In New Monasticism and the Transformation of American Evangelicalism, Wes Markofski combines vivid ethnographic storytelling and incisive theoretical analysis to introduce readers to the fascinating and unexplored terrain of the burgeoning neo-monastic evangelical movement.
The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.
Wes Furlotte critically evaluates Hegel's philosophy of human freedom in terms of his often-disregarded conception of nature. In doing so, he gives us a new portrait of Hegel's final system that is surprisingly relevant for our contemporary world, connecting it with recent work in speculative realism and new materialism.
The book examines Charlie Chaplin's evolving perspective on dark comedy in his three war films, Shoulder Arms (1918), The Great Dictator (1940), and Monsieur Verdoux (1947). In the first he uses the genre in a groundbreaking manner but yet for a pro-war cause. In Dictator dark comedy is applied in an antiwar way. In Monsieur Verdoux Chaplin embraces the genre as an individual in defense against a society out to destroy him. All three are pivotal films in the development of the genre in film, with the latter two movies being very controversial for their time.
Celebrated film director Frank Capra was a central architect of the "feel good" movie genre now known as populism, which celebrates people, families, second chances, and other traditional American icons such as small town or pastoral life and baseball. Capra developed his own brand of populism by interweaving traditional values of the genre with a younger, more vulnerable hero starting with Mr. Deeds Goes to Town in 1936. The result, Capraesque populism, has had a significant influence on American pop culture in general and forms a small but important subgenre of baseball movie. This book examines eight of these Capraesque baseball films, starting with the all-important Pride of the Yankees (1942), which one admiring critic has called "Mr. Deeds Goes to Yankee Stadium." An introduction provides an overview of baseball and populism. Individual chapters are devoted to the populist legacy from Will Rogers (Capra's mentor) to Capra, The Pride of the Yankees, The Stratton Story, Angels in the Outfield, The Natural, Bull Durham, Field of Dreams, Frequency and The Rookie.
For more than twenty years, Hoosier comic Red Skelton entertained millions of viewers who gathered around their television sets to delight in the antics of such notable characters as Freddie the Freeloader, Clem Kaddiddlehopper, Cauliflower McPugg, and Sheriff Deadeye. Noted film historian Wes D. Gehring examines the man behind the characters—someone who never let the facts get in the way of a good story. Gehring delves into Skelton's hardscrabble life with a shockingly dysfunctional family in the southern Indiana community of Vincennes, his days on the road on the vaudeville circuit, the comedian's early success on radio, his up-and-down movie career with Metro-Goldwyn-Mayer, and his sometimes tragic personal life.
From the team that brought you the bestselling Understanding Classical Sociology (SAGE Publications, 1995), we now have a companion volume dealing with the modern period of social theory. An introductory chapter situates the reader in the main changes in society and sociology following the classic period. This is then followed by separate chapters giving a detailed account of four perspectives that are regarded to be of seminal importance - Functionalism, Critical Theory, Structuralism and Symbolic Interactionism. All of the popular features of Understanding Classical Sociology are reproduced in this book: · Clarity of exposition and criticism · A passion for the importance and relevance of sociological reasoning and explanation · A commitment to treat social theory as a living tradition of thought In addition, the volume comes with a variety of pedagogic aids including summary points and key definitions to facilitate learning and study. This is a book that enhances the sociological imagination. It draws on the authors deep understanding and experience of teaching the subject over many decades. It will be welcomed by lecturers as a vital new teaching and research aid, and students will be stimulated and enriched by the unfussy and reliable advice on doing sociology that it imparts.
This examination of dark comedies of the 1970s focuses on films which concealed black humor behind a misleading genre label. All That Jazz (1979) is a musical...about death--hardly Fred and Ginger territory. This masking goes beyond misnomer to a breaking of formula that director Robert Altman called "anti-genre." Altman's MASH (1970) ridiculed the military establishment in general--the Vietnam War in particular--under the guise of a standard military service comedy. The picaresque Western Little Big Man (1970) turned the bluecoats vs. Indians formula upside-down--the audience roots for the Indians instead of the cavalry. The book covers 12 essential films, including Harold and Maude (1971), Slaughterhouse-Five (1972), One Flew Over the Cuckoo's Nest (1975) and Being There (1979), with notes on A Clockwork Orange (1971). These films reveal a compounding complexity that reinforces the absurdity at the heart of dark comedy.
This book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire’s flâneur to the contemporary “creative” borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the “foot soldiers of capitalism”, the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform—a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art.
Buster Keaton "can impress a weary world with the vitally important fact that life, after all, is a foolishly inconsequential affair," wrote critic Robert Sherwood in 1918. A century later Keaton, with his darkly comic "theater of the absurd," speaks to audiences like no other silent comedian. If you thought you knew Keaton--think again!
Traces the life of the American film actress from her childhood days spent in Louisville, St. Louis, and Madison, Indiana, through her Hollywood career to her retirement, and receipt of the Kennedy Center Award in 1985.
Jarrod Polsons journey to the University of Kentucky began with a dream in elementary school. Living beyond the Dream offers an inside look into Polsons life as he describes that dream to play basketball for his beloved Wildcats. This memoir narrates the lows and highs and speaks to the lessons Polson learned throughout college. In a world of talent and fame, he understands the choices one makes are more important than the gifts one has been given. Praise for Living beyond the Dream Jarrod Polson is Kentucky basketball. [He] turned down scholarships to other Division 1 schools to live out his dream of playing for the Wildcats. He was given little chance of playing But not only did he play, he was an integral part of UKs 2012 National Championship. To me there is something more important. Jarrod Polson lives what he believes. Cameron Mills Following UKs miraculous run in the 2014 NCAA Tournament, Jarrod Polson and I were given the opportunity to visit thousands of school kids throughout Kentucky. Those kids saw that a UK National Champion who got to live his dream can be humble, patient, and kind and still be a champion. You will love getting to know him and Him through Polsons book Living beyond the Dream. Jeff Sheppard In my time here at Kentucky, Ive been fortunate to have been around some of the strongest character kids in the country. JP is at the top of that list, his faith in how he lives his life, his dedication to team and winning spirit made it fun and a joy to coach. He will always be one of my favorite wildcats. Kenny Payne Jarrod Polson writes about the honor to wear a Kentucky uniform and the thrill of being a part of BBN. Dick Vitale
The minutes, hours, and days after President John F. Kennedy was shot on November 22, 1963, provided no ready answers about what was going on, what would happen next, or what any of it meant. For millions of Americans transfixed by the incomparable breaking news, television—for the first time—emerged as a way to keep informed. But the journalists who brought the story to the television airwaves could only rely on their skill, their experience, and their stamina to make sense of what was, at the time, the biggest story of their lives. President Kennedy’s assassination was the first time such big breaking news was covered spontaneously—this book tells the stories of four men who were at the epicenter of it all. Bob Huffaker, Bill Mercer, George Phenix, and Wes Wise were among those responsible for covering the assassination and its aftermath for Dallas’s KRLD. These reporters fed news and footage to Walter Cronkite and all of the other CBS affiliates around the country. From the presidential motorcade to Parkland Hospital, from Lee Harvey Oswald’s shooting to the trial and lonesome death of Jack Ruby, these men were there, on the inside. The view they were afforded of these events was unparalleled; the tales they have to tell, one-of-a-kind. This 50th anniversary edition includes new photos, insights, and reflections on the state of news (and faux news) today from the four men who were active participants in television news' pivotal moment.
About the Book In assembling and organizing his wife Mary’s letters and diary, M. Wesley “Wes” Shoemaker’s constant goal has been to allow the documents to speak through her voice without intruding himself unnecessarily into the narrative. Yet it cannot be denied that he is the Wes who appears throughout, and that, in addition to the main theme of Mary’s life and Foreign Service Career, it is also a story of a marriage lasting over fifty-one years, in spite of the fact that fifteen of those years, their separate career patterns kept them separated for eight months each year. Containing a total of 191 letters (116 of which are to Wes), Marielo: A Foreign Service Life in Diary and Letters chronicles Mary’s incredible life as a Foreign Service Officer through the slowly dying medium of letter writing, which provided a lifeline that held their marriage together over the years and further explains how their long-distance relationship survived over the years of separation. About the Author M. Wesley “Wes” Shoemaker was a Foreign Service Officer and has been posted at locations all over the world. He later resigned from this role to enter a doctoral program in Russian history at Syracuse University and went on to teach at Lynchburg College.
This groundbreaking film study begins with a survey of American print humorists from eras leading up to and overlapping the advent of film--including some who worked both on the page and on the screen, like Robert Benchley, Will Rogers, Groucho Marx and W. C. Fields. Six comic film genres are identified as outgrowths of a national tradition of Cracker Barrel philosophers, personality comedy, parody, screwball comedy, romantic comedy and dark comedy. Whether it is Mark Twain or a parody film involving Steve Martin, comedy is most often about blowing "raspberries" at the world, and a reminder you are not alone.
For four reporters (Huffaker, Mercer, Phenix, and Wise) at CBS affiliate KRLD-TV in Dallas on November 22, 1963, there was not a dress rehearsal for what they had to do in the aftermath of the assassination of President John F. Kennedy. They provided the first continuous feed of an unfolding tragedy to millions of people around the world. From the initial shots to the shocking shooting of Lee Harvey Oswald by Jack Ruby, the CBS reporters were responsible for keeping the news live and informative, under the microscope of one of the harshest moments in America's history.
This book consists of 27 chapters developed from papers originally delivered at a recent conference at the University of Toronto on anti-oppressive practice in social work. Dr. Shera has gathered expert contributors to discuss, define, and analyse theories of social work practice, pedagogical issues, fieldwork practice, models of education of social work practitioners, and current critical issues. These selected conference papers lay the groundwork for anti-oppressive practice in a way that will generate discussion and inspire researchers and practitioners.
Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art’s "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art’s inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture. In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity.
First published in 2007. In early 1929, two organizers for the American Communist Party’s recently established National Textile Worker’s Union (NTWU) journeyed south by motorcycle to investigate the potential for beginning organizing work among textile workers in the Piedmont region. One of these organizers, Fred Beal, decided to try his luck in Gastonia, North Carolina, which had been described to him as key to organizing the South In a chain of events whose rapidity and magnitude took Beal by surprise, workers at the Loray mill became embroiled in a Communist-led strike that would eventually focus national and even international attention on Gastonia. This book focuses on Myra Page, Grace Lumpkin, and Olive Dargan—the three authors of Gastonia novels who penetrate most incisively into the working-class experience beneath historical and political accounts of the strike and its larger context.
Through a study of the early church, this book shows how Christianity in effect opted for the religion of empire, shifting the emphasis of Jesus's prophetic message from transforming the world to the aim of saving one's soul.
The Kentucky Barbecue Book is a feast for readers who are eager to sample the finest fare in the state. From the banks of the Mississippi to the hidden hollows of the Appalachian Mountains, author and barbecue enthusiast Wes Berry hit the trail in search of the best smoke, the best flavor, and the best pitmasters he could find. This handy guide presents the most succulent menus and colorful personalities in Kentucky.
“An illuminating portrait of Baltimore in the aftermath of the April 2015 death of Freddie Gray . . . Readers will be enthralled by this propulsive account.”—Publishers Weekly LONGLISTED FOR THE PORCHLIGHT BUSINESS BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL From the New York Times bestselling author of The Other Wes Moore, a kaleidoscopic account of five days in the life of a city on the edge, told through eight characters on the front lines of the uprising that overtook Baltimore and riveted the world When Freddie Gray was arrested for possessing an “illegal knife” in April 2015, he was, by eyewitness accounts that video evidence later confirmed, treated “roughly” as police loaded him into a vehicle. By the end of his trip in the police van, Gray was in a coma from which he would never recover. In the wake of a long history of police abuse in Baltimore, this killing felt like the final straw—it led to a week of protests, then five days described alternately as a riot or an uprising that set the entire city on edge and caught the nation's attention. Wes Moore is a Rhodes Scholar, bestselling author, decorated combat veteran, former White House fellow, and CEO of Robin Hood, one of the largest anti-poverty nonprofits in the nation. While attending Gray’s funeral, he saw every stratum of the city come together: grieving mothers, members of the city’s wealthy elite, activists, and the long-suffering citizens of Baltimore—all looking to comfort one another, but also looking for answers. He knew that when they left the church, these factions would spread out to their own corners, but that the answers they were all looking for could be found only in the city as a whole. Moore—along with journalist Erica Green—tells the story of the Baltimore uprising both through his own observations and through the eyes of other Baltimoreans: Partee, a conflicted black captain of the Baltimore Police Department; Jenny, a young white public defender who’s drawn into the violent center of the uprising herself; Tawanda, a young black woman who’d spent a lonely year protesting the killing of her own brother by police; and John Angelos, scion of the city’s most powerful family and executive vice president of the Baltimore Orioles, who had to make choices of conscience he’d never before confronted. Each shifting point of view contributes to an engrossing, cacophonous account of one of the most consequential moments in our recent history, which is also an essential cri de coeur about the deeper causes of the violence and the small seeds of hope planted in its aftermath.
ASTEROID CITY (adapted from a "hypothetical" play) takes place in a fictional desert town, circa 1955. Synopsis: the itinerary of the annual Junior Stargazer/Space Cadet convention (organized to bring together students and parents from across the country for fellowship and scholarly competition) is spectacularly disrupted by world-changing events. A theatrical ensemble character piece; a poetic meditation on the meaning of life. The film stars Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Margot Robbie, Bryan Cranston, Edward Norton, Adrien Brody, and Jake Ryan, among others. In addition to the screenplay, the book contains a gallery of colour images, and a conversation about the film with Wes Anderson, Roman Coppola, Jason Schwartzman, and Jake Ryan.
This is the first full-length study of the place and meaning of pilgrimage in European Renaissance culture. It makes new material available and also provides fresh perspectives on canonical writers such as Rabelais, Montaigne, Margurite de Navarre, Erasmus, Petrarch, Augustine, and Gregory of Nyssa. Wes Williams undertakes a bold exploration of various interlinking themes in Renaissance pilgrimage: the location, representation, and politics of the sacred, together with the experience of the everyday, the extraordinary, the religious, and the represented. Williams also examines the literary formation of the subjective narrative voice in his texts, and its relationship to the rituals and practices he reviews. This wide-ranging and timely new work aims both to gain a sense of the shapes of pilgrim experience in the Renaissance and to question the ways in which recent theoretical and historical research in the area has determined the differences between fictional worlds and the real.
A world-renowned critical care doctor offers hope for ICU patients and their families in this timely, urgent, and compassionate narrative. Over the next ten years, 40 to 60 million people in this country will be admitted to the ICU. Most of these hospitalizations will be sudden, unexpected, and harrowing, experiences that can alter patients and their families physically and emotionally, with effects that endure for years. Every Deep-Drawn Breath is a rich blend of science, medical history, profoundly humane patient stories, and personal reflection. Dr. Wes Ely's mission is to prevent patients from being inadvertently harmed by the technology that is keeping them alive. Readers will experience the world of critical care through the eyes of this physician who drastically changed his clinical practice, and through cutting-edge research convinced others to do the same. For decades, millions of ICU survivors left the hospital with disabling symptoms including newly acquired dementia, depression, PTSD, and nerve damage, all now recognized as Post Intensive Care Syndrome, or PICS (a severe subset of Long Covid symptoms). Dr. Ely's groundbreaking investigations advanced the understanding of PICS and introduced crucial changes that reshaped intensive care: minimizing sedation, maximizing mobility, attending to the family, and providing supportive aftercare. Dr. Ely shows that this new way--technology plus touch--is the future of healthcare, and is a proven path toward reclaiming life. Full of wisdom and heart, Every Deep-Drawn Breath is an essential resource for anyone who will be affected by critical illness, which is all of us.
Mosaic Pieces: Surviving the Dark Side of American Justice By: Wes Skillings Mosaic Pieces is a nonfiction narrative about a murder, investigation, trial, and conviction in the 1970s you might call the centerpiece of three generations of family history. The murder case itself is fascinating—if only because of what had been learned in the aftermath of the trial at which twenty-year-old Kim Lee Hubbard was decreed guilty in Williamsport, Pennsylvania of the murder of twelve-year-old Jennifer May Hill. Jennifer had been dead in a cornfield, according to the forensic pathologist who conducted the autopsy, for as many as nine days in the unseasonably warm and dry weather of that October. And yet the body on the autopsy table “was as fresh as if she had died just the day before,” according to the man who picked up the body and later embalmed it. It was just the beginning of a litany of discrepancies in evidence and testimony presented at the trial, as well as questionable investigative practices. The murder may have occurred on an Indian summer day in October 1973, but the story begins some forty-five years before with the compelling lives of Joe and Dorisann Hubbard leading up to their marriage and the tragedies and difficulties throughout their lives together.
The pursuit of a million dollars is an arduous task for a sixth grader trying to figure out why he was being ridiculed for not fitting in. This path leading him to believe that he needed to start planning sooner, rather than later, or else hed be forced to accept the identity being defined right before his eyes. Ascension above an adolescent mediocrity began after he realized if his ship wasnt coming in, hed have to swim out to it. Unexpectedly, the man he grew into finds a love he settles for rather than letting the Lord settle it for him. After going through the motions of deciding which he wanted more, he discovers that self-defining a treasure map of sorts is the best solution to curtailing any further adverse relationship decisions. Landing a job at Delta Airlines he recognizes that questions he was asking were being answered by the lessons learned while flying through a cloudy perspective to suddenly arrive at the bluest skies hed ever seen. Through the clouds is his journey through those sometimes turbulent skies as he was trying to figure out what was most important. Would he find himself so far up a million dollar dream that he isnt open to a love who finds him wanting? Or would he stay below the clouds long enough to wait on what God was planning all along?
An Aerial Adventure! The only thing that kept Mark going in Vietnam was his plan to spend some time wandering the country by air, like barnstormers did 50 years before. In the last days before leaving, he acquires a partner -- a tall, morose girl named Jackie. They spend months on their coast to coast aerial oddessy, falling in love along the way while having adventures that will turn into memories for a lifetime.
In the style of Stuart Kaminsky, Wes D. Gehring of Ball State University has written an intriguing murder mystery involving a lost Chaplin film and a host of nefarious characters who want it. Using his vast knowledge of all things Chaplinian, Gehring perfectly captures the mindset of the little tramp and has produced a short novel worthy of the subject.
The epic road trips—and surprising friendship—of John Burroughs, nineteenth-century naturalist, and Henry Ford and Thomas Edison, inventors of the modern age. In 1913, an unlikely friendship blossomed between Henry Ford and famed naturalist John Burroughs. When their mutual interest in Ralph Waldo Emerson led them to set out in one of Ford’s Model Ts to explore the Transcendentalist’s New England, the trip would prove to be the first of many excursions that would take Ford and Burroughs, together with an enthusiastic Thomas Edison, across America. Their road trips—increasingly ambitious in scope—transported members of the group to the 1915 Panama–Pacific International Exposition in San Francisco, the Adirondacks of New York, and the Green Mountains of Vermont, finally paving the way for a grand 1918 expedition through southern Appalachia. In many ways, their timing could not have been worse. With war raging in Europe and an influenza pandemic that had already claimed thousands of lives abroad beginning to plague the United States, it was an inopportune moment for travel. Nevertheless, each of the men who embarked on the 1918 journey would subsequently point to it as the most memorable vacation of their lives. These travels profoundly influenced the way Ford, Edison, and Burroughs viewed the world, nudging their work in new directions through a transformative decade in American history. In American Journey, Wes Davis re-creates these landmark adventures, through which one of the great naturalists of the nineteenth century helped the men who invented the modern age reconnect with the natural world—and reimagine the world they were creating.
Crenshaw proposes a new integration of many of the existing theories and practices of family and child counselling with those of the welfare, child protection, and social services programs.
OtherSpace: The 2001 Yearbook is a chronicle of a year in the life of an evolving science fiction saga that unfurls on the Internet every day (www.otherspace.org).Participants further the story, which has been ongoing since 1998, and their actions often yield headline news in the OtherSpace Observer.OtherSpace: The 2001 Yearbook helps demonstrate the excitement and immediacy of this interactive storytelling environment.
The poster-child victim of a dysfunctional family from Beech Grove, Indiana, Steve McQueen experienced an unsettled early life with a rebellious and alcoholic mother. McQueen channeled his difficult childhood into a masterful career on screen portraying tough, self-sufficient characters in such iconic films as The Magnificent Seven (1960), The Great Escape (1963), The Sand Pebbles (1966), Bullitt (1968). Gehring explores how McQueen rose from his days as a troubled youth into one of Hollywood’s top box-office stars, and how he attempted to ease the lives of other troubled youth. Gehring delves into McQueen’s early success, his rocky relationships with women, his sense of humor, his love of fast cars and motorcycles, and his often neglected acting.
Wes Davis' fast-paced tale of wartime sabotage reads more like an Ian Fleming thriller than a mere retelling of events." ―Wall Street Journal "The story unfolds with the rich characterization and perfectly calibrated suspense of a great novel. It can be hard at points to remember the book is actually a work of nonfiction." ―Christian Science Monitor The Ariadne Objective is the extraordinary story of the Nazi occupation of Crete told from the perspective of an eccentric band of British gentleman spies. These amateur soldiers―writers, scholars, archaeologists―included Patrick Leigh Fermor, a future travel-writing luminary; John Pendlebury, a pioneering archaeologist whose walking stick concealed a sword; Xan Fielding, who would later translate books like Bridge over the River Kwai and Planet of the Apes into English; Sandy Rendel, a future Times of London reporter; and W. Stanley Moss, who would write up his account of their exploits in Ill Met By Moonlight (Paul Dry Books, Inc.). Alongside Cretan partisans, these British intelligence officers carried out a daring plan to sabotage Nazi maneuvers, culminating in a high-risk plot to abduct the island’s German commander. Wes Davis presents the scintillating story of these legends in the making and their adventures in one of the war’s most exotic locales. Includes 17 black and white photographs.
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