Hailed by Frank Whitford, art critic for The Sunday Times, as the best book about this fascinating artist that Ive ever read, this scholarly and thoughtprovoking book, available again after some time out of print, casts a remarkable light on Caspar David Friedrich, the leading German Romantic artist of the 19th century.
With ravishing full-spread details of paintings and carefully-chosen details of many etchings, this illustrated volume focuses on Goya's profoundly disturbing imagery, and demonstrates that his modernity derives from his lifelong investigation of what lies behind the world of appearances and convention. Werner Hofmann describes the essence of Goya's huge output, pointing to the source of its energy, alarming immediacy and striking modernity. Goya’s paintings, drawings and prints are placed in their historical context, revealing the specific character of each phase of the artist’s life and work. The author discusses 'the glory and the pain of faith' in Goya’s early work, the artist’s representation of the threat posed by the French Revolution, his dramatic documentation of the French occupation of Spain, his variations on cruelty in the Horrors of War etchings, and the religious faith apparent in his late work. Hofmann also illuminatingly relates the artist and his work to contemporary intellectual developments, drawing comparisons with writers, critics and philosophers from Goethe to William Blake and the Marquis de Sade. The book also features extensive Notes, Chronology and a Bibliography.
Legendary filmmaker and celebrated author Werner Herzog tells in his inimitable voice the story of his epic artistic career in a long-awaited memoir that is as inventive and daring as anything he has done before Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed. Until age 11, Herzog did not even know of the existence of cinema. His interest in films began at age 15, but since no one was willing to finance them, he worked the night shift as a welder in a steel factory. He started to travel on foot. He made his first phone call at age 17, and his first film in 1961 at age 19. The wildly productive working life that followed—spanning the seven continents and encompassing both documentary and fiction—was an adventure as grand and otherworldly as any depicted in his many classic films. Every Man for Himself and God Against All is at once a personal record of one of the great and self-invented lives of our time, and a singular literary masterpiece that will enthrall fans old and new alike. In a hypnotic swirl of memory, Herzog untangles and relives his most important experiences and inspirations, telling his story for the first and only time.
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