This essential “how not to” guide explains how to act and what to say in the presence of police to avoid unnecessary arrests for petty offenses or mistakes in judgment that can lead to permanent disqualification from jobs, financing, and education. From what to do if a cop asks to search the car to dealing with a racial slur or how to handle a roach in the ashtray, this handbook details the nuances of dealing with the police. This revised and expanded edition of Arrest-Proof Yourself includes more than 100 pages of new information to reflect changes in police technique and “proactive policing.” More than 50 pages are dedicated to weaponry—including how to legally own and handle guns and knives and which firearms to use for self-defense—and updates examine topics such as the current surveillance state and the ability of police to track movements and activities using data drawn from cell phones and computers. Sprinkled with not only moral outrage but also the weird humor that permeates law enforcement, this urgent, eye-opening exposé has stories from 30 years of case files, making it the go-to guide to police procedures for all Americans.
A guide to supporting family members who are facing criminal charges, including how to make decisions with the whole family in mind, not just the defendant.
Arrest-Proof Yourself will teach you everything you need to know about dirty cops, racial profiling, probable cause, search and seizure laws, your right to remain silent, and much more. This how-not-to guide will keep you safe and sound all year long." --Zink magazine What do you say if a cop pulls you over and asks to search your car? What if he gets up in your face and uses a racial slur? What if there's a roach in the ashtray? And what if your hot-headed teenage son is at the wheel? If you read this book, you'll know exactly what to do and say. More people than ever are getting arrested—usually for petty offenses against laws that rarely used to be enforced. And because arrest information is so easily available via the Internet, just one little arrest can disqualify you from jobs, financing, and education. This eye-opening book tells you everything you need to know about how cops operate, the little things that can get you in trouble, and how to stay free from the hungry jaws of the criminal justice system. It is now updated with new and important information on the right of the police to search your car; on guns, knives, and self-defense; and on changes in surveillance methods. Dale C. Carson was an FBI field agent, a SWAT sniper, an instructor at the FBI academy, and a Miami police officer who set Florida records for felony arrests. He is currently a criminal defense attorney. Wes Denham is the author of Arrested.
The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with is today.
To call something 'monstrueux' in the mid-sixteenth century is, more often than not, to wonder at its enormous size: it is to call to mind something like a whale. By the late seventeenth 'monstrueux' is more likely to denote hidden intentions, unspoken desires. Several shifts are at work in this word history, and in what Othello calls the 'mighty magic' of monsters; these shifts can be described in a number of ways. The clearest, and most compelling, is the translation or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity. This interdisciplinary study of monsters and their meanings advances by way of a series of close readings supported by the exploration of a wide range of texts and images, from many diverse fields, which all concern themselves with illicit coupling, unarranged marriages, generic hybridity, and the politics of monstrosity. Engaging with recent, influential accounts of monstrosity - from literary critical work (Huet, Greenblatt, Thomson Burnett, Hampton), to histories of science and 'bio-politics' (Wilson, Céard, Foucault, Daston and Park, Agamben) - it focusses on the ways in which monsters give particular force, colour, and shape to the imagination; the image at its centre is the triangulated picture of Andromeda, Perseus and the monster, approaching. The centre of the book's gravity is French culture, but it also explores Shakespeare, and Italian, German, and Latin culture, as well as the ways in which the monstrous tales and images of Antiquity were revived across the period, and survive into our own times.
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