The Adventures of B.D. Dawg is a fast-paced trip to a wonderful place. Its a book with something for all ages from children to adults. In this work a mismatched group is forced together to forge toward a common goal, and if they fail in their attempt, it could mean the end of their world as they know it. This book is an action-packed novel that will keep readers on the edge of their seats from start to finish.
Confused by "end of the world" readings or put off by the dense and mysterious imagery, many readers hesitate to explore the Book of Revelation. Unveiling Empire offers a new entree into this troubling and controversial book of the Bible by examining the roots and social purposes of apocalyptic literature and Revelations own use of traditional imagery. In this way the authors provide readers with the tools for deciphering the texts message--and its urgent applications for Christians today living amidst a new kind of "empire.
Jarrod Polsons journey to the University of Kentucky began with a dream in elementary school. Living beyond the Dream offers an inside look into Polsons life as he describes that dream to play basketball for his beloved Wildcats. This memoir narrates the lows and highs and speaks to the lessons Polson learned throughout college. In a world of talent and fame, he understands the choices one makes are more important than the gifts one has been given. Praise for Living beyond the Dream Jarrod Polson is Kentucky basketball. [He] turned down scholarships to other Division 1 schools to live out his dream of playing for the Wildcats. He was given little chance of playing But not only did he play, he was an integral part of UKs 2012 National Championship. To me there is something more important. Jarrod Polson lives what he believes. Cameron Mills Following UKs miraculous run in the 2014 NCAA Tournament, Jarrod Polson and I were given the opportunity to visit thousands of school kids throughout Kentucky. Those kids saw that a UK National Champion who got to live his dream can be humble, patient, and kind and still be a champion. You will love getting to know him and Him through Polsons book Living beyond the Dream. Jeff Sheppard In my time here at Kentucky, Ive been fortunate to have been around some of the strongest character kids in the country. JP is at the top of that list, his faith in how he lives his life, his dedication to team and winning spirit made it fun and a joy to coach. He will always be one of my favorite wildcats. Kenny Payne Jarrod Polson writes about the honor to wear a Kentucky uniform and the thrill of being a part of BBN. Dick Vitale
Winner of a Christopher Award—now with a discussion guide “Perhaps one lesson to draw from the pandemic, with help from books like this one, is that the ICU experience can be changed for the better” (The Washington Post) for both patients and their families. You will learn how in this timely, urgent, and compassionate work by a world-renowned critical care doctor. In this rich blend of science, medical history, profoundly humane patient stories, and personal reflection, Dr. Wes Ely describes his mission to prevent ICU patients from being harmed by the technology that is keeping them alive. Readers will experience the world of critical care through the eyes of a physician who drastically changed his clinical practice to offer person-centered health care and through cutting-edge research convinced others to do the same. Dr. Ely’s groundbreaking investigations advanced the understanding of post– intensive care struggles and introduced crucial changes that reshaped treatment: minimizing sedation, maximizing mobility, and providing supportive aftercare. Dr. Ely shows that there are ways to bring humanity into the ICU and that “technology plus touch” is a proven path toward returning ICU patients to the lives they had before their hospital stays. An essential resource for anyone who will be affected by illness—which is all of us.
“An illuminating portrait of Baltimore in the aftermath of the April 2015 death of Freddie Gray . . . Readers will be enthralled by this propulsive account.”—Publishers Weekly LONGLISTED FOR THE PORCHLIGHT BUSINESS BOOK AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL From the New York Times bestselling author of The Other Wes Moore, a kaleidoscopic account of five days in the life of a city on the edge, told through eight characters on the front lines of the uprising that overtook Baltimore and riveted the world When Freddie Gray was arrested for possessing an “illegal knife” in April 2015, he was, by eyewitness accounts that video evidence later confirmed, treated “roughly” as police loaded him into a vehicle. By the end of his trip in the police van, Gray was in a coma from which he would never recover. In the wake of a long history of police abuse in Baltimore, this killing felt like the final straw—it led to a week of protests, then five days described alternately as a riot or an uprising that set the entire city on edge and caught the nation's attention. Wes Moore is a Rhodes Scholar, bestselling author, decorated combat veteran, former White House fellow, and CEO of Robin Hood, one of the largest anti-poverty nonprofits in the nation. While attending Gray’s funeral, he saw every stratum of the city come together: grieving mothers, members of the city’s wealthy elite, activists, and the long-suffering citizens of Baltimore—all looking to comfort one another, but also looking for answers. He knew that when they left the church, these factions would spread out to their own corners, but that the answers they were all looking for could be found only in the city as a whole. Moore—along with journalist Erica Green—tells the story of the Baltimore uprising both through his own observations and through the eyes of other Baltimoreans: Partee, a conflicted black captain of the Baltimore Police Department; Jenny, a young white public defender who’s drawn into the violent center of the uprising herself; Tawanda, a young black woman who’d spent a lonely year protesting the killing of her own brother by police; and John Angelos, scion of the city’s most powerful family and executive vice president of the Baltimore Orioles, who had to make choices of conscience he’d never before confronted. Each shifting point of view contributes to an engrossing, cacophonous account of one of the most consequential moments in our recent history, which is also an essential cri de coeur about the deeper causes of the violence and the small seeds of hope planted in its aftermath.
Charlie Chaplin's A Woman of Paris (1923) was a groundbreaking film which was neither a simple recycling of Peggy Hopkins Joyce's story, nor quickly forgotten. Through heavily-documented "period research," this book lands several bombshells, including Paris is deeply rooted in Chaplin's previous films and his relationship with Edna Purviance, Paris was not rejected by heartland America, Chaplin did "romantic research" (especially with Pola Negri), and Paris' many ongoing influences have never been fully appreciated. These are just a few of the mistakes about Paris.
Woody Allen's Manhattan Murder Mystery has been described as "a kind of Rear Window for retirees." As this quote suggests, an analysis of Alfred Hitchcock's methodical use of comedy in his films is past due. One of Turner Classic Movies' on-screen scholars for their summer 2017 online Hitchcock class, the author grew tired of misleading throwaway references to the director's "comic relief." This book examines what should be obvious: Hitchcock systematically incorporated assorted types of comedy--black humor, parody, farce/screwball comedy and romantic comedy--in his films to entertain his audience with "comic" thrillers.
Through a study of the early church, this book shows how Christianity in effect opted for the religion of empire, shifting the emphasis of Jesus's prophetic message from transforming the world to the aim of saving one's soul.
This groundbreaking film study begins with a survey of American print humorists from eras leading up to and overlapping the advent of film--including some who worked both on the page and on the screen, like Robert Benchley, Will Rogers, Groucho Marx and W. C. Fields. Six comic film genres are identified as outgrowths of a national tradition of Cracker Barrel philosophers, personality comedy, parody, screwball comedy, romantic comedy and dark comedy. Whether it is Mark Twain or a parody film involving Steve Martin, comedy is most often about blowing "raspberries" at the world, and a reminder you are not alone.
The twelve classic comedy films examined within these pages are distinguished by an equal number of defining comic performances. Ranging from The Great Dictator (1940) to A Southern Yankee (1948), each film focuses on the most central theme of "clown comedy": Resilience, the encouragement or hope that one can survive the most daunting of life's dilemmas--even during the war-torn 1940s. And each film can be regarded as a microcosm of the antiheroic world of its central clown (or clowns). Among the performers represented are Charlie Chaplin, W.C. Fields, Abbott and Costello, Jack Benny, Eddie Bracken, Bob Hope, Bing Crosby, Danny Kaye, the Marx Brothers, Harold Lloyd and Red Skelton. This lavishly illustrated work includes an introduction by noted film critic and historian Anthony Slide.
A scintillating collection of inspirations for Wes Anderson's star-studded tenth film The French Dispatch--fascinating essays on the expatriate experience in Paris by some of the twentieth century's finest writers. A glimpse of post-war France through the eyes and words of 14 (mostly) expatriate journalists including Mavis Gallant, James Baldwin, A.J. Liebling, S.N. Behrman, Luc Sante, Joseph Mitchell, and Lillian Ross; plus, portraits of their editors William Shawn and New Yorker founder Harold Ross. Together: they invented modern magazine journalism. Includes an introductory interview by Susan Morrison with Anderson about transforming fact into a fiction and the creation of his homage to these exceptional reporters.
This first full-length biography of a legendary and award-winning Hollywood writer, producer, and director (Duck Soup, My Favorite Wife, An Affair to Remember, Going My Way, and The Bells of St. Mary's) explores the director's life as filtered through his art. Gehring maintains that McCarey's films were often a reworking of his antiheroic self. In addition, the apparent diversity of his films actually represents an interrelated web of various comedy genres and a pattern of antiheroic characters and themes.
A Sacred Society exists amongst us all. Believed only as a myth—its origin thrives in secret. Once transformed, each generation of its members become the elite of our society—some for good and some for evil as well. Troy Anthony, unknowingly and somewhat unwillingly, is about to join the elite, like his father before him. It takes a close family friend to ultimately expose the Secret to Troy, revealing his true destiny, and then she becomes a valuable ally. They inadvertently share a unique bond—one of which many doubt its very existence. Troy is taken to two magical places where he learns many secrets of the world, many of which we all have been curious about. It becomes an epic battle where Troy clashes with an evil tyrant, his father's assassin, a distant cousin sharing many of Troy's unique abilities. There are two seeds planted at the end of the story, one new and one older, one good and one evil. One catches Troy by surprise, while the other he will have to deal with—as the story continues.
This examination of dark comedies of the 1970s focuses on films which concealed black humor behind a misleading genre label. All That Jazz (1979) is a musical...about death--hardly Fred and Ginger territory. This masking goes beyond misnomer to a breaking of formula that director Robert Altman called "anti-genre." Altman's MASH (1970) ridiculed the military establishment in general--the Vietnam War in particular--under the guise of a standard military service comedy. The picaresque Western Little Big Man (1970) turned the bluecoats vs. Indians formula upside-down--the audience roots for the Indians instead of the cavalry. The book covers 12 essential films, including Harold and Maude (1971), Slaughterhouse-Five (1972), One Flew Over the Cuckoo's Nest (1975) and Being There (1979), with notes on A Clockwork Orange (1971). These films reveal a compounding complexity that reinforces the absurdity at the heart of dark comedy.
The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.
Traces the life of the American film actress from her childhood days spent in Louisville, St. Louis, and Madison, Indiana, through her Hollywood career to her retirement, and receipt of the Kennedy Center Award in 1985.
Confused by "end of the world" readings or put off by the dense and mysterious imagery, many readers hesitate to explore the Book of Revelation. Unveiling Empire offers a new entree into this troubling and controversial book of the Bible by examining the roots and social purposes of apocalyptic literature and Revelations own use of traditional imagery. In this way the authors provide readers with the tools for deciphering the texts message--and its urgent applications for Christians today living amidst a new kind of "empire.
To call something 'monstrueux' in the mid-sixteenth century is, more often than not, to wonder at its enormous size: it is to call to mind something like a whale. By the late seventeenth 'monstrueux' is more likely to denote hidden intentions, unspoken desires. Several shifts are at work in this word history, and in what Othello calls the 'mighty magic' of monsters; these shifts can be described in a number of ways. The clearest, and most compelling, is the translation or migration of the monstrous from natural history to moral philosophy, from descriptions of creatures found in the external world to the drama of human motivation, of sexual and political identity. This interdisciplinary study of monsters and their meanings advances by way of a series of close readings supported by the exploration of a wide range of texts and images, from many diverse fields, which all concern themselves with illicit coupling, unarranged marriages, generic hybridity, and the politics of monstrosity. Engaging with recent, influential accounts of monstrosity - from literary critical work (Huet, Greenblatt, Thomson Burnett, Hampton), to histories of science and 'bio-politics' (Wilson, Céard, Foucault, Daston and Park, Agamben) - it focusses on the ways in which monsters give particular force, colour, and shape to the imagination; the image at its centre is the triangulated picture of Andromeda, Perseus and the monster, approaching. The centre of the book's gravity is French culture, but it also explores Shakespeare, and Italian, German, and Latin culture, as well as the ways in which the monstrous tales and images of Antiquity were revived across the period, and survive into our own times.
The poster-child victim of a dysfunctional family from Beech Grove, Indiana, Steve McQueen channeled his difficult childhood into a masterful career on screen portraying tough, self-sufficient characters.
In this vivid first-person narrative, a Special Operations Joint Terminal Attack Controller (JTAC) and his commanding general give fascinating and detailed accounts of America’s fight against one of the most barbaric insurgencies the world has ever seen. In the summer of 2014, three years after America’s full troop withdrawal from the Iraq War, President Barack Obama authorized a small task force to push back into Baghdad. Their mission: Protect the Iraqi capital and U.S. embassy from a rapidly emerging terrorist threat. A plague of brutality, that would come to be known as ISIS, had created a foothold in northwest Iraq and northeast Syria. It had declared itself a Caliphate—an independent nation-state administered by an extreme and cruel form of Islamic law—and was spreading like a newly evolved virus. Soon, a massive and devastating U.S. military response had unfolded. Hear the ground truth on the senior military and political interactions that shaped America’s war against ISIS, a war unprecedented in both its methodology and its application of modern military technology. Enter the world of the Strike Cell, secretive operations centers where America’s greatest enemies are hunted and killed day and night. Plunge into the realm of the Special Operations JTAC, American warfighters with the highest enemy kill counts on the battlefield. And gain the wisdom of a cumulative half-century of military experience as Dana Pittard and Wes Bryant lay out the path to a sustained victory over ISIS. For more information about the book, visit www.huntingthecaliphate.com.
A young man sets out to hitchhike Europe, meets interesting people and has extraordinary experiences. His travels are abruptly halted and his future is significantly altered when he is left for dead after coming to the rescue of an older lady and gentlemen. Now, as the coffins are being lowered into the ground in a centuries-old cemetery in England, Richard Lion begins to recall fragments of memories, glimpses in his mind of how he fought to escape death, his awakening and how in a remarkable chain of events, he became the heir to a title and a fortune and had to fight and survive in order to keep them.
A compelling view of two competing religious visions---one of "creation" and the other of "empire"---that run throughout the Bible. "A remarkable offering for those who care about the interface of power and faith with all the threats and seductions that go with it. . . As I read, I felt overwhelmed, both by the mass of data and by the cunning of interpretation. I could not put it down, and expect to continue to be instructed by it.---Walter Brueggemann "Howard-Brook undertakes what few dare anymore: an introductory primer for the whole Bible...This book invites disciples to `connect the dots', in order to recover our ancient, anti-imperial identity, and to embrace a radical faith and practice that are personal and politica."---Ched Myers "Howard-Brook illuminates how ancient empires exercised control and manipulation of people not simply by political and military means, but also through the religion of empire. Throughout he makes clear that the core message of the God of creation is to call people out of empire, to refuse to cooperate with the forces of destruction and domination today."---Richard Horsley "Will become a classic for communities that seek first to receive the gracious gift of God's alternative future to Empire."---Jarrod McKenna "If we who sojourn in America are to be a community that can both name and resist the lure of Empire, we need a story more powerful than the story called America. Wes Howard-Brook knows than the Bible tells such a story. May its story be ours as we're set free from our imperial imaginations to dream with our Creator of a new world here and now."---Jonathan Wilson-Hartgrove
Fixing the carnage on our roadways requires a change in mindset and a dramatic transformation of transportation. This goes for traffic engineers in particular because they are still the ones in charge of our streets. In Killed by a Traffic Engineer, civil engineering professor Wes Marshall shines a spotlight on how little science there is behind the way that our streets are engineered, which leaves safety as an afterthought. While traffic engineers are not trying to cause deliberate harm to anyone, he explains, they are guilty of creating a transportation system whose designs remain largely based on plausible, but unproven, conjecture. Killed by a Traffic Engineer is ultimately hopeful about what is possible once we shift our thinking and demand streets engineered for the safety of people, both outside and inside of cars. It will make you look at your city and streets--and traffic engineers--in a new light and inspire you to take action.
Born in Winchester, Indiana, Robert Wise spent much of his youth sitting in darkened movie theaters enthralled by the swashbuckling heroics of screen legend Douglas Fairbanks Sr. Through these viewings, Wise developed a passion for film—a passion he followed for the rest of his life, making movies in Hollywood. Nationally known film historian Wes D. Gehring explores Wise’s life from his days in the Hoosier State to the beginning of his movie career at RKO studios working as the editor of Orson Welles’s classic movie Citizen Kane. Wise is best known for producing and directing two of the most memorable movie musicals in cinema history, West Side Story (co-director Jerome Robbins) and The Sound of Music, for which he won four Academy Awards—two Best Picture and Best Directors Oscars. But, as Gehring notes, other than Howard Hawks, Wise was arguably Hollywood’s most versatile director of various celebrated genre films.
Becoming Children of God' offers a fresh and original commentary on the Gospel of John as a narrative inviting readers -- both in the evangelist's time and our own -- to a radical commitment to follow Jesus from within a spirit-filled community. This reading is grounded in a "poetics of biblical narrative" that balances attention to historical, ideological, and aesthetic aspects of John's Gospel while highlighting its relevance for today. By committing himself to a close analysis of the text as "symbolic action" Howard-Brook makes it clear how John's Gospel fairly bristles with references to societal conditions that demand a direct response. Throughout the commentary, his close attention to literary structure as well as social background yields new insights into the often-obscure message of the Fourth Gospel.
The book examines Charlie Chaplin's evolving perspective on dark comedy in his three war films, Shoulder Arms (1918), The Great Dictator (1940), and Monsieur Verdoux (1947). In the first he uses the genre in a groundbreaking manner but yet for a pro-war cause. In Dictator dark comedy is applied in an antiwar way. In Monsieur Verdoux Chaplin embraces the genre as an individual in defense against a society out to destroy him. All three are pivotal films in the development of the genre in film, with the latter two movies being very controversial for their time.
This new guide covers the fabled lakes of the Evergreen State like never before. Local legend, "Uncle Wes" Malmberg, guides anglers through the best and most consistent trout lakes, including depths, trolling routes, trolling tactics, fly fines, flies, and fish-holding areas on each water. Malmberg knows these lakes like a trout knows a mayfly, and using his techniques, has consistently caught more and bigger fish than other anglers. This book will put more rainbow, brown, and cutthroat trout on your line. Dozens of detailed maps show depths, access points, bay, and all other pertinent information. Also included are stocking records, directions to each fishery, and fish species descriptions.
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