Break follows Nick Spears and his progression once he realizes that he has special potentials. He is an assembler, a job that makes him very adept and allows him to create his own weapons and tools. After unlocking the three levels of his special potential, Nick, together with his friends and the strength of their friendship, uses his powers to protect the innocent in Jersey City and surrounding areas. Nick is not alone. There are others out there just like him. Some of them are good, some are evil and all are under the surveillance by the US Government. But where will his special abilities take him? Someone seeking a unique and familiar experience with many different levels to the story will find themselves captive with the intrigue, a little mystery, and a few emotional scenes in Break.
Graphic Novel. On an academic break while at Stanford, Sam Winchester visits the United Kingdom on what is meant to be a sleepy trip. His first day he meets the alluring 'Emma of the Isles', and his visit begins to get exciting.
Woody Allen's Manhattan Murder Mystery has been described as "a kind of Rear Window for retirees." As this quote suggests, an analysis of Alfred Hitchcock's methodical use of comedy in his films is past due. One of Turner Classic Movies' on-screen scholars for their summer 2017 online Hitchcock class, the author grew tired of misleading throwaway references to the director's "comic relief." This book examines what should be obvious: Hitchcock systematically incorporated assorted types of comedy--black humor, parody, farce/screwball comedy and romantic comedy--in his films to entertain his audience with "comic" thrillers.
Although he never played a day in the white major leagues, John Henry "Pop" Lloyd was one of the greatest baseball players who ever lived. A shortstop who could take over a game with his glove or his bat, Lloyd dominated early black baseball, drawing comparisons to the most celebrated National Leaguer of his day, Honus Wagner, who declared it a privilege to be mentioned with Lloyd. Beginning his career years before the first Negro National League was established, Lloyd played for a dizzying number of teams, following the money, as he'd put it, throughout the country and sometimes past its borders, doing several stints in Cuba. He was seemingly ageless, winning two batting titles in his 40s and playing at the highest levels of blackball until he was 48. (He would continue to coach and play semi-pro baseball for another ten years.) Admired by teammates and opponents alike for his generosity and quiet strength, Lloyd was also one of the most beloved figures in white or black baseball.
This first full-length biography of a legendary and award-winning Hollywood writer, producer, and director (Duck Soup, My Favorite Wife, An Affair to Remember, Going My Way, and The Bells of St. Mary's) explores the director's life as filtered through his art. Gehring maintains that McCarey's films were often a reworking of his antiheroic self. In addition, the apparent diversity of his films actually represents an interrelated web of various comedy genres and a pattern of antiheroic characters and themes.
This is the first full-length biography of Irene Dunne, one of the most versatile actresses of Hollywood's Golden Age. A recipient of the Kennedy Center Honors award in 1985, Dunne's acting highlights include five Best Actress Oscar nominations, occurring in almost as many different genres: the Western Cimarron (1931), the two screwball comedies Theodora Goes Wild (1936) and The Awful Truth (1937), the romantic comedy Love Affair (1939), and the populist I Remember Mama (1948). Her other memorable films include My Favorite Wife (1940), Penny Serenade (1941), Anna and the King of Siam (1946), and Life with Father (1947). After delving into Dunne's childhood and early acting forays, the book reveals details about key events in her life and career, including a difficult, bi-coastal marriage. The author also examines Dunne's pivotal roles on stage and in film, her movement among the genres of melodrama and screwball comedy, her ties to director Leo McCarey, and her post-war film career. Gehring's research and insightful analysis shed light on what made Irene Dunne so unique and her performances so memorable. Includes 16 pages of photos.
Foreword by Werner Vogels, Vice President and Corporate Technology Officer, Amazon The AWS exam has been updated. Your study guide should be, too. The AWS Certified Developer Official Study Guide–Associate Exam is your ultimate preparation resource for the latest exam! Covering all exam objectives, this invaluable resource puts a team of AWS experts at your side with expert guidance, clear explanations, and the wisdom of experience with AWS best practices. You’ll master core services and basic architecture, and equip yourself to develop, deploy, and debug cloud-based applications using AWS. The AWS Developer certification is earned by those who demonstrate the technical knowledge and skill associated with best practices for building secure, reliable cloud-based applications using AWS technology. This book is your official exam prep companion, providing everything you need to know to pass with flying colors. Study the AWS Certified Developer Exam objectives Gain expert insight on core AWS services and best practices Test your understanding of key concepts with challenging chapter questions Access online study tools including electronic flashcards, a searchable glossary, practice exams, and more Cloud computing offers businesses the opportunity to replace up-front capital infrastructure expenses with low, variable costs that scale as they grow. This customized responsiveness has negated the need for far-future infrastructure planning, putting thousands of servers at their disposal as needed—and businesses have responded, propelling AWS to the number-one spot among cloud service providers. Now these businesses need qualified AWS developers, and the AWS certification validates the exact skills and knowledge they’re looking for. When you’re ready to get serious about your cloud credentials, the AWS Certified Developer Official Study Guide–Associate Exam is the resource you need to pass the exam with flying colors. NOTE: As of October 7, 2019, the accompanying code for hands-on exercises in the book is available for downloading from the secure Resources area in the online test bank. You'll find code for Chapters 1, 2, 11, and 12.
This groundbreaking film study begins with a survey of American print humorists from eras leading up to and overlapping the advent of film--including some who worked both on the page and on the screen, like Robert Benchley, Will Rogers, Groucho Marx and W. C. Fields. Six comic film genres are identified as outgrowths of a national tradition of Cracker Barrel philosophers, personality comedy, parody, screwball comedy, romantic comedy and dark comedy. Whether it is Mark Twain or a parody film involving Steve Martin, comedy is most often about blowing "raspberries" at the world, and a reminder you are not alone.
Beyond the Sangres is a family saga that tells of the life long struggle of Zan and Liette to reconcile their heritage with the forces that run rough shod over their lives in the later half of the twentieth century. Beyond the Sangres reveals what happens to people of mixed ancestry when they are entangled by ties to divergent cultures. This powerful first Novel is a tale about the failure and success of adaptation and the creation of a new ethnicity. It is a story of love: love of the land, love of country, love of a lost way of life, and the love of a woman and man for each other. The heroism of human longing and the anguish of revolution set the stage in Beyond the Sangres for rebirth in a new creation. 'Beyond the Sangre' reveals an America that few know, but many long for. This book is as enigmatic as its title and and has layer upon layer of meaning. If you want a unique read about a yet to be discovered America, read 'Beyond the Sangres.
Fixing the carnage on our roadways requires a change in mindset and a dramatic transformation of transportation. This goes for traffic engineers in particular because they are still the ones in charge of our streets. In Killed by a Traffic Engineer, civil engineering professor Wes Marshall shines a spotlight on how little science there is behind the way that our streets are engineered, which leaves safety as an afterthought. While traffic engineers are not trying to cause deliberate harm to anyone, he explains, they are guilty of creating a transportation system whose designs remain largely based on plausible, but unproven, conjecture. Killed by a Traffic Engineer is ultimately hopeful about what is possible once we shift our thinking and demand streets engineered for the safety of people, both outside and inside of cars. It will make you look at your city and streets--and traffic engineers--in a new light and inspire you to take action.
The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.
NEW YORK TIMES BESTSELLER • From the governor of Maryland, the “compassionate” (People), “startling” (Baltimore Sun), “moving” (Chicago Tribune) true story of two kids with the same name: One went on to be a Rhodes Scholar, decorated combat veteran, White House Fellow, and business leader. The other is serving a life sentence in prison. The chilling truth is that his story could have been mine. The tragedy is that my story could have been his. In December 2000, the Baltimore Sun ran a small piece about Wes Moore, a local student who had just received a Rhodes Scholarship. The same paper also ran a series of articles about four young men who had allegedly killed a police officer in a spectacularly botched armed robbery. The police were still hunting for two of the suspects who had gone on the lam, a pair of brothers. One was named Wes Moore. Wes just couldn’t shake off the unsettling coincidence, or the inkling that the two shared much more than space in the same newspaper. After following the story of the robbery, the manhunt, and the trial to its conclusion, he wrote a letter to the other Wes, now a convicted murderer serving a life sentence without the possibility of parole. His letter tentatively asked the questions that had been haunting him: Who are you? How did this happen? That letter led to a correspondence and relationship that have lasted for several years. Over dozens of letters and prison visits, Wes discovered that the other Wes had had a life not unlike his own: Both had had difficult childhoods, both were fatherless; they’d hung out on similar corners with similar crews, and both had run into trouble with the police. At each stage of their young lives they had come across similar moments of decision, yet their choices would lead them to astonishingly different destinies. Told in alternating dramatic narratives that take readers from heart-wrenching losses to moments of surprising redemption, The Other Wes Moore tells the story of a generation of boys trying to find their way in a hostile world.
This examination of dark comedies of the 1970s focuses on films which concealed black humor behind a misleading genre label. All That Jazz (1979) is a musical...about death--hardly Fred and Ginger territory. This masking goes beyond misnomer to a breaking of formula that director Robert Altman called "anti-genre." Altman's MASH (1970) ridiculed the military establishment in general--the Vietnam War in particular--under the guise of a standard military service comedy. The picaresque Western Little Big Man (1970) turned the bluecoats vs. Indians formula upside-down--the audience roots for the Indians instead of the cavalry. The book covers 12 essential films, including Harold and Maude (1971), Slaughterhouse-Five (1972), One Flew Over the Cuckoo's Nest (1975) and Being There (1979), with notes on A Clockwork Orange (1971). These films reveal a compounding complexity that reinforces the absurdity at the heart of dark comedy.
The story of the German light cruiser SMS _Emden_ has been the subject of over a dozen books since her destruction at the hands of the Australian light cruiser HMAS _Sydney_ on 9 November 1914. Accounts of _Emden_s raiding activities, her loss on the Cocos Islands, and the escape of her landing party have also appeared in official histories and books on the First World War at sea. No English-language book, however, has pieced together a comprehensive account of the action and the events before and after.In this detailed and riveting new book, Wes Olson has made extensive use of a wealth of first-hand accounts from letters, diaries, memoirs and German survivor statements to produce a detailed reconstruction of the battle at Cocos. By breaking the one-and-a-half-hour action down into ten-minute blocks an accurate, chronological and credible picture has been created, and the extensive use of quotations gives the story a unique vividness.But the book is much more than the account of one naval battle. _The Emden_s activities as a raider at the beginning of the war are outlined; the significance of the departure of the first ANZAC troop convoy, and _Sydneys_ involvement explained. The Cocos raid and the landing of von Mckes party and the dispatch of _Sydney_ to investigate are covered, and Captain Glossops controversial decision to open fire on the wreck of the _Emden_ is analysed. And drawing on the reports produced by Sydneys surgeons, the book presents a facet of naval action often overlooked namely the effect of high explosive shells on the human body.Employing the wealth of archival and photographic material, as well as the numerous first-hand accounts of the German, British and Australian participants, the author has written a work that takes the reader right to the centre of the action and brings alive the immediacy and horror of naval warfare for those who took part.
An unabridged, digitally enhanced edition with all photographs and maps. Chapters include, but are not limited to: HEADED FOR THE KAISER - STRAIGHT TO THE FRONT - IN THE MIDST OF A BATTLE-FIELD - EIGHT DAYS IN - AT CAPTAIN'S POST - OUR OWN CHEERFUL FASHION - SNIPER'S BARN - GETTING THE FLAG - HUNTING HUNS - A FINE DAY FOR MURDER - WITHOUT HOPE OF REWARD - THE WAR IN THE AIR - THE BATTLE OF ST. ELOI - FOURTEEN DAYS' FIGHTING - BLIGHTY AND BACK - OUT IN FRONT FIGHTING - DOWN AND OUT-FOR A WHILE
The 1930s are routinely considered sound film's greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade's most popular type of comedy--the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context. While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today's connoisseur of comedy. Even this book's more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It's a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).
Hang on for a Wild Journey through the Political and Spiritual Adventures of the Baby-Boom Generation Join Wes Scoop Nisker as he takes us on a hilarious, wild ride through the heyday of the Beats and the Hippies and the birth of the modern environmental movement, and the surge of Buddhism in the West.
The Heart God Hears focuses not on why we should pray, what to pray for, or when to pray, but rather on forming the character of an intercessor. The emphasis is placed on how to be the kind of person God always hears.
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