to interrupt the Yankees' 15 year pennant dynasty from 1949, piloting the Indians in 1954 with an A.L. record 111 wins and guiding the White Sox in 1959. He was elected to the Hall of Fame in 1977. Al Lopez of Tampa opened up baseball to individuals of Spanish, Cuban and Italian ancestry at a time when social barriers had just begun to recede. He symbolized for many Latins the path to success. This book is his first-ever biography. It is based, first, on the recollections of the man himself, and former players, family, and fans, and also on newspaper and periodical accounts, and archival resources.
Born in Winchester, Indiana, Robert Wise spent much of his youth sitting in darkened movie theaters enthralled by the swashbuckling heroics of screen legend Douglas Fairbanks Sr. Through these viewings, Wise developed a passion for film—a passion he followed for the rest of his life, making movies in Hollywood. Nationally known film historian Wes D. Gehring explores Wise’s life from his days in the Hoosier State to the beginning of his movie career at RKO studios working as the editor of Orson Welles’s classic movie Citizen Kane. Wise is best known for producing and directing two of the most memorable movie musicals in cinema history, West Side Story (co-director Jerome Robbins) and The Sound of Music, for which he won four Academy Awards—two Best Picture and Best Directors Oscars. But, as Gehring notes, other than Howard Hawks, Wise was arguably Hollywood’s most versatile director of various celebrated genre films.
Buster Keaton "can impress a weary world with the vitally important fact that life, after all, is a foolishly inconsequential affair," wrote critic Robert Sherwood in 1918. A century later Keaton, with his darkly comic "theater of the absurd," speaks to audiences like no other silent comedian. If you thought you knew Keaton--think again!
This fourth edition has been wholly rewritten and restructured. While retaining its wealth of information about the founding figures of sociology it also includes much new material on contemporary social theory and particularly the challenge to sociology posed by the rise of post-structuralism with its questioning of the whole enlightenment project. New features include: * a concise introduction to the major debates of the twentieth century * information on thinkers of the nineteenth and early twentieth century whose relevance to modern social thought is only now being recognised, e.g. Nietszche, Saussure, Simmel * key debates placed in historical and philosophical context * connections drawn between post-structuralist thinkers like Foucault and Derrida and the founding figures of sociology: Marx, Weber and Durkheim * easy to read format * four wholly new chapters tracing developments in social theory from structuralism to postmodernism.
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